Art Critic Louis Choi Chul-joo Criticism [37] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = as a blank space where chairs and spaces maintain the overall impression, the cloud shape can be a

Art Critic Louis Choi Chul-joo Criticism [37] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design riticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting:  Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: <Beautiful Mountains & Rivers of Gapyeong>: By showing the impression of light through the shape of the wind in the past through the phenomenon of clouds, the impressive correlation structure of the chair is reversely abstracted as the correlation of the desire cloud and is raised as the same reality as the cloud.

And as a blank space where chairs and spaces maintain the overall impression, the cloud shape can be abstracted as another correlation of desire with the shadow of light that reveals the desires of the world outside.

 

Kim Sung-keun, <out of the world Story>, Size: No. 30, acrylic on canvas / Exhibition <Beautiful Mountains & Rivers of Gapyeong> 20200709-20200908, Choi Chul-joo's Art Review: Kim Sung-keun <out of the world Story> 

 

out of the world Story

The blue monochromatic sky and rivers show natural beauty as a chroma approaching the texture.

It is difficult to gauge the depth of the sky and the river that has stopped because the chair nearby blocks the sound and sits in the same landscape of light.

 

Kim Sung-keun's "Out of the World Story" evokes a visible look that optimizes the textures of each object with the defined brightness of light in the reflector. The blue color that matches the riverside of Jarasum stays the same.

Under the peak of a mountain like the neck of a turtle, he paints the sound of the river with a brush.

The energy of the mountain wind that stops at the bottom of the mountain stops the movement of rivers and trees, and the shadow of stopped light alone adorn the shape of clouds.

The landscape of simple touch of color goes beyond naturalistic description.

 

By minimizing the effect of light, he shows static scenes by separating the shadow areas of clouds from the surface of water above and below the surface of deep texture. 

Therefore, his paintings are a formative effect that allows objects to be transferred to colors so that the landscape can recognize what they are talking about.

In that color of his choice here, the target creates the meaning of the image and sets its place with the object within the realm of the aggregated landscape.

The area contains stationary melodies that form clouds, creating a scene of shadowy clouds and timeliness.

So his paintings are the effects found in a chain of very unstable elements forming the unconscious language of the chair as an image.

It sets the meaning of the chair through the idea of an image formed by combining the language of unconsciousness.

This very unstable image of forming a landscape reveals the meaning of another chair in an unconscious chain of clouds, rivers and mountains. It combines multiple images from unconsciousness, giving the metaphorical meaning of the selected chair.

Here, his chair makes the space of the sky divided by the nearby river and the water surface the same color to bring the viewer's mind closer.

Accordingly, he divides the space into the shapes of mountains and trees and chooses the space in blue to suit the landscape. And it reveals the value of structuralist paintings so that it can identify the landscape of riverside where images are combined by revealing the temporal relationship between mountains and trees in the meaning of clouds.

 

Kim Sung-keun's unique scenery is displayed by removing the fine harmony and balance of colors and replacing the spatial relationship between mountains and rivers with the appearance and color of suitable objects by putting them in the shade of cloud light in the space. 

As a distinguishable color, mountains and rivers inevitably functioned in spatiality, forming a space called Jarasum. This is a landscape in which each object is actually placed in accordance with the inevitability of Jarasum as a space he has chosen.

He shapes the impression of space by defining in color the shape of objects that can recognize objects in space reproduced by the shadow of light. a figurative

The phenomenon of clouds is a trace of shade that has turned away from the impression of light without the shape of the wind, but he puts in a figurative chair to block the wind and return the impression.

Clouds are the desire of the other to sustain the impression of replacing the sky.

The figure is seen as a shadow of light, even though it is shaped by clouds rather than the subject divided from the sky with light. 

 

Therefore, he does not define the shape of an object that can recognize objects in a space reproduced by the shadow of light as monotones, but can give a correlative impression when embodying the impression of the space with the shadow of reversible light. 

By showing the impression of light through the shape of the wind in the past through the phenomenon of clouds, the impressive correlation structure of the chair is reversely abstracted as the correlation of the desire cloud and is raised as the same reality as the cloud.

And as a blank space where chairs and spaces maintain the overall impression, the cloud shape can be abstracted as another correlation of desire with the shadow of light that reveals the desires of the world outside. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design) 

 

           Art critic Choi Chul-joo

 

 

Art Critic Louis Choi Chul-joo Criticism [37] Choi Chul-joo Criticism Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: