Art Critic Louis Choi Chul-joo Criticism [60] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [60] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: Louis Chul-joo Choi, morning glory 2025-2-Desire structure of objects in a pond reflected by reversible white light, 113X165cm, acrylic and composite materials on cloth, 2025 : Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century.

The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object.

Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world.

 

Louis Chul-joo Choi, morning glory 2025-2-Desire structure of objects in a pond reflected by reversible white light, 113X165cm, acrylic and composite materials on cloth, 2025

 

Linguistic representation images as objects represent abstract meanings that represent words unrelated to grammatical sentence interpretation as event images. However, grammar gives logical meaning to abstract nonverbal behavior.

Thus, interpreting the concept of desire as a grammatical linguistic structure requires the design of abstract symbols in linguistic meaning repeatedly. 

Images identical to the concept of desire produce images as the presence of objects when clearly defined through consciousness and conceptual design.

Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century.

The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object.

Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world.

 

Desire structure of objects in a pond reflected by reversible white light,

As an object of the concept of desire, the light discoloration as a reversible light overlapping the surface color contrast effect of the event image reflects the event image hiding the desire hidden in the reversible light projected into the pond, representing the shadow color of the desire structure like a spectrum.

The concept of abstract desire through the desire of the other constitutes the subject of desire lacking as a symbolic structure. 

This is the result of being divided from symbolic existence by repeating the design according to Choi Chul-joo's desire formula to create the image that the subject aims for, and the real image appears as the subject with the concept of desire lacking the event image.

 

In Choi Chul-joo's desire structure, the shadow of reality in the shadow of reversible light results in a phenomenal image as a sign of the unconscious desire of the other in the line space in the direction of the gaze of the event image. 

This is the shade created after the object because the circular object of the concept of the other's desire is hidden by light. 

In the object's desire structure in the pond reflected by reversible white light, the subject of deficient desire imaginatively equates the event image reflected in the pond with the concept of abstract desire to constitute the subject of deficient desire. 

The event image reflected in the pond creates a real image with the same meaning by stating the concept of insufficient desire as a conscious movement. 

Here, in the desire structure, the shadow is a composition lacking in the other's desire structure, and the event image is carved and obscured.

This is a shadow created by being blocked by actions induced by the opaque cause of desire in the image of reality as a structure of unconscious desire.

 

 

In the concept of Choi Chul-joo's desire, reversible light, whose altitude and direction are not specified, shows reality as a being according to temporality.

It refers to the real image as the existence of reversible light that identifies the traumatic image of the event image as the structure of the desire of the object in the pond reflected by the reversible white light.

This is a desire object that realizes abstract desire by representing reality that represents the linguistic meaning of the concept of desire as a shaded image of reversible light. 

The object repeatedly expresses the linguistic meaning of the concept of desire as a real image by repeating the design through conscious movement that identifies the image of the event and the reality that symbolizes the lack of desire.

And while determining the relationship between the real image and the subject of desire, the subject transitions to the real image so that the subject cannot imagine the concept of desire. It provides the cause of causing the phenomenon of desire as an event image, from the real image that the subject cannot return to the concept of desire as an object of desire.

Here, the object that causes the phenomenon of desire is Choi Chul-joo's desire formula, repeating the design to create a real image as a linguistic meaning of the concept of abstract desire, and abstracting the meaning of desire lacking the image.

In the shaded image, the object turns red as the white light as a being that has stopped in time is absorbed into the background, and the blue, green, and yellow colors that are absorbed into the morning glory background are the same shaded structural colors as the desire background of the 'morning glory'. Here, the contrast effect visible from the visual system is the color of the absorption spectrum in which the color reflected from the object changing light is projected onto the pond. 

This means that abstract desire changes from the natural real color of a real object to the concept of desire as a linguistic meaning, and like the chemical reaction of reversible white light, the shadow of the morning glory defines desire by designating white light as the color of desire, and is parallel without distorting the size of the shadow like the sun light.

 

Therefore, it is expressed in flat red regardless of the direction of the light. A bright shadow diffracted by light consists of an overall reversible shade of light, which is not distorted into the shape of an object. This painting is actually painted using the light of the sun as a light, just like an ink-and-wash painting.

Abstracting the meaning of desire that lacks an event image as an object of the desire structure of an object in a pond reflected by reversible white light, the reality in the shadow of reversible sunlight supports abstract desire. Additionally, the concept of lack of desire is linguistic consciousness, creating a reality that exists in the line space that specifies the place of desire./ Writing. Choi Chul-joo, a contemporary art critic (Doctor of Cultural Design)

 

Choi Chul-joo, a contemporary art critic