Modern and Contemporary Artist [14] Contemporary Artist & abstract artist Louis Choi Chul-joo's "morning glory" Exhibition with the image of desire's object and Contemporary Artist, Louis Chul-joo Choi's Image Installation Art <morning glory> Exhibition w

Modern and Contemporary Artist [14] Contemporary Artist & abstract artist Louis Choi Chul-joo's "morning glory" Exhibition with the image of desire's object and Contemporary Artist, Louis Chul-joo Choi's Image Installation Art <morning glory> Exhibition with the image of desire's object and desire's Anamorphosis. 20220308~20220310 Yeomyeong Halll, New York.

Planning. Former curator of the Seoul Museum of Art Choi Chul-joo (abstract artist & contemporary artist)

 

 

 

 

2022 NewYork Exhibition: Louis's Image Installation "morning glory": Exhibition of Louis Chul-joo Choi's "morning glory" with the image of desire's object ɑ and desire's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.

 

 

 

 

 

Louis Choi Chul-joo's "morning glory" is a thread drawn on a cloth where the image of the back is reflected using an image made of an anamorphosis image that means the reality of morning glory. 

The exhibition work as an image installation with Choi Chul-joo's real picture is a form of casting a shadow over a cloth with reversible light intersecting it, and the form of an unrealistic painting with reflective light in a small hole of the cloth extends to a distorted anamorphosis image of desire. The meaning of the shape is to make the real custom of facing morning glory a space with light on the cloth and to structure the desires of others decorated with reversible colors of light.

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p4-4-1, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p15-3, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p26-2-4, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p4-6, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

2022 New York Exhibition, Louis Chul-joo Choi's Image Insallation Art <morning glory>

 

Louis Choi Chul-joo's "morning glory" is a thread drawn on a cloth where the image of the back is reflected using an image made of an anamorphosis image that means the reality of morning glory. 

The exhibition work as an image installation with Choi Chul-joo's real picture is a form of casting a shadow over a cloth with reversible light intersecting it, and the form of an unrealistic painting with reflective light in a small hole of the cloth extends to a distorted anamorphosis image of desire. The meaning of the shape is to make the real custom of facing morning glory a space with light on the cloth and to structure the desires of others decorated with reversible colors of light. 

 

Therefore, the existence of a structure made by the force of the feeding brush in the designated spot of the morning glory, or the spot of the morning glory, which depends on the instantaneous coincidence of timeliness, is the place of the morning glory. By creating an image of the morning glory in a stream, the image of the fabric is expanded into a reversible shade of light. And it depicts the planar morning glory and atmosphere transformed into timeliness in its place.

By illuminating in various directions, the existing shape of the past time is returned to the unconscious shape, and the image reversible to the real shape cannot be overlapped according to one temporality, but overlapped in an integrated meaning.

Another place overlapped with timeliness is the Yeomyeong Hall Gym, which has a basketball stand. It is installed on the wall, entrances, and basketball stand on the back wall of several chairs as an anamorphosis image to the desire. Chairs that can be located regardless of the seat refer to the space of desire of the past.

 

Here, "morning glory", created by a reversible shade of light, shares its space as an image. Another installation image overlapping with chairs is an object. Assuming that the pictorial installation image of desire is a non-reproducive image, reality exists as a real image in the entire virtual Yeomyeong Hall Gym image that abstractly reproduces reality.

The object of desire clearly reveals the physical structure, especially by eliminating volume and shadow from the morphological structure. This is an analysis of an object as an invisible 'gaze', and the form of visual representation is viewed as the form of cognitive representation from different points of view.

 

The object as an anamorphosis image in Picasso's painting is a crooked image that looks like an object of Choi Chul-joo's concept of desire. This is an object of desire and goes beyond the dimension of the non-realistic visual image of painting. 

The image is an image created in the shadow of light on a multi-faceted object in a form revealed from the line. It has temporality and existence as composed at the instantaneous point of time. This is because it is an image created by the desire of others in a system of composition of desires in a gaze area regardless of whether it is flat or stereoscopic.

There is no perspective density and sense formed at a single light source point of view by choosing a shaded image of light in which the desires of the other are integrated by light lines. Here, the object refers to that partial images, such as abstract collage, exist in space in the form of being revealed by gaze at the same time.

 

However, the shape hovers in the background of the image with several shades that are instantly reversible without being seen as meaningful. This is an image in which the position of temporality, that is, the image of the sky, appears as a fixed stimulus of light at one moment in time, just as clouds, rain, and snow appear. This is the existential position of the object that the light is viewed through an infinite and continuous gaze made up of the passage of temporality.

It is a reversible visual structure in which abstract phenomena in which spheres coexist exist. It is a structure of temporal desire for the image that obtains semantic desire recognition of the image when the artist paints.

 

Therefore, the visual reversible reaction is an image of the visual reversible reaction of morning glory and the instantaneous real structure according to its place as a certain object, in which the artist overlaps with various colors and turns black or the light is obscured.

The image is a landscape of desire created by the image of the desire of the other, located at the moment when the shadowy shape of everyday life intersects with the 'morning glory' of the past time.

 

The dark blank space contrasted with the light in this decorated shape is a shadow created in the landscape where the concept of desire stays. Here, as a real object being, color is a podium image of a refined custom that is seen as gaze. 

This is a symbolic language whose meaning symbolizes an imitated flower, and the image installation art "morning glory" is a hidden aesthetic structure that conceals the desires of others symbolized in non-real space as beings as a result of the desire meaning. And it is a piece of an object as the meaning of the concept of desire.

 

 

Louis Chul-joo Choi, morning glory 2021-j-01-1, 145X183cm, acrylic and composite materials on cloth, 2021

 

The area of painting in which a specific effect as a visual culture of desire conceptual meaning occurs is an image that can momentarily see the desires of others who function gazefully in the landscape. The image <morning glory 2021-j> is an idea that recognizes and applies what is not in reality in Choi Chul-joo's desire formula. The idea is an image that depicts the unconscious and language in the same shape.

The morning glory seen here is a structure that looks like a gaze flattened with one color. This is the plan view of the sculpture structure transmitted by reversible light, which seems to have a consistent meaning of morning glory in abstraction. The morning glory is the same as the reflected reality, but the shape of the background is not the same as the reality.

 

Louis Chul-joo Choi, morning glory 2021-k-0, 136X168cm, acrylic and composite materials on cloth, 2021

 

 

 <morning glory 2021-k-0> as an attempt at desire painting refers to an uncanny aspect of trying to return the meaning of painting to the suppressed one of the aesthetic spaces in which the existence of an object in painting generates the desire of the other as a specific effect of desire meaning by erasing one morning glory stem with light.

This is the artistic meaning of reality and non-realism according to the image showing the realm of a desire through painting. It cannot be selected as a visible image that reproduces an object, that is, a pictorial image expressing an object as a real object was identified as an image as a non-real thing. Therefore, it reveals the desires of others with a crooked image similar to an object of desire, which is a method of finding reality in an object. In other words, it shows the visual meaning of abstraction by waking up from the linguistic unconscious and drawing the desires of the contemporary others.

 

The meaning of visual abstraction is a symbolic language that symbolizes the imitated flower. Here, the image of morning glory is a symbolized being in an unrealistic space as a result of the meaning of desire, and is a fragment of an object as the meaning of a concealed aesthetic structure.

Therefore, < morning glory 2021-k-0> is a real painting drawn on a cloth illuminated by the back, and the position of the non-realistic painting extends to the image of desire with light reflected in a small hole in the fabric. The meaning of form is the desire of the other to decorate the reality of traditional universality faced by morning glory into a space of real paintings with reversible colors of light.  / Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design)

 

contemporary art abstract painter Louis Choi Chul-joo

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p54-5, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p21-5, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p34-6, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p48-3, a hand-painted picture on a computer, 2022

 

 

 

 

 

 

 

 

 

 

Louis Chul-joo Choi, morning glory p21-6, a hand-painted picture on a computer, 2022

 

 

 

 

 

 Louis Chul-joo's second solo exhibition of installation art in New York was held at Yeomyeong Hall in 2022.