Art Critic Louis Choi Chul-joo Criticism [39] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [39] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Choi Chul-joo's New Work Modern Art Reading: Contemporary Art Works Published on Facebook and Instagram: <Kim Kulim, Work posted on Instagram>: He intervenes in the shadow with the need for light in the object, fixing the shape changed by the interference of light to its original color and changing the representation of the object at that location.

And representation becomes an avant-garde image abstracted behind reality that does not appear to be objectified colors and light that affect the meaning of the place of thinking. 

 

 

                                                                                        Kim Kulim, Work posted on Instagram

                    

 

 

 

The avant-garde abstraction of inevitability

The avant-garde abstraction of inevitability in which what is to be acted is omitted occurs unexpectedly without any causal relationship. 

It lacks the indistinguishable light of movement and is only a coincidence, and the potential that occurs arbitrarily without a lack of coincidence is contained in the image as a symbol like heavy rain.

 

Kim Kulim's painting is an abstraction in a avant-garde sense that equates the shape of the light seen with the shape of the staring.

In this way, he experimentally creates the results of conscious movement that appears to be avant-garde light by interpreting the meaning of the object as a phenomenal image in order to fit the shape of light that does not actually match the object.

This is a lack of meaning in reality, which is the appearance of an accidental object hidden by the non-realistic view of the color of light, translocated by the exposed light.

He planarizes the accidental installation through an abstraction that lacks inevitability, which mimics real light that lacks a real form within an avant-garde action.

Then, by eliminating the color viewed by actual light and putting the shade of light as a color, a shape that is transformed into a potential from an object that is not actually recognized is decorated. This is the reality of the shaded color that exists in the lighting effect applied to the shape on the premise of seeing the shape.

 

Therefore, when he tries to escape the brightness difference in time, he equates the boundary of light reflected in the shape of the moment with the outer surface of the background, suggesting its existence with color in the non-lighting space.

The shape implied by Kim ku-lim is a compositional structure in which the actual cross-section and several aspects of light are visible at one glance as the color and object in which the shade of light has been transferred overlap.

This is the correlation between the image of a woman's face reflected in the structure and color, which is the trace of light as an objectified being.

In this way, he draws the image of the object as a correlation and the shadow of the object and the meaning of the translocated trace.

Starting with a personal image of a woman's face viewed from the front, an object without substance is repeatedly shown in the color of light.

He removes the reflection of color instead of drawing other objects in order not to stimulate light in the non-subjective space revealed by contrasting colors.

Accordingly, abstract colors of light are placed as a woman who looks at the subject of the space decorates the space and the non-subject in a bright place at the same time.     

He intervenes in the shadow with the need for light in the object, fixing the shape changed by the interference of light to its original color and changing the representation of the object at that location.

And representation becomes an avant-garde image abstracted behind reality that does not appear to be objectified colors and light that affect the meaning of the place of thinking. / Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)

 

Art critic Choi Chul-joo