Conceptual abstract artist Louis Choi Chul-joo [3] Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism ; Contemporary Art Cartoonist Criticism [13] Abstract Cartoon Art & Abstract

Conceptual abstract artist Louis Choi Chul-joo [13] Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism ; Contemporary Art Cartoonist Criticism [3] Abstract Cartoon Art & Abstract Cartoonist Louis Choi Chul-joo Modern art Cartoon work: Contemporary art conceptual cartoon history artist Louis Choi Chul-joo paints realistic pop art cartoons as treacherous conceptual art through the series of the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual cartoon art and abstraction of modern cartoon art based on the concept of the desires of others: Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's Conceptual Artist Choi Chul-joo Cartoon News Manwha review  News manwha KPS (26) BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.",  ACN・2021.2.11.15:33 / Reporter Choi Chul-joo’s Cartoon Review 

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Chul-joo Choi, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas· The Maids 6>, a hand-painted picture on a computer

 

newsmanwha - NewsCartoon: Cartoonist & Newsbusan Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news

 

▒ News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. 블랙핑크가 그림 'Las Meninas시녀들'처럼 거울에 비친 새로운 이미지를 만들어낸다.

. BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids."

. BLACKPINK crée une nouvelle image dans le miroir comme l'image « The Maids ».

. BLACKPINK像画作《Las Meninas·下女们》一样，塑造了镜子中的新形象

. BLACKPINKが絵「Las Meninas·侍女たち」のように鏡に映った新しいイメージを生み出す

 

Chul-joo Choi, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·  The Maids 4>, a hand-painted picture on a computer

 

 

  

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture Las Meninas·The Maids 17>, a hand-painted picture on a computer 

 

 

 

Desire Concept Realistic Abstract Work:: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 174-BLACKPINK creates a new image in the mirror like the picture Las Meninas·The Maids, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

 

Desire Concept Realistic Abstract Work:: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest g174-BLACKPINK creates a new image in the mirror like the picture Las Meninas, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest  g174-BLACKPINK creates a new image in the mirror like the picture Las Meninas-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-4-2-The Maids 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p116-2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-"Trump Sex scandal Muzzling" Conviction> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p116-2-"Trump Sex scandal Muzzling" Conviction> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 174, a hand-painted picture on a computer

 

    

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-k-0, 136X168  cm, acrylic and composite materials on cloth, 2021

 

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-k-s2-The Maids 2, a hand-painted picture on a computer  

       

 

 

 

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 8>, a hand-painted picture on a computer

 

 

Choi Chul-joo's cartoon review, published as a current affairs review, [12] "Las Meninas·The Maids 8: Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube," is the image of Velazquez's "The Las Meninas," which was viewed with a desire.

As an ideological and stereotypical image of absolute monarchy in the Baroque era in the 17th century, Diego Rodriguez de Silvay Velázquez painted Las Meninas 1656.

He visualizes the characters appearing as a screen composition of a gaze perspective to exclude symbolism from space and emphasize the realistic presence of the object as a substance, but it is against the temporality.

In other words, the king and queen in the space from a different point of view are identified so that they can be viewed on the screen. 

In Choi Chul-joo's cartoon review No. 12, the king and queen transformed into candidates for the mayor of Seoul in 2021, forming a temporality converted from different perspectives in one space.

 

 

Choi Chul-joo, one's gaze in 'The Las Meninas'

 

 

It shows the contemporary phenomenon and human presence in the same way as the maidens in <The Las Meninas>. It emphasizes the presence as a subject of reality that young voters gaze at by visualizing the location of the Seoul mayoral candidates in place of the king and queen,

In "The Las Meninas", the object reflected in the mirror is a fantasy, but in the 12th issue of cartoon review, the fantasy object in the mirror shows real candidates for the mayor of Seoul.

The production of this fantasy is that the subject of the object reflected in the mirror is the object of the fantasy, and it is the cutting of the subject by the relationship between image and meaning.

The reality as an illusion forms an image reflected in a cyclical structure through the mirror with the candidates inserted in the non-real world reflected in the mirror and the fantasy object in black pink. Here, the meaning action takes on a neutral symbolism by accepting the virtual image as a new subject according to the relationship between the image and the meaning.

 

In this way, the relationship between image and meaning is cut to receive a new subject, and the mirror space in the cartoon is another space in the physical space revealed in the scene of "The Las Meninas", which is the upper body of candidates that cannot be seen at the time of viewing the entire scene of the cartoon as an image of a picture frame.

In order to insert the reality seen through this gaze, the artist's brush is put in and the subject reflected in the mirror is made to stare.

Like "The Las Meninas", cartoon review No. 12 actually reproduces the time and space of Blackpink and the candidates of the contemporary space Velazquez saw through the mirror.

 

The image reflected in the mirror is an invisible space, which is the image of the time Velazquez has seen in "The Las Meninas" It shows the reproducibility and gaze that symbolically reveals the situation of Black Pink and the candidates, as if the gaze of the other and the gaze of the other are identified and again reflected in the mirror as a king, queen, and princess.

In "The Las Meninas", Velazquez painted himself as an object reflected in a mirror. Another mirror in the painting is seen by Felipe IV and his wife, Maria Anna. This mirror reflects Velazquez and the king and queen outside the painting, but only the king and queen are reflected in the mirror in the painting. What cannot be interpreted with a perspective visual system is what the maids that exist in between are invisible.

 

Louis Choi Chul-joo, morning glory 2021-k-s2, a hand-painted picture on a computer, 2023

 

Choi Chul-joo's fantastic cartoon image <morning glory 2021-k-s2>, which is revealed as the unconscious desire of others by drawing the candidates' appearances and the faces of the two candidates on the image that does not exist in "The Las Meninas", is represented by an image abstracted as a concept of desire in cartoon criticism

This is because it is a gaze that is not revealed in "The Las Meninas", and it is an image that is shown as non-real in a perspective visual system.

This reveals the reality of Velazquez by contrasting the subject, Princess Margarita, as the other, and the subject, the king and queen, as the absence. And the figure reflected in the mirror is not the image of the king and queen as an invisible 'grief' that deviates from the whole point of view, but rather a metaphorical image as an inner entity looking at Princess Margarita.

Therefore, the rest of the characters are virtual images as non-real. Revealing the meaningful image through this gaze is a real situation of the conceptual image, which refers to the erasure of the spatial domain and manneristic society of "The Show" and the Seoul mayoral candidate election. In other words, "Young voters try to watch Black Pink's "The Show" rather than election broadcasts on YouTube."

 

In "The Las Meninas", Velazquez represents himself as an object as an artist and reproduces the images of reality and non-real in the same space. Picasso interprets the skewed image that cannot be expressed on the same plane in his Cubist way. This sought to find a connection with the gaze image virtually reproduced by Velazquez, but Picasso combined the images seen from multiple eyes into the same image.

Therefore, in "The Las Meninas", the place revealed by the other's desired gaze is the position of the man standing at the door appearing at the vanishing point in the entire hypothetical image. Therefore, the man is an object, or reality, that Velazquez revealed by staring from the other's desire point of view. Velazquez reveals himself as an object in "The Las Meninas" as an artist, and says that the object as a subject cannot be a cognitive subject. However, in reproducing the image of reality and non-real in the same space, the image of non-real, which does not look like Picasso, is superimposed on one screen like an image reflected in a mirror.

This is an object as a desire image, an aesthetic result of desire as a skeletal image of desire to reveal reality. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design) 

 

 

Louis Choi chuljoo, BLACKPINK creates a new image in the mirror like the picture Las Meninas  The Maids 17 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Review of Korean News Cartoon Conceptual Artist Choi Chul-joo Cartoon News Manwha review  News manwha KPS (26) BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids."  / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶On-line performance _ Performances en ligne