現代美術家 現代ポップアートの抽象画家 現代アートアーティスト美術評論 [10] 現代美術家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。 これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [20] 現代美術家として概念抽象画家 Louis チェ·チョルジュの現代アート概念抽象美術と概念抽象画家評論作

現代美術家 現代ポップアートの抽象画家 現代アートアーティスト美術評論 [10] 現代美術家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。 これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [20] 現代美術家として概念抽象画家 Louis チェ·チョルジュの現代アート概念抽象美術と概念抽象画家評論作品及びデザイン:  Louis Choi Chul-joo, morning glory p110-7-window shadow-pond, a hand-painted picture on a computer 

 

Louis Choi Chul-joo, morning glory p110-7-window shadow-pond, a hand-painted picture on a computer 

 

池に映った考えによって投影された欲望のイメージ

池に映った考えが投影する欲望のイメージは、水面上の水のように集まる欲望の境界を越えた池の幾何学的断面とも同じだ。

消えた池は可逆的な光の陰で瞬間的な欲望の概念から外れた光の構造であり、透視客体性は水面上に被せられた物体に可逆的な光で空の範囲と透視断面積の大きさを歪曲させる

この歪んだ欲望の概念は、可逆的な光の陰影を持つ現実的な形態素の池に合うように抽象化される。

その抽象は、チェ·チョルジュの欲望デザイン過程と同じだ。 これは抽象的形態と抽象的概念構造を通じて欲望の概念を探求する視覚的表現を創造する、

ここで概念的土台は欲望デザイン過程で抽象的欲望の概念を深く探求することから始まります。 これは抽象的欲望を感情で実在イメージで理解するだけでなく、心理的、社会的、哲学的要素の複雑な相互作用として他者の欲望概念を解釈する。

消えた池でチェ·チョルジュの欲望概念は実在イメージとの因果を前提にせず、無意識に疎外された欲望が分裂した抽象的概念で欲望の対象を概念的主体としたデザインで象徴化し、実在イメージの相関関係としての欲望概念として抽象した実在イメージに帰結する。

したがって、欲望概念の抽象的表現は、他者の欲望を多様な側面で象徴するために抽象的な形態として断面的形態を区分する幾何学的面と抽象的流動性を可逆的光の陰影で多角的なその形態を特徴とする。

ここで可逆的な光と陰影の使用は時間性による光で欲望の影の深さを作り抽象的な形態を強調する。 これは絵画的技術でした欲望の抽象的側面を視覚化するのに役立ち、見る人が欲望概念の実在に接近させる。

 

言語的抽象から実在イメージとして抽象の意味を帰納的に推論して象徴的存在の意味を取る。 そのイメージは文化的、普遍的欲望概念との関連性を伝える形態素だ。

そして、その存在のイメージを眺める視線は、実在の外面で欲望概念を抽象化し、その欲望概念で実在の相関物として実在のイメージが抽象の対象になる。 これはチェ·チョルジュ欲望概念デザインプロセス1による抽象の実在イメージだ。

抽象的欲望の対象を概念的主体としたデザインで象徴化された実在イメージを陰影にした大きさを省略し、光に見える範囲で席にイメージを平面化する。 そして、そのイメージが言語的意味として語る欲望概念の象徴構造として表象する。

このように表象された象徴構造は、複数の断面的な層と可逆的な光の陰影で反射された質感を追加して欲望概念の複雑さと深さを作り、他者の欲望の複雑な本質と実在イメージを投影する。

チェ·チョルジュの欲望デザイン過程2の概念による実際の構造物の欲望イメージの審美的価値は、このように投影された象徴構造物の現実が単一舞台として場所に相応する審美的価値を持つように対象を現実の普遍的な色彩で飾ることだ。

 

欲望概念でデザインしたイメージに隠蔽された美的構造は、雲で区分されて隠された陰影で欲望概念とイメージで対立した方向にいくつかの方向で欲望概念をイメージで視覚化し、そのイメージを抽象化と認知するように社会的環境で生成された欲望構造の被写体を過去に存在物として代理する。 そして、その存在物を描いた主体が欲望概念を記号化した実在を代理者として執行し、抽象的欲望をイメージの精神的現象として無意識のイメージを実際化する。

そして無意識から抽象的欲望対象のイメージの選択は欲望の主体が望む想像によって生成されたのがチェ·チョルジュの欲望概念抽象化だ。

これは無意識的抽象のインタラクティブ要素として欲望概念のデザインプロセスを通じて他者の欲望を客観化する。

そして抽象化イメージとして無意識構造として線と色が組み合わされたイメージが考えの中にあるが意識されないことを無意識とのインタラクティブ行為として欲望を繰り返しデザインして実在のイメージとして生成することが欲望概念デザインプロセス3にともなう無意識欲望のデザインだ。

無意識的に抽象する欲望概念は、実在の対象が可逆的な光の陰影で見えない実在の彫刻イメージで、実在を影で隠してからまた別の実在イメージを見せる。

そのイメージは実在イメージと欲望の主体が望む想像によって維持する無意識であり、そのイメージで自覚できない考え方である。

これは思考に対するストーリーテリングとして言語的方式でナラティブと脈絡を与え欲望概念の深度を高める。 

したがって、現実に彫刻された平面単色化である欲望の空間構成は、意識的な動きを通じて思惟のイメージを光の可逆的な構造で結合し、思惟のイメージを光の可逆的な構造で結合して欲望の空間をデザインする欲望概念設計過程4だ。

 

■ チェ·チョルジュの欲望 抽象概念のデザイン過程:1。 欲望という概念は、イメージの観点から現実の外側に抽象化され、抽象化の対象としての現実のイメージは、現実と現実の相関関係として設計される。 これがチェ·チョルジュの欲望の抽象化概念のデザインプロセス1である。 これは現実世界との因果関係を前提とするものではなく、抽象的な概念から現実の構造に移る誤解から逃れるために、現実との相関としての抽象的な欲望の概念をもたらすものである。2。 欲望の概念を示す範囲は、抽象概念の実際の大きさを、実際のイメージから生まれた欲望の概念の陰として省略することによって創造され、位置づけられる。 さらに、チェ·チョルジュの概念プロセス2は、単一のイメージとしての位置に適した美的価値を持つために、慣習に適した普遍的現実の色で物体を装飾するプロセスに従う。 これにより、現実的な色彩によって隠された美的構造が雲によって分割され、陰影光によって遮られ、実際のイメージにおける抽象概念が曖昧になるという過去や欲望とは対照的な抽象化が生まれる。3。 抽象化を描いた主体は欲望の概念を象徴する現実を実現し、無意識はイメージの意識的現象として抽象的欲望を実現する。 欲望とは、イメージの意識的な現象として実現される抽象的なイメージであり、無意識の構造とは、思考の中で線と色を組み合わせた欲望を繰り返しデザインするが、無意識の行動を意識しない欲望の抽象的な芸術概念をデザインするプロセス3である。 無意識に抽象化された欲望の概念は、現実の対象が可逆的な光の陰として捉えられず、現実を影として隠し、別の実像をビデオとして見せる現実の断片である。 これは、現実に彫刻された平面単色絵画の意識的な動きを通じて、欲望の空間を可逆的な光構造に結合して形成された欲望の抽象概念を設計するプロセス4である。

 

Louis Choi Chul-joo, morning glory p110-7-window shadow-pond-1, a hand-painted picture on a computer 

 

欲望概念デザインプロセスを通過した欲望イメージは、鏡に映った欲望の形態素だ。

欲望の言語的相関物による社会的形態素の無意識的欲求を抽象した概念イメージを鏡に映った壇上が、時間性によって消えた池の水面に見える存在のイメージだ。

その存在のイメージを眺める視線は、実在の外面で欲望概念を可逆的光で断想し、無意識的欲望概念で実在の相関物として実在のイメージが抽象の対象に隠蔽される

無意識的欲求は時間性で隠蔽された欲望の相関物として抽象できる存在物を繰り返しデザインしたのがチェ·チョルジュの欲望概念デザインだ。

これはデザインの主体を他者として欲望の対象を抽象した存在物をイメージして出現させる絵の構造を生成する。

慣習に適合した普遍的抽象的構造で欲望の主体は絵の構造で表象される抽象的構造の実体が一つのイメージとして場所に相応する美的価値を持つように対象を現実の色彩で飾る。

したがって欲望の背景を抽象の領域である実在を主体に存在的相関物を事件と公演の主人公を欲望の原因を充足する抽象のイメージを決める。

その抽象イメージとして無意識構造として線と色が組み合わさったイメージが考えの中にあるが意識されないことを無意識的行為とした欲望を繰り返しデザインし、考えのイメージとして欲望を自覚させる。

その考えのイメージは、実在で彫刻された平面的な単色化が意識運動を通じて可逆的な光の構造に組み合わせて位置した欲望の空間を構成し、他者が自覚するようにデザインする。

これは欲望を他者が自覚できるようにその主体が存在した時間性に合う対象を同時代の事件と公演行為的イメージを抽象で出現するために可逆的光の陰影で同一の実在イメージとした対象として欲望が鏡に映った存在的実在だ。

その実在イメージを欲望概念に具現し、言語的意味を欲望の構造で表象する。

 

欲望と鏡に映った姿は、実際像としての欲望の構造的形態として視覚的に共感され、実在イメージと同一視された欲望との相関関係と理解される。

池に映った欲望のイメージは欲望の形に適した抽象的概念であり、現実の構造で設計された欲望の鏡のように池は言語的欲望の形だ/ 文. 元ソウル市立美術館学芸員キュレーター チェ·チョルジュ（現代概念抽象画家&文化デザイン博士

 

Louis Choi Chul-joo, morning glory p110-10-Kamala Harris Accepts U.S. Presidential Candidate-pond, a hand-painted picture on a computer 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Choi Chul-joo, Kamala Harris Accepts U.S. Presidential Candidate 4, a hand-painted picture on a compute

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [194] Kamala Harris Accepts U.S. Presidential Candidate, (2024-8-24) / Reporter Choi Chul-joo’s Cartoon Review  

. Kamala Harris Accepts U.S. Presidential Candidate

. Kamala Harris accepte le candidat à la présidentielle américaine

 

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, p110-7-window shadow-pond, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

    

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

 

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

 

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-10-Kamala Harris Accepts U.S. Presidential Candidate: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p110-10> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <French movie star Alain Delon dies> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p110-10-Kamala Harris Accepts U.S. Presidential Candidate> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p110-10-Kamala Harris Accepts U.S. Presidential Candidate" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "110-10-Kamala Harris Accepts U.S. Presidential Candidate". Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p110-10-Kamala Harris Accepts U.S. Presidential Candidate-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory 

  

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-16-pond-Kamala Harris Accepts U.S. Presidential Candidate: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Choi chuljoo, morning glory p100-16-1, a hand-painted picture on a computer

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-16-1-Kamala Harris Accepts U.S. Presidential Candidate: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory", "Bamboo Forest" and "pond" the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p100-16-1-Kamala Harris Accepts U.S. Presidential Candidate> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <French movie star Alain Delon dies> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p100-16-1-Kamala Harris Accepts U.S. Presidential Candidate> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p100-16-1-Kamala Harris Accepts U.S. Presidential Candidate" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p100-16-1-Kamala Harris Accepts U.S. Presidential Candidate-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory

 

Background image of an artist's artwork:Louis Choi Chul-joo, morning glory p100, a hand-painted picture on a computer, 2022

 

Final image superimposed on the artist's work1: Louis Chul-joo Choi, a missing pond 3-2,  a hand-painted picture on a computer, 2024

 

Final image superimposed on the artist's work2: Louis Chul-joo Choi, a missing pond, 112X249cm, acrylic and composite materials on cloth, 2024

 

Louis Choi chuljoo, Kamala Harris Accepts U.S. Presidential Candidate [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korean News Cartoon Culture Column in Cartoon Review [194]  Kamala Harris Accepts U.S. Presidential Candidate,  (2024-8-24) / Reporter Choi Chul-joo’s  Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶French movie star Alain Delon _ La star de cinéma française Alain Delon

 

 

Louis Choi Chul-joo's "morning glory" is painted on a cloth that reflects the image on the back as an image generated from a crooked image that means the substance of the morning glory.

Louis Choi Chul-joo <morning glory> is an abstract thread painting depicting the concept of desire drawn on a fabric whose back side is reflected by hand using images created as anamorphosis, which means the reality of morning glory.

 

On March 1, 2022, at Flushing Town Hall in New York and at Yeomyeong Hall in New York on March 8, 2022, Louis Choi Chul-joo's "morning glory" exhibition in New York completed 100 posters of New York by visualizing the progress and results of depicting the imagination of other people's desires and objects of existence while facing the artistic notion of desire conceptual art in preparation, and the final abstract work "morning glory 2022 p-100" is displayed in the New York exhibition. 

Here, by producing painting and poster abstraction of contemporary art works using the same conceptual art, Louis Choi Chul-joo's solo exhibition works were presented as modern art abstract paintings symbolizing the exhibition image of paintings. In other words, it referred to the concept of posters as modern art abstract painting as immaterial visual effects. This is the same conceptual art abstraction as <morning glory> by visualizing another painting and poster in the place after setting a place for one exhibition space. 

 

A review of contemporary art works <morning glory> on the exhibition of contemporary art poster by contemporary art critic and contemporary artist Louis, 20220301~20220308 Flushing Town Hall, New York.

 

Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트/ 루이 최철주)

 

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Choi Chul-joo's Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Contemporary art works Media Art<morning glory> on the exhibition of contemporary art poster by contemporary art and contemporary artist Louis Choi Chuljoo, 20220301~20220308 Flushing Town Hall, New York.

 

Louis Choi Chul-joo Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction : ■ news cartoon of Choi Chul-joo’s cartoon news/ A hand-painted picture by Choi Chul-joo on a computer & webtoon news cartoon design works by cartoon designer Choi Chul-joo ■ In <Choi Chul-joo's Morning glory>, Lacan's art theory is formalized by connecting images with abstract paintings and converting them into meanings. This means that other people's desires are expressed in paintings by repeatedly applying Lacan's imagination and formula, and as a result of applying Lacan art theory to paintings, other people's desires for abstract formative beauty gain the value to approach. ■ <Choi Chul-joo's Morning glory> is the spatial background of the desires of others, not the subject. It is the same as a space of life as consistent as the sky. It is connected to cartoon review and Pop Art, which represent the space of life but do not criticize and judge, and reproduces reality as news with pictures of events. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured in the shade of reversible light and exemplified as a realistic abstraction of treacherous conceptual art. ■ Louis Choi Chul-joo's Process, Definition & Shape Meaning of Thread Painting: The process of creating a thread is to design a set presence in a place where paint spreads from a set object, an object that relies on instantaneous agreement, to embroider the image into a thread, to enlarge the place of the cloth by drawing a picture of a combined image or flat shape. The morning glory is the location where the flower blooms, where leaves and stems are formed according to their shape, and where the stem is aligned with the flower as a composition of the flower. 

This is realized without an explanation of the atmosphere in media art and painting, where a real picture is created in the process of producing the mechanically reproduced prototype of media art in response to the needs of others. In addition, he said in thread painting, "The structure of the form is a structure of pictorial thread painting in which the formative meaning is retroactive as a series of threads become a formative structure without explaining the object of the thread that formed the shape." The color of the structure gives a distance of time, so that it is regarded as a formative structure of a faded original structure without marking it, showing the aesthetic value hidden as seen.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory 2021-k-1> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p100> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. 

 

Contemporary art works Media Art<morning glory> on the exhibition of contemporary art poster by contemporary art and contemporary artist Louis Choi Chuljoo, 20220301~20220308 Flushing Town Hall, New York.

 

 

Louis Chul-joo Choi, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021

 

Choi Cheol-joo's Modern Concept Abstract Art is a concept called the regression of early conceptual art and painting. In other words, his modern conceptual abstract art refers to the meaning of desire in phenomenal painting, rather than criticizing phenomenal images such as current events or performances as events and performance images.

This combines the perspective of desire and the value of life as a cartoon and a picture with the scene photograph of the event, and goes beyond the mathematically and philosophically meaningful linguistic interpretation, and combines the value of unconscious desire with the reality of event and performance as a linguistic perspective of event. Here, the abstraction of desire is not an arbitrary philosophy, but a linguistic meaning that can immediately recognize the rational perception of the other's desire.

 

In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.

The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.

The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.

Here, as a real object, color is a visual image familiar with the custom of sight.

The meaning is a symbolic language that symbolizes the imitated flower.

Here, the morning glory is a sculpture of Lacan's object ɑ, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of Lacan.

 

Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.

This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.

 

However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.

Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic.

This is an example of expressing the medium of art as a media art with contemporary media technology.

The difference between art and non-art is distinguished according to the existence of object ɑ as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.

 

Therefore, it is difficult to reveal the object ɑ in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is an object ɑ.

A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.

This is because its formability can form an image or reform it into the same form through a realistic structure.

 

Therefore, the anamorphosis image of the desire of the other person who is difficult to replicate is the meaning object ɑ of the concealed aesthetic structure as an existence.

Here, the anamorphosis image is an objectɑ as another real image separated from the real image, although it is not real as an image of the whole.

An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.

The virtual image is viewed as a virtual image by being recognized as a plane.

Here, by revealing the object ɑ as a being through the Lacan art theory system, the virtual image becomes real.

 

Lacan's Object ɑ is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.

The object ɑ form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the object ɑ to reveal artistry.

The artistry here reveals the object ɑ as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.

And the meaning object ɑ, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.

 

<morning glory 2021-k-1> depicts an image generated by an anamorphosis image of a trumpet flower, and the form of a picture drawn in the shape of a cloth consisting of a grid in which the back is illuminated is thread painting.

 

In other words, it is a shape in which the position of non-real painting with reflected light is expanded to an anamorphosis image of a grid hole in which the back is illuminated is thread painting. The meaning of the form is another person's desire decorated with the color of spatial light with thread painting of the real of universality in the customs facing the morning glory. The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place. Here, as a real object being, the color is an image on one side familiar with the custom seen as a gaze. The meaning is a symbolic language that symbolizes the imitated flower. The flower image is a sculpture of the hidden aesthetic structure meaning object ɑ a symbolized being in non-real space as a result of the lacan's meaning.

 

Object ɑ is an object revealed in desire's art theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.

Therefore, the desire image as a gaze was revealed as a dot of light in the eyes of the other as the subject.

This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.

 

The eyes on the picture see an object drawn on the canvas, but the eyes is like a subject staring at it.

The gaze at the structure of desire determines invisible abstract images, such as phenomenal reality seen in small holes in the screen, the structure of desire in space, and the reflected light determines a moving real image that does not match the form of desire aligned with the gaze.

Thus, in perspective visual systems, desire images are not non-realistic images but rather aesthetic structures obscured by reality revealed in abstract desire systems./ Writing. Art critic Choi Chul-joo (Conceptual Abstract Painter & Ph.D. of Cultural Design)