Art Critic Louis Choi Chul-joo Criticism [29] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art

Art Critic Louis Choi Chul-joo Criticism [29] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory p26-2> : Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

 

 

Louis Choi Chul-joo's treacherous conceptual art abstraction ■ It is treacherous to conceptual art that fits the conceptual form to lines and colors. ■ In Choi Chul-joo's abstraction design process/abstract painting "morning glory", desire concept's art theory is formalized to convert the news cartoon image into the signified image by linking Choi Chul-joo's desire art theory to the abstraction.      

This has the meaning of expressing the other's desires in painting by repeatedly applying the imaginary world and Choi Chul-joo's desire formula, 

The image generated here is the shape of the desire concept image in which the entire subject appears as light in a certain direction at the intersection with a distorted gaze except for the drawing that is fixed to the subject's face.     

As a result of applying the abstract art theory of the concept of Choi Chul-joo's desire to the shape, the desires of the other approach the formative beauty. This is because the other's desire is in the light hidden in the sky, but the subject's place is on the ground. Therefore, if the sky and the ground without a shape are real, the structure of realistic desire is an existential abstract that realistically depicts the scene of an event that existed in the past time.     

"morning glory", created as a reversible shade of light as a representative of the abstraction, is a form of a background image determined as a structure of desire as an event scene and a art performance image in the time. It acquires aesthetic value as an abstract image of realistic non-realism that makes the image recognize the existence of the concept of desire.     

 

■Choi Chul-joo "morning glory window" is not the subject of the object, but the spatial background of the desires of the other. It creates a non-real cloud and hides the shadow of reality through white without a color tone that matches the reality of reversible light and hides the reality of that light.

As a frame for the shadow, the window illuminates the hue of reality through a reversible shadow so that you can see the hidden pattern in the shadow and recognizes the shape of the reality as a being.

 

Looking at the form as a being is the same as looking at a consistent space of life like the sky. It connects with the cartoon review of the news that represents the space of life, but does not criticize and judge, but structures the reality of the object symbolizing reality through the picture of the event into a treacherous conceptual art, and abstracts the concept realistically like historical painting.

(The treacherous conceptual art theory of Choi Chul-joo's art abstraction / ACN · December 24, 2022, 17:11)   

 

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis, morning glory p26-2-1, a hand-painted picture on a computer, 2022

 

Treacherous Conceptual Art Green Louis Choi Chul-joo <morning glory> Art Criticism

To reveal the subject of desire is to reveal the object of the concept of the image of desire as a deficient subject. This is a   of  structure of the visible object deficiency realistically reconstructed in the form of the other's desires in the abstraction "morning glory" 

<morning glory window> constitutes a frame that reveals the image of the subject representing the lack of desire cencept in the subject, and creates an object in the shade of reversible light in the frame to choose reality as a subject away from non-existence.

  

This is the physical structure of desire that results in a realistic existence. The structure has each cross section in a three-dimensional form in several frames, and abstracts the pictorial image as a conceptual art of desire into a multi-faceted image of a semantic structure as an object in a single concept. (ACN, June 22, 2023, 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Conceptual Art Theory)

 

<morning glory p26-2-1> is an object of desire concept images drawn on the form of overlapping cloth with threads reflected on the back by manually creating images created as an anamorphosis image, which means the reality of morning glory.

 

In 2022 New York (Flushing Town Hall & Yeomyeong Hall), Korean painter & pop art abstract artist Louis's <morning glory> is a modern art abstraction that produces a poster with a contemporary art design concept as a desire cencept  structure and symbolizes the design of the desire shape, that is, the exhibition poster image of the painting.    

The object (26-2-1 Louis Choi Chul-joo 2022 New York Exhibition morning glory poster), which depicts the meaning of the shape seen in the semantic space created by reversible light, structures the meaning of the image that hides the desires of the other in time as a shade of reversible light, meaning an abstract space that can be reversible into a real shape, and the meaning of conceptual abstraction, that is, the image in the mirror, is a hypothetical non-real image and shows an abstract image that reveals the place of the other's unconscious desire.     

The object (morning glory poster 26-2-1), which depicts the meaning of the shape seen in the meaning space created by reversible light, means the existence of the same abstract space that can reversibly form an object into a real shape by structuring the meaning of a certain desire shape in the shadow of reversible light, and shows an existential image of the concept of desire, that is, an abstract space obscured by the actual changed movement of the exhibition poster shape.  

  

Louis, morning glory p26-2-4, a hand-painted picture on a computer, 2022

 

"morning glory p26-2-4", which is a desire conceptual art, is an abstract area of painting in which a specific effect occurs that reveals the conceptual image of desire as an exhibition poster. That area is an image that can momentarily see the desires of others who function gazely like a background in the landscape.

This is a crooked planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality in the mirror (le Réel), but the shape of the background is not the same. This is because although it is an real form, the realistic form of the non-real with the structure of the same meaning as the conceptual semantic structure is abstract, but abstraction with different shapes as the same meaning is non-realistic as an ideological atypical entity with different colors and sizes.

Its existence defines an abstract space as a shape that is actually reversible and refers to the abstraction meaning of the exhibition poster of desire concept art, in which the shape is obscured by the movement that has actually changed into the shade of reversible light.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image , that is, an image that emphasizes the hidden meaning of the cartoon)    

 

Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer  

        

Desire conceptual art abstraction, which replaced the phenomenal place of the meaning of abstraction with an exhibition poster, can distinguish the place of the shape, thus conceiving the meaning of another structural image that interprets the shape.

The shape is abstract in color and size similar to the meaning of the ideological structure to speak of a different meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally 

This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured in shades.

The meaning is designed as "morning glory", which is abstracted as a symbolic language symbolizing a desire flower that imitates the other's desire "MONSTA X's "Let me be your fantasy-5".

 

In the abstract conceptual image "morning glory", a shape representing the desires of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstract Poster 26-2-4). The concept of desire image, which is invisible in the mechanical scheme of the perspective visual system, creates a place of shade while being hidden in reversible light, and abstracts the object of the concept of desire image as a momentary gaze different from the other's desire abstract perspective revealed in the unconscious.     

In order to obtain artistry beyond generality, objects abstracted as desire conceptual art form a distorted image expressed through desire revealed in the suppressed unconsciousness of others into a design, create an object of desire conceptual image as a shade of exhibition poster formability with the desire of others as existence, and exist as meaning.                

As a meaningful being, the object contains a formative value as an autonomous choice of the other's desire by revealing the object as another being by transforming the object's image into a structure of meaning into a crooked image from the other's desire perspective.

In addition, a small piece as the other's desire hidden in the background of a chicken shows a real abstract space that is reversed through a thought movement that creates an image that actually changes the shape. This is where the other's desire is abstracted and placed in a space where the object can be actually reversible in the meaning of the existence of an abstract object.     

Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)    

 

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis Choi Chul-joo Choi, a morning glory outside the window, 151X178cm, acrylic and composite materials on cloth, 2022~2023     

 

The realistic form of the desire concept cartoon "MONSTA X's "Let me be your fantasy" 5" shows a non-realistic form representing the meaning of an abstract landscape form that is hidden by the desires of others who are abstracted. The shape is the intersection with the actual structure selected by the desires of the other, created by abstract shades. 

This is a non-realistic realistic structure, a shape that is momentarily abstracted at the intersection where the desire of the other is seen as a gaze, designed as a real figure of the whole and a shade of reversible light.

The image of desire is cut in order to accept the new subject as the gaze. The subject of this cut desire structure is fixed in the shape of representation. The space reflected in the mirror in the painting is another space in the physical space revealed in the shadow of one painting with reversible light, a reality that appears as an 'observation' that cannot be seen from the point of view of the entire scene of the painting. In order to reproduce the reality seen through such a gaze, the artist uses a mirror as a material in the painting.     

Only the concept cartoon of desire that cannot be expressed on the same plane Structures the virtuality of abstract exhibition posters into conceptual desire, similar to the gaze image that virtually reproduces the crooked image of "MONSTA X's "Let me be your fantasy" 5", or as if representing the place of reality with cubism as a connection to the image.

Cartoon objects, the concept of desire created by the desire of the other, are concealed without being exposed as objects reflected in the mirror, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who drew the picture replaces the other.

The position revealed by staring at the image of the concept of desire in place of the other is atopia, which is the position of the subject that appeared at the vanishing point in the entire virtual image. 

Therefore, it is the object, or reality, that the subject of the subject reveals as a gaze from the other's desire point of view.     

Therefore, the abstraction of contemporary art pop art <morning glory p26-2-4> abstracts the concept of real and non-real images in the same space. In cubism that conceptualizes the subject, trying to reveal physical reality as a pop-art space makes the object 'look at' as a realistic reality. And realistic reality appears in a clear physical structure. Its structural physicality has several cross-sections in a three-dimensional form and captures the multifaceted conceptuality of a morphological structure with one cross-section and two sides in a conceptual painting as an object in one concept. / Writing. Modern Art Critic Choi Chul-joo (Modern Art Designer & Ph.D. in Cultural Design)  

 

Choi Chul-joo, a contemporary art critic