Contemporary Artist Choi Chul-joo ｜ Choi Chul-joo's Contemporary Art Criticism [1] Contemporary Artist Criticism, Contemporary Art Abstract Painter's Works Criticism & Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting A

Contemporary Artist Choi Chul-joo ｜ Choi Chul-joo's Contemporary Art Criticism [1]  Contemporary Artist Criticism, Contemporary Art Abstract Painter's Works Criticism & Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design: Treacherous Contemporary Concepts Art Abstract Design Review [19] Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ : Chul-joo Choi & Kang's Korean Pop Star (2019-8-3) /Reporter Choi Chul-joo’s Cartoon Review  &  Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024 

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting. 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer, 2019

 

 

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 4, a hand-painted picture on a computer, 2024

 

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’

. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'

 

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 171- Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest f171-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory d112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

 

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 171, a hand-painted picture on a computer

 

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest f171, hand-painted picture on a computer

 

 

 

 

 

 

 

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 1, a hand-painted picture on a computer, 2019  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Girl group, "Girls' Generation"._ Groupe de filles, "Girls' Generation"

 

 

 

Abstract conceptual design of desire ■ Choi Chul-joo's morning glory' is not an object of the subject, but a spatial background of the desires of others. It is the same as a constant living space like the sky. It connects with cartoon criticism and pop art representing the space of life, but reproduces reality as a cartoon criticism through photographic images of events and performances without criticizing and judging. The concept is abstracted as a realistic conceptual art by structuring the effect of conceptualizing the reality of the symbolic object as the desire of others in a reversible shade of light.

  

 

 

Louis Chul-joo Choi, morning glory window 2024-4-Memories

 

In "morning glory-memory", abstraction is a reversible shade of light, and several conceptual beings are embodied on the background of morning glory, which represents the structure of desire as abstract beings in a real shape.

This is the image of memory as the desire of the other as a reversible shade of light in "morning glory", which does not describe the atmosphere. Here, according to the identity of the theory of materialism, the desire of the other is conceptualized and the abstraction identified with the actual image is modified, leaving the shade on the fabric by the paint adjusted in the abstraction mode of the actual structure in temporality.

 

Like a computer game, the abstraction mode overlaps the events and performance images of news cartoons with "morning glory", the background of abstraction, and abstracts the desires of others into shades of a reversible real structure of light.

Depending on where it was viewed as a concept of desire, it is illuminated with reversible light that existed in the past and developed into a shaded structure, just as it appears to be a distorted image according to the position and distance from the object in reality.

Here, the shadowing effect of reversible light forms a shadow structure reflected in the form of reflected light from the small hole of the fabric where the rear surface is illuminated.

 

The structure is painted with thread painting as <morning glory>.

The image and color of thread painting show the aesthetic value of the hidden shape by showing the concept of desire in the shadow of reversible light by forming the image and color of the faded object without marking it by giving a distance of time. 

This is a realistic painting based on Choi Chul-joo's abstract art theory, and it is an abstract painting that depicts the remaining shadow colors as reversible light by capturing the concept of desire beyond literature.

 

Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024

 

In Choi Chul-joo's concept of desire, the image of structure is a picture of cloth that blocks color by putting a shadowy desire structure comparable to reversible light into a thread and reconstructs the shape into a linear structure of color so that the shape can correspond to a specific color.

Therefore, the conceptual image of desire with the structure of thread added is a painting that paints abstract desires on the structure of cloth and thread that pursues linear aesthetics as the artistry of conceptual art. 

 

The painting "morning glory-memory" is an image of the concept of desire in which a young child mind in Choi Chul-joo's concept of desire is transferred to a chick and the chicken, woman, and dancer are drawn on an image as cloth as objects created by custom. 

Like the desire image, the image of the object was drawn by composing chicks, chickens, women, and dancers in a material such as cloth to create an image in which the left and right sides were reversed. Therefore, his painting is a painting of two sides that does not distinguish between the front and the back. Here, when the image on the back is converted to the front, a new painting with traces of one shade in reversible light emerges.

 

In the imaginary world, identification externally identifies the image of the object as the same subject as the image of the object, and internally forms a phenomenal image of the concept of desire in which the subject is transformed. As a phenomenal image "morning glory-memory"'s back image, the shadow of reversible light without an object, another shadow and back of the space created by the object, brightens or disappears.

It is an image that is insufficient as an object as an image that is satisfied as a child in an image of a real object. 

 

The memory of the object tailored to the dancer's creates a separate space connected to chicks, chickens, fossils, and women in the gap with shadow margins in the empty space, and colors and shapes the objects in a single picture that integrates the bright side of yin and yang with colors on the drawing image.

The shape is an image of reality in which the actual object is reflected in the mirror by confirming the structure of the phenomenal reality that does not exist as an empty space on the back of the object.

In other words, the image of phenomenal reality may be an image of reality in which the image of reality as a metaphor is reflected in the mirror or an image that appears as a virtual shade as another image. 

Here, the image of reality is a podium shaped by the desire of others who can see the shaded color as an object being through gaze. The platform clarifies the meaning of a reality being that reflects the visible image as reversible light in which desire has stopped in the place of the city and takes the image as the form of desire.

 

As the actual structure of its meaning, as the shape stops, the meaning is created as a reversible thought movement. This is an image in which the meaning thought as the structure of an image finds a place of desire in an empty space. 

As a result, the conceptual representation of memory in the window of the morning glory, the background of desire, overlaps the real image into a single phase in the same place in a reversible shade to make it a structure of desire for a memory image. 

The stray thoughts creates a reversible space as an image of a real object in the direction of thinking about ambiguous desires and shows desire as a phenomenal object.

And the image of existence defines factual abstraction as a meaning that reverses reality, and the image realizes the abstract concept by the meaning that has been transformed into a shadow of reversible light. 

Although there is no conceptual reality, the desire painted as an abstraction obscured by reversible light replaces the other. That desire creates an abstract space that can reversibly represent reality and refers to phenomenal value./ Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design) 

 

         Choi Chul-joo, a contemporary artist