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Contemporary Art Movement [1] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light,
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Contemporary Art Movement [1] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.
This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [1] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Conceptual abstract artist Choi Chul-joo's Art Criticism and Example of contemporary art: Media Art Steel Photography: "In Front of the "Bamboo Forest" Photo Review / Photo Aesthetics Review: Photo Critic & Image Concept Artist Choi Chul-joo's Photo Review & Modern Photo Aesthetics Review: Media Art Still Image Photo: "Media Art Steel Photo: In front of Bamboo Forest"
Abstract design as a conceptual semantic structure Abstract photography of modern art : The contemporary artwork posted on Facebook: Abstract Photo of Painting <In front of Bamboo Forest> Louis Choi Chuljoo, Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 2023
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photography. These pictorial photographs are transforming into abstract photographs pursuing the fantasy beauty of composition and form, not pictorial imitation.
Accordingly, Dr. Choi Chul-joo worked as the head of the academic research office of the Minwoo Museum of Modern and Contemporary Art dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. And as the second work of "Bamboo Forest," "In front of the Bamboo Forest" is a photo of the abstract painting "In front of the Bamboo Forest" produced by abstract artist Louis Choi Chul-joo.
Louis Choi Chuljoo, <In front of the Bamboo Forest 196>: Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 2023
A still image photo of <Bamboo Forest> that embodies the still image composition of media art through painting
20201126-20201210, Minoo Media Art Museum
The meaning created by the reversible light of unrealistic reality The object bamboo forest, which describes the meaning of a person in the space, structures the meaning of an abstract space that can reversibly transform an object into a real form by concealing the other's desires in the shade of reversible light. Conceptual abstract meaning or image in a mirror is a virtual unrealistic image that reveals the place of the other's unconscious desire.
Thus, Choi Chul-joo presents the abstract design methodology of contemporary art.
This is carried out according to Choi Chul-joo's concept of desire formula. In other words, the image of desire applying Choi Chul-joo's desire formula D(I...I'...)d=I(D...i)i to 'Bamboo Forest' is an image that creates a landscape by floating bamboo in the forest, and connects the concept of desire with the background of 'Bamboo Forest'. In addition, in 'Bamboo Forest', the formula of desire is replaced with 'D(I...I)d=I(D'D)' and the connection effect between the concept of desire and 'Bamboo Forest' is set as an image of desire to shade the concept of desire by 'Bamboo' into a reversible shadow structure. In other words, the image of desire (I/ image) is a structure of desire because desire (D/ design) is repeated in several images (D...D) and the image of desire (I) appears as the concept of desire (I).
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photographs. These pictorial photographs are transforming into abstract photographs that pursue the illusion of composition and form, not pictorial imitation.
Accordingly, Choi Chul-joo, a doctor of cultural design, worked as the head of the academic research office of the Minoo Media Art Museum dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. In addition, as the second work of <Bamboo Forest>, the image of the abstract painting <In front of the Bamboo Forest> produced by abstract artist Louis Choi Chul-joo was embodied as a media art still image.
Choi Chul-joo's object of desire is an object that describes the meaning of a shape seen in the semantic space created by reversible light. A chick means an abstract space in which an object can be returned to an actual shape by abstracting an image hidden in a long time when the desires of the other are shared and structuring the meaning of a certain shape in the place of desire reflected in the shadow of reversible light. It means the concept of desire covered by actual changed movement in a shape set as a place of desire in an abstract space.
This is a planarity that seems to have a consistent meaning of 'bamboo forest' in the picture. 'Bamboo' is a place of abstract desire like the reality in the mirror, but the shape of the background of desire is not the same.
Abstraction as a conceptual semantic structure is abstraction as a conceptual semantic structure of a non-realistic form that has the same meaning as a conceptual form, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes. However, Choi Chul-joo' Bamboo reconstructs the abstract structure of desire into a real image as a conceptual object.
It is set in the desire that the abstract space is defined as a real reversible form and that the abstract meaning of conceptual art is mentioned through bamboo, and that the form is hidden by actual movement in the shade of reversible light.
Still Image <In front of Bamboo Forest> Photo-142, A still image of <In front of Bamboo Forest> embodied in paintings : Painting <In front of the bamboo forest> overlapping the landscape image on the outside of the photo frame limited to the bamboo forest
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Still Image Photo-c165: A still image of embodied in paintings
The still image of <Bamboo Forest> embodied in paintings is a parody of existing bamboo photographs and is an inevitable formality that is conscious of the exact composition and light space calculated like Edgar Degas' photograph.
Realistically, the appearance of rain and wind encountered by chance is drawn as it is, showing the bamboo forest tailored to aesthetic time and the form of photographs that occur at that time. Unlike the media art <Bamboo>, in which bamboo forest photographs are drawn in dark blue, the picture image of the background overlapping on the front outside the limited photo frame of bamboo is <In front of Bamboo Forest>.
In media art, the meaning and effect of an image become the subject of the space with different temporality due to the time when the image does not affect the space within the surface area.
Therefore, the meaning and effect of the image that affects the space are the subjects of the space in that time.
The "bamboo forest," which paints the meaning and effect of images that affect space, is an image tailored to the perspective method copied from the photographic image. As a result, the aesthetic value of bamboo forests leaves traces with media art <In front of the Bamboo Forest>. The expression of the bamboo image reveals the relationship between the unstructured form hidden in the image as a non-existent picture and the subject of time.
The timeliness of <In front of the Bamboo Forest> is a picture of a virtual image drawn by creating a virtual space for media users and another time-based intervention, and the media art <In front of the Bamboo Forest> shows visual continuity.
This imprints the light and darkness of the bamboo overlapping the invisible bamboo forest, and objectifies the reality of the bamboo painting away from the picture.Here, the impression represents the relationship between the object of the image and the symbolic representation of the photograph, and the structuralist form of the bamboo as the object becomes an irrevocably stationary symbolic photograph. In a photo review of Kim Dae-soo's <Voice of the Bamboo>, Choi Chul-joo said that the structure of bamboo sounds is a structure that transforms sounds consisting of visual recognition and auditory photographic processes that "give life to the vertical line and intersect at an appropriate angle." However, bamboo paintings distort the meaning of bamboo photographs, which are identified differently from the similarities seen. This suggests that the picture and the picture do not existentially match.
Accordingly, an image in which a bamboo photograph of another shape and a realistic background photograph overlap should be drawn in the same manner as a media art still image photograph.
Choi Chul-joo's "In front of the Bamboo Forest" painting is metaphorical like the structure of language, so the meaning of one picture is not the same as the shape of bamboo, so it structures reality with unconscious pictures of non-existent rain and wind in another bamboo forest.
And he replaces the virtual image drawn by the subject of the bamboo forest with other media art and decorates the reality of the inner image of the bamboo forest. / Writing. Contemporary art critic Choi Chul-joo (Media Artist & Doctor of Cultural Design)
