Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [20] Contemporary Artwork Critic Louis Choi's art criticism: Contempora..

Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [20] Contemporary Artwork Critic Louis Choi's art criticism: Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: Contemporary Artwork Critic Louis Choi's art criticism published on Facebook: Boris Anisfeld <A lady with the background of a city> = 

it compares the background structure of the architectural forest viewed from above with the value of meaningless actions made by women enjoying consumption. In addition, women who enjoy consumption by distinguishing the building from the background are abstracted into the urban landscape.

This is a symbolic mark that allows the structure of a building that is not real to be recognized as an unchanging city.

 

Boris Anisfeld, A lady with the background of a city, 84.1*76.5cm, oil on canvas, 1930 (The source: Work posted on Facebook) 

 

 

Louis Choi Chuljoo's Art criticism: it compares the background structure of the architectural forest viewed from above with the value of meaningless actions made by women enjoying consumption. In addition, women who enjoy consumption by distinguishing the building from the background are abstracted into the urban landscape.

This is a symbolic mark that allows the structure of a building that is not real to be recognized as an unchanging city.

 

Contemporary American art is an artistic and economic activity in the city, shaped by the social relationship between immigrants and localization.

Amid the recession, buildings and everyday items in American cities are designed in a consuming structure in the form of the functionalism of Gropius, who created Bauhaus.

In its structure, locals and immigrants who escaped agriculture form cities as non-agricultural experts.     

Among these experts, painters expand the meaning of objects by painting abstract dadaism as an everyday product.

"Already with the background of city" refers to the semantic limitations of the city established in the American social phenomenon that caused the Great Depression.

The problem of applying the meaning of an object using a city as a building is presented as a background.     

Here, in a phenomenal city, the shadow of the building and the woman's clothes are painted black to equate the meaning of a woman enjoying consumption with the city.

In addition, different shapes of buildings and patterns convey meaning as similar colors and abstract the desires of others.

 

Boris Anisfeld shows the generalization of American cities abstracted from Impressionism to affluence in "A Woman Set in the City."

This is the beginning of the transition of American contemporary art to action painting and neo-dadaism, which act as realistic objects.     

He creates a symbolic abstract structure of building consumption set in bright red tones, and the red pattern effect that connects cities and women shows that cities and women are the same structure.

In order to find the behavioral value of the subject of the action process created by the desire of others through the meaning of the building, a woman wearing a red pattern is openly directed as a meeting between the city and desire in the background.     

It means that the structure of the building is made of steel and completed with the same material retroactive effect, and as another subject of consumption hidden in a city abstracted in bright red tones, it represents Lady, a public structure that enjoys consumption with the city by contrasting women's costume patterns with the primary colors of red.

 

In this way, he creates a virtual place in the city with the semantic color of a phenomenal building and hides the structured behavior by symbolizing the consumption enjoyed by Lady as a subjective image in the city.     

In other words, it compares the background structure of the architectural forest viewed from above with the value of meaningless actions made by women enjoying consumption. In addition, women who enjoy consumption by distinguishing the building from the background are abstracted into the urban landscape.

This is a symbolic mark that allows the structure of a building that is not real to be recognized as an unchanging city.

 

The marker therefore faces Lady in "A Woman Set in the City," which is set in an iconic background of the city. 

Lady symbolically identifies with the city as a proxy for traditional values left from past rituals, and shows the background in which the value of the joyful city, which is not seen as a phenomenon, consists of Lady's consumption.  / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design)

 

Art critic Choi Chul-joo