Contmporary Art Design Critic Louis Choi Chul-joo [2] Abstract artist Louis Choi Chuljoo, contemporary art that designed modern art conceptual abstract painting [25] Abstract painter Louis Choi Chuljoo Abstract artwork: Contemporary art abstract artist Lo

Contmporary Art Design Critic Louis Choi Chul-joo [2] Abstract artist Louis Choi Chuljoo, contemporary art that designed modern art conceptual abstract painting [25] Abstract painter Louis Choi Chuljoo Abstract artwork  ( https://opensea.io/Louisland ) : Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as desire conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Art Review: Modern Abstract artist Choi Chul-joo & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = morning glory 2022-g & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [188] Trump gets attacked during the campaign, (2024-7-14)  / Reporter Choi Chul-joo’s Cartoon Review  

 

 

The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.

 

Louis Choi Chul-joo, Trump gets attacked during the campaign, a hand-painted picture on a computer 

 

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning gnlory 2021-e-1" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.

 

Louis Choi Chul-joo, Trump gets attacked during the campaign, a hand-painted picture on a computer 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, Trump gets attacked during the campaign 8 , a hand-painted picture on a computer

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [188] Trump gets attacked during the campaign, (2024-7-14)  / Reporter Choi Chul-joo’s Cartoon Review  

. Trump gets attacked during the campaign

. Trump se fait attaquer pendant la campagne

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 190-Trump gets attacked during the campaign: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

 

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest Forest e190-Trump gets attacked during the campaign: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Forest e190-Trump gets attacked during the campaign-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

"morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

    

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

 

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

 

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Forest e190-Trump gets attacked during the campaign-pond-1: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

 

Louis Choi chuljoo, morning glory p46-7, a hand-painted picture on a computer

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p46-7-Trump gets attacked during the campaign: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p46-7> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Trump gets attacked during the campaign> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p46-7--Trump gets attacked during the campaign> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p46-7-Trump gets attacked during the campaign" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest e190-Trump gets attacked during the campaign-pond-1" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 190, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest e190, a hand-painted picture on a computer

 

 

Background image of an artist's artwork:Louis Choi Chul-joo, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022

 

 

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

  

 

Louis Choi chuljoo, Trump gets attacked during the campaign 8 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korean News Cartoon Culture Column in Cartoon Review [188] Trump gets attacked during the campaign, (2024-7-14)  / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶during the campaign _ pendant la campagne

 

 

Louis Choi Chul-joo, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022  /                                          20220301~20220308 Flushing Town Hall, New York.

 

As a conceptual abstraction, "morning glory 2022-g" outside the window is a conceptual image of desire drawn on a cloth with the back surface reflected by hand using a transformed image made of the actuality of the morning glory.

As a desirable structure of desire, the abstract poster of "morning glory" by Louis Choi Chul-joo, and related works of contemporary art desire are exhibited, which is a contemporary conceptual art abstract that symbolizes the design of desire, that is, the conceptual abstraction of painting, as a desirable desire structure.

 

Louis Choi Chul-joo's contemporary art movement, which presents a methodology of realistic abstraction using the concept of desire as a modern art for abstraction, creates abstraction of the concept of desire through a "picture installation performance" that composes abstraction as an image of desire as another image of desire at Haeundae-gu Office Gallery in Busan.

 

An object (Louis Choi Chul-joo 2022 New York exhibition Morning glory 2022-g), which depicts the meaning of the figure in the semantic space created by the reversible light of non-realistic reality, structures the meaning of an abstract space that can reversibly transform the object into a real shape by concealing the other's desires in the shade of reversible light. The conceptual abstract meaning, or image in the mirror, is a virtual non-realistic image that reveals the place of the other's unconscious desires.

In response, Choi Chul-joo presents the design methodology of contemporary art.

 

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

 

 

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

 

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)  

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 

 

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

 

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022

 

 

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

 

Contemporary artist & conceptual artist Choi Chul-joo's contemporary conceptual art is a return to painting as the concept of early conceptual art.

In other words, it is conceptual art as a real image that creates symbolism through a work of painting. Therefore, his contemporary conceptual art criticizes the phenomenal image like current affairs cartoon, but in terms of painting, it refers to the semantic value of the non-realistic realistic desire image <morning glory 2022-g>. And it transfers to the abstraction of the real image <morning glory 35-3> using the non-realistic realistic image as conceptual art.

 

This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and occlusions the life value of paintings with critical perspectives and desire concepts from the scene photographs of events as satirical cartoons. Here, the conceptual painting of desire refers to a painting that can momentarily and rationally perceive the desires of others rather than arbitrary philosophicality. (ACN · April 20, 2022 / The Desire of the Other as a baby <morning glory> New York Exhibition Docent 1)

 

Therefore, in desire conceptual painting, the frame of the shape of the morning glory differs from the representational conceptual art of the concept of objective reality and desire in order to experience the crooked background according to temporality as the desire of others. This is because the object uses the conceptual object of desire separated from the reality transferred from the symbolic world as a realistic real image.

 

Choi Chul-joo's Desire Conceptual Design Methodology is Image (I/i) Design (D) for Desire Painting: Modern Art Choi Chul-joo An abstract work of the concept of desire in contemporary art, his desire formula <D(I...I')d=I(D'D'I)i> is applied to the image of <morning glory 2022-g> to abstract the conceptual position of the conceptual position of the phenomenal desire in different places in space as a shadow of reversible light. In addition, it abstracts by re-applying the conceptual position of desire in different places in space as a shadow of reversible light by re-using verbal metaphorical images. 

In this way, Louis Choi Chul-joo transforms 100 works into a conceptual image of desire to realize objects as the first abstract poster of the concept of desire at the 2022 New York exhibition. Here, the image "morning glory 35-3" becomes a realistic abstraction of reality as a conceptual image of desire.

 

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022 

 

Desire Concept Object Louis Choi Chul-joo 2022 New York Exhibition <morning glory 2022-g> The visual system conceals the abstract representation image object as a shaded diagram that reproduces the abstract representation image object as an abstraction, but it is an abstraction object that shows the realistic shape revealed in the reversible shade of light of the desire perspective revealed in the unconscious as a momentary gaze.

The object hidden in abstraction forms a skewed image expressed through desire revealed in the suppressed unconscious of others as a conceptual design of desire to acquire artistry beyond generality, and creates an object of the other's desire as a being, so that the realistic image revealed in the unconscious desire of the other reveals the conceptual artistry of realistic abstraction of reality with a semantic structure of the instantaneous distorted desire image of the other.

 

This is a conceptual image of desire based on the desire of another person who imagines "morning glory" by substituting the conceptual image of desire of the imagination of the desire formula <D(I...I')d=I(D...D'i)i> that does have meaning in the poster image at the 2022 New York exhibition of Louis Choi Chul-joo. It is a conceptual image of desire based on the desire of the other person who imagines "morning glory" by repeatedly designing substituting it into abstract painting. In the abstract background of desire shown in the visual system <morning glory>, the subject image of the concept of desire appears as an image of a momentary gaze of <morning glory> that concealed inconsistency with shades. (ACN·12. 29. 0:01 Choi Chul-joo's desire formula <D(I...I')d=I(D...D...D'i)i>

 

Louis 2022 New York exhibition morning glory 2022-g abstraction metaphorically expresses the meaning of life as reality, an area separated from the realm of the symbolic world. The actual meaning of the concept of human desire as a cover-up is superimposed into several reversible shades of light without showing the object to be expressed. In other words, it is not distinguished which subject is in the two images. However, it is identified as an object showing these two images. Here, the image of an image different from the image of reality is seen for reality, and the other's "morning glory" shows the conceptual image of desire. Since "morning glory" is satisfied with an image different from reality, it hides an abstraction image that represents the actual meaning superimposed again in the shadow of reversible light as a concept of actual desire.

The image is a conceptual image of desire applied by recognizing reality in Choi Chul-joo's desire formula. The conceptual image is an image that depicts the same shape of the unconscious and language. Here, "morning glory", which seems to be a gaze, is a skeletal structure that is flattened in one color. This is a skewed flatness that seems to have a consistent meaning of morning glory in abstract painting transferred to the conceptual art of desire. The planar concept of morning glory is the same as the reality reflected in the mirror, but the shape of the background covered by the reversible shade is an abstract mirror image of a realistic structure seen as a treacherous conceptual art that is not the same.

 

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022 

 

The shape of the Desire Object is an abstract painting of contemporary art related to Louis Choi Chul-joo's "morning glory" in New York (Flushing Town Hall & Yeomyeong Hall) in 2022, and a poster with a design concept 

 By designing the structure of 100 poster images and reversible shades, the design of the shape as the semantic structure of the concept of desire, that is, the exhibition image of the painting, is symbolized and abstracted into a desire of modern conceptual art. The abstraction conceives the meaning of one meaning as a reversible shade structure of light because the shape is understood in one direction as the difference is distinguished by looking at the shape and the difference is distinguished. Even if the shape is different, it is an abstraction of similar colors and sizes as a symbolic structure. In other words, as a conceptual form, it represents abstraction as a conceptual semantic structure from a realistic realistic shape with the same conceptual structure.

 

Therefore, abstraction as the same concept with different shapes is a realistic desire conceptual image that exists as an ideological atypical being with different colors and sizes. But the object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2022-g), which depicts the meaning of the shape visible in the semantic space created by reversible light of the shape of the realistic desire image, structures the meaning of the image concealing the desire of the other into a reversible shade of light, meaning an abstract space that can be reversible into a real shape, and is hidden by the actual changed movement of the shape, that is, the image in the mirror is an object of abstract images that reveal the place of the unconscious desire of others as a realistic image of virtual non-realism.

 

Louis Chul-joo Choi, morning glory p35, a hand-painted picture on a computer 

 

 

The abstract area of painting in which a specific effect of the concept of desire as the meaning of "Choi Chul-joo's morning glory p35" in conceptual art occurs is an image that can momentarily see the desire of others who function gazefully in the landscape. The image is an idea that recognizes and applies what is not in reality in the formula of desire. The idea is an image that depicts the same shape of the unconscious and language. The morning glory seen here as a gaze is a skewed structure planarized into one color. This is a skewed flatness that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality reflected in the mirror, but the shape of the background of desire is not the same. This is because, as a conceptual form, it is abstract as a conceptual semantic structure that uses a realistic shape of non-real with the same structure of the same meaning, but abstraction as the same meaning with different shapes is a non-realistic image as an ideological non-formal existence with different colors and sizes.

Therefore, its existence means the abstraction of contemporary art, the concept of desire, which defines abstract space as a shape that is actually reversible and whose shape is obscured by the movement actually changed by the shadow of reversible light.

 

Desire Conceptual Art Abstraction, which replaces the phenomenal position of abstraction with a poster, can distinguish the position of the shape and conceive the meaning of the structure of desire to interpret it. The shape is abstract of colors and sizes similar to those of the ideological structure in order to convey other meanings, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally. This refers to the abstract meaning of the shape, which defines an abstract space that can be actually reversible and refers to the desire design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured by shade.

An object abstracted as a conceptual art of desire is an example of a semantic structure that forms a skewed desire image expressed through desire revealed in the suppressed unconscious of others through design in order to acquire artistry beyond generality. The artistry that emerged from the desire of the semantic being contains the formative value of the object as another being by transforming the image of the object into a skewed image from the desire point of view of the other into a semantic structure.

And a small piece as the desire of the other hidden in the background of a painting anthropomorphic chicken shows a real abstract space that is reversible through the image of new movement that actually changes the shape. This is an image that can actually reversibly represent the desire of the other in the meaning of the existence of an abstract object and is positioned as an abstract space.

 

Choi Chul-joo's abstraction of the concept of desire is a realistic structure as a being, and is a shape that is momentarily abstracted at the intersection where the desire of the other person designed with reversible shades of light is seen as gaze. The shape is a desire signifier containing an image. In the imaginary world, the image that the chick mistook for a chicken as a child identifies the chicken in the mirror and the object with a different shape, and the similarity disappears as the meaning of the shape. 

Eventually, visible similarity distorts the meaning of objects identified as different shapes. These are just two signifiers that do not existentially match. Therefore, two image signifiers of different shapes cannot be identified. 

However, the imaginary world stems from imaginary perception, regardless of the actual experience, as if a chick were satisfied with the image of a chicken reflected in the mirror as an infant. By not recognizing each image signifier as a different shape, it creates a misconception due to imaginary perception. This misconception refers to a realistic abstraction in which a visible metaphor of the imaginary world is possible only through similarity between different desire signs. / Writing. Choi Chul-joo, art critic (conceptual abstract painter & Dr. of cultural design)

  

Choi Chul-joo, a contemporary art design critic