Contemporary Art Design Methods [1] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction : Pop Art Abstract Painting & Cartoon,

Contemporary Art Design Methods [1] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction : Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's conceptual abstract art:  Facebook-news Cartoon review [6] Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa  (ACN ・ 2021. 11. 28. 16:21) /Reporter Choi Chul-joo’s Cartoon Review & morning glory 2021-e

 

Contemporary Art Design Review: Choi Chul-joo Contemporary Art Design Review, Famous Painters Abstract Painters Contemporary Art Design Works, Reading New Works, Artworks on Facebook, Media Art, Contemporary Abstract Art, Pop Art, Installation Art & Abstraction Painting

 

 

 Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Chul-joo Choi, <Omicron Spread Restricts Entry of Foreigners-4>, a hand-painted picture on a computer

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa

. La propagation de l'omicron limite l'entrée des étrangers de huit pays, y compris l'Afrique du Sud

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 188-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

Desire Concept Realistic Abstract Work: Louis Chul-joo Choi, Bamboo Forest d188-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 188, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d188, a hand-painted picture on a computer

 

 

Due to the spread of Omicron, foreigners were restricted from entering eight countries, including South Africa. This is because the risk is fast and fatal like an accident on a high-speed train.

Louis Chul-joo Choi, Bamboo Forest 87-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa 2, a hand-painted picture on a computer, 2019  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Contemporary Art News Sketch Cartoon & Abstraction [1] Pop Art Abstract Painting & Cartoon / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Omicron Spread _ La propagation de l'omicron 

 

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Cartoon designer Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

 

News Cartoon Review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - 

 

Cartoon review: cartoon designer Choi Chul-joo's Review of Korean News Cartoon [61] an incompetent driver who accidents on a safe railway,  (2018.12.12.)  / Reporter Choi Chul-joo’s Cartoon Review  

. an incompetent driver who accidents on a safe railway.

. un conducteur incompétent qui se trouve sur un chemin de fer sûr.

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Modern art design methodology criticizes the image of desire in socio-cultural phenomena through the design process of Choi Chul-joo's desire abstract concept, combining cartoon satire as an image of events and performances with the abstract painting "morning glory", the background of desire

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Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

 

Louis Chul-joo Choi, morning glory p9-3, a hand-painted picture on a computer  

 

 

Louis, Chul-joo Choi, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021, /                                          20220301~20220308 Flushing Town Hall, New York.

 

As a conceptual abstraction, "morning glory 2021-e" outside the window is a conceptual image of desire drawn on a cloth with the back surface reflected by hand using a transformed image made of the actuality of the morning glory.

As a desirable structure of desire, the abstract poster of "morning glory" by Louis Choi Chul-joo, and related works of contemporary art desire are exhibited, which is a contemporary conceptual art abstract that symbolizes the design of desire, that is, the conceptual abstraction of painting, as a desirable desire structure.

 

Louis, Chul-joo Choi, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021

 

An object (Louis Choi Chul-joo 2022 New York exhibition Morning glory 2021-e), which depicts the meaning of the figure in the semantic space created by the reversible light of non-realistic reality, structures the meaning of an abstract space that can reversibly transform the object into a real shape by concealing the other's desires in the shade of reversible light. The conceptual abstract meaning, or image in the mirror, is a virtual non-realistic image that reveals the place of the other's unconscious desires.

In response, Choi Chul-joo presents the design methodology of contemporary art.

 

This proceeds according to Choi Chul-joo's concept of desire formula. In other words, the image of desire applying Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory' is an image that creates a landscape by floating a morning glory in the sky, and connects the concept of desire with the background of 'morning glory'. In addition, in "morning glory", the formula of desire is substituted "D(I...I')d=I(D'D'i" and the connection effect between the concept of desire and 'morning glory' as an image of desire sets the object as the concept of the image of desire by 'morning glory' to shade the concept of desire in a reversible shadow structure. In other words, the image of desire (I) is the structure of desire because desire (D) is repeated in several images (D...D), and the image of artistic action or desire (I) appears as the concept of desire (I).

 

Choi Chul-joo's Desire Object is an object (morning glory 2021-e) that depicts the meaning of the shape seen in the meaning space created by reversible light. By abstracting the image hidden in the long time period where the desire of the other is shared, the chick structure the meaning of a certain shape in the place of desire reflected in the shadow of reversible light to mean an abstract space that can reversible the object into its actual shape, and Choi Chul-joo refers to the concept of desire, which is covered by actual changed movements, in the shape of 100 exhibition posters set as the place of desire in the abstract space at the 2020 New York exhibition.

This is a dwarf planarity that seems to have a consistent meaning of "morning glory" in painting. The "morning glory" is an abstract place of desire that is the same as the reality in the mirror, but the shape of the background of desire is not the same.

Abstraction as a conceptual semantic structure is abstraction as a conceptual semantic structure of a non-realistic form with the same meaning as a conceptual form, but abstraction as the same meaning with different shapes is an actual non-realistic being with different colors and sizes. However, Choi Chul-joo reconstructs the abstract structure of desire into a real image as a conceptual object.

Its existence defines abstract space as a real reversible shape and mentions the abstract meaning of conceptual art through Choi Chul-joo's "morning glory" exhibition poster, which is set in the hope that the shape will be covered by actual movement in the shade of reversible light.

Chul-joo Choi, <Omicron Spread Restricts Entry of Foreigners-2>, a hand-painted picture on a computer

 

Choi Chul-joo's Desire Conceptual Art Abstraction, which replaced the phenomenal place of abstract meaning with an exhibition poster, can distinguish the place of the shape and conceive the opposite cross-sectional meaning of interpreting the shape. The shape is abstract in color and size similar to the meaning in ideological structure to speak of another meaning, but in the imagination world, the abstract meaning of conceptual art is identified with reality, and the abstract meaning of the object is identified with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory", which is conceptually abstracted as a symbolic language symbolizing desire that imitate the other's desire "Omicron Spread Restricts Entry of Foreigners-2". 

Design a shape representing the desire of others in the abstract "morning glory" and reproduce it as an abstract object as an object of the concept of desire. In the desire of the perspective visual system, the object of desire is abstracted as a momentary gaze that is different from the perspective of the desire of the other revealed in the unconscious by creating a place in a shadow with reversible light in which the visual system is concealed.

 

In this way, the object abstracted as Choi Chul-joo's desire conceptual art forms a dwarf contemporary art image expressed through the desire revealed in the other's repressed unconsciousness to acquire artistry beyond generality, creates the object's desire structure as a shade of conceptual formality and exists as a meaning.

As a meaningful being, the object reveals the image of object desire as another being of the object by transforming the image of the object into a structure of meaning from the other's desire point of view, and contains the formative value of the autonomous choice of the other's desire.

And a small piece of the other person's desire, which is pictured in the background of an morning glory or chicken, shows a real abstract space that is actually reversed through a desire intention movement that changes its shape. This is the meaning of the existence of an abstract object, and it lies abstracted in a space where the object can actually be reversible.

 

"Omicron Spread Restricts Entry of Foreigners" approaches historicalization as an image of an event, which was the desire of others in everyday life, rejecting a two-dimensional floor plan and dividing a fantastic plane into two planes, making the shadow of reversible temporality approach recognition. It is difficult to reveal the desire object of the beauty structure hidden in the object of the hidden structure that exists as the attribute of the shadow in a picture that is transformed into a system that approaches recognition as a meaningless being and draws out symbolic expressions. 

The perceived symbolic representation is a cross-sectional image and is a linguistic composition without a formative aesthetic structure that is clearly visible. In other words, the recognized symbolic expression is a linguistic composition that lacks the formative aesthetic structure that is clearly visible at the bottom of the image.

It is a virtual image that is recognized as an expression as a flat image but hides reality. The image is a virtual image that belongs to the structure of desire as a hidden aesthetic structure away from the perspective of reality and belongs to the semantic structure.

Therefore, the aesthetic structure of the concept of desire is abstracted in the actual image of the linguistic concept.

 

By manipulating the concept of linguistic desire with reversible light and shading the background, the reflected light becomes an abstract image that expands the plane of an object by superimposing reversible light in an unrealistic picture. The existing reality of universality faced by the morning glory, which represents the desire of the image, overlaps with reversible light, and the entire space is decorated with a linguistic and abstract meaning.

While the morning glory does not have a light setting, the background is drawn in the manner of desire painting. This is a process of transitioning from the imagination to the symbolic world, where non-existence as reality coexists with an image reflected in a mirror in the imagination. It reproduces the reality of the morning glory as a coexisting image, but the background image identifies it with the morning glory, but the metaphorical meaning of reality is not consistent with the image assimilated with the shadow color that is not real. Its meaning is metaphorical like the language structure, so it is not the same as the form of the morning glory. Therefore, the semantic structure of a shadow created by a reversible light whose image is different from that of a morning glory in terms of what reality is is an object as another reality than a non-existent shadow. This is an object of reality as a being who exists through the desire of others, not through an image as a subject. 

 

Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.

  

Chul-joo Choi's "morning glory": Exhibition of Louis Chul-joo Choi's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20.-22. Dec.2021 Gwangan Gallery in Busan.

 

 

Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021

 

The image that is out of line with reality as a desire object is consistent with the visualization of a photographic image in collage. This is because it is an image created by the desire of the other with a gaze area regardless of whether it is flat or three-dimensional. In "morning glory 2021-e-back", the morning glory in the lower center of the three morning glory as an object is a dwarf image, and the object of the structure of desire is seen as a gaze. Here, the morning glory refers to the existence of desire stopped by instantaneous gaze in the continuity of reversible time.

 

The image in <morning glory 2021-e-back> shows the existence of reversible temporality by flattening the morning glory according to the perspective visual system margin and the reversible temporality, not the actual object.

However, although the existence of the morning glory is reproduced, the morning glory is confirmed by the background image, but it does not match the object of the desire structure. It is the semantic structure of a shadow created by reversible light whose image is different from that of a morning glory in terms of what existence is. It is an object as a being with a reversible temporality that is different from the non-existent shadow.

Therefore, the object is not an image as a subject, but as a being through the desire of others.

The morning glory at the bottom of the center connects reversible light to determine the place of existence and form the process of time and the space in which it exists. The morning glory formed at one light source point of view does not have good sense. Here, the morning glory is a partial fragmented image like a collage. In this way, each partial image exists in the space as the fragmented shape is exposed at the same time.

The flattened morning glory is the image of the subject created by the observer's gaze. It extracts the existence connected by a single color of reversible light through the morning glory that removes positive sensations, and contrasts the morning glory as an external image with the shadows of reversible light in the background from a perceptual point of view, showing a plane view transformed into a desire image.

 

The perspective of the concept of desire cannot be selected as a visible image that reproduces objects in reality and in reality depending on the viewpoint of view, and Choi Cheol-joo's photographic image that expresses the real image is identified as an image as in reality. Therefore, in an object, existence is a desire image as a reality similar to the object of the concept of desire.

Therefore, the desire gaze to see the shades created by reversible light reproduces the real and non-real objects according to the viewing point of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of the concept by looking at the concept as an actual image that reverses the desires of others. And the concept of desire is identified as an image as a non-real world like a cartoon criticism. In other words, the existence of a desire object seems to be a sketch image similar to the reality of desire./ Writing. Choi Chul-joo, Contemporary Art Design Critic (Conceptual Abstract Painter & Doctor of Cultural Design)

 

a contemporary art design critic Louis Choi Chul-joo

 

 

cartoon designer Choi Chul-joo's Review of Korean News Cartoon [61] an incompetent driver who accidents on a safe railway,  (2018.12.12.)/ Choi Chul-joo, a current affairs critic, was a journalist at the culture department of the Busan Internet Newspaper. Choi is a culture design doctor and abstract painter who draws current affairs cartoon news and abstract paintings in modern art and webtoons. / Contemporary Art Design Methods  ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.