现代艺术与当代艺术现代艺术与当代艺术现代美术家，现代流行艺术抽象画家，现代艺术家美术评论 [3] 作为现代美术家,概念抽象画家Louis崔徹柱的现代概念抽象美术评论是以他人的欲望为主题的非实际存在,以现代艺术实际造型性的痕迹和可逆的光的阴影抽象欲望概念的美术评论。这是一个概念抽象艺术评论，它抽象了早期概念艺术的绘画性，即代表真实存在位置的他人的欲望。 [9] 现代美术家 Louis 崔徹柱的概念抽象美术和概念抽象画家评论作品及设计: Louis Choi Chul-joo, Rendering th

现代美术家 Louis

by Art Review 2025. 4. 27. 23:11

现代艺术与当代艺术 现代艺术与当代艺术 现代美术家，现代流行艺术抽象画家，现代艺术家美术评论 [3] 作为现代美术家,概念抽象画家Louis崔徹柱的现代概念抽象美术评论是以他人的欲望为主题的非实际存在,以现代艺术实际造型性的痕迹和可逆的光的阴影抽象欲望概念的美术评论。这是一个概念抽象艺术评论，它抽象了早期概念艺术的绘画性，即代表真实存在位置的他人的欲望。 [9] 现代美术家 Louis 崔徹柱的概念抽象美术和概念抽象画家评论作品及设计: Louis Choi Chul-joo, Rendering the intersection of desire outside the window

Louis Chul-joo Choi, Rendering the intersection of desire outside the window, 140X186cm, acrylic and composite materials on cloth, 2024

窗口外欲望的交叉点渲染

构成欲望结构的可逆光交叉的窗户,可以面对根据时间性的各种欲望的交叉点。

欲望的交叉点通过窗户,欲望的选择者形成了欲望概念的双重位置,在这双重位置上超越欲望概念的语言意义,作为主体,欲望蒙的选择者所希望的抽象、缺乏的欲望结构作为意义存在,出现了实际存在形象。

作为欲望的意义性存在,真实形象的审美价值可以将其形象渲染成真实形象,形成假想形象,形成欲望概念形成的真实存在。在这里,渲染作为审美作品的条件,质性是将可逆光的阴影构成的明文结构表现为渲染的质性,成为实际存在形象,欲望概念以可逆的阴影表现形象,在窗外欲望的交叉点上,将该形象的存在运用数学设计过程,通过欲望对象的渲染实现。

在窗外主体中生成的欲望与抽象欲望概念的语言意义中突出的缺乏欲望支配主体的欲望,使欲望的主体丧失,分裂减少的欲望支配欲望的缺乏欲望相提并论。

用语言意义等难以复制形象的其他人的欲望,将某个欲望对象渲染成目标形象。

这里歪曲的形象是与欲望对象的整体形象分离的另一个现歪曲形象，是欲望存在的实际形象。

实际形象根据过去经历的无意识迟缓行动的意义,根据无意识的语言意义结构,将欲望的抽象概念转换为现实,用现有的实际形象表现欲望。

欲望结构根据事后欲望,通过过去视觉经验的无意识欲望作为语言意义,同样的视觉经验对象作为现在欲望的对象出现。这超越了时间性,过去时间经历的欲望结构将窗户上的抽象欲望概念解释为延迟欲望的意思,形成了无意识的欲望概念和有意识的现实形象重叠的交叉点。

在十字路口,可逆的光影不与欲望的对象空间接触,而是在另一个空隙中形成与现在交叉的实际形象。在那个十字路口，在现在的实际形象中，根据事后欲望概念隐藏的欲望结构遇到了可逆的光芒。

无意识欲望的概念和意识欲望的对象是不足的欲望成为事后欲望对象的欲望的主体,在遇到多个对象时交叉。然后,在交叉路口,无意识欲望的概念被设计成语义功能,作为分割的主体,转移到与意识欲望的概念同等的设计的实际形象上。

在这里,无意识的欲望设计是为了摆脱普遍性,获得艺术性,将他人的压抑的无意识表现为与可逆光的时间性相匹配的存在形象,表现欲望,展现艺术性,具有自律的创意性和艺术意义。

看起来像时间之光的欲望像窗户一样,以距离为差异看到形象,该形象的墨鱼和大小区分的现在形态在窗外交叉。

因此,看似凝视了窗外欲望的交叉点的物体出现在对方主体的眼睛上反射的光的交叉点。这不是从无意识的角度看的非现实形象，而是从被压抑的无意识的角度看欲望的视线体系看的真实形象。

这是像镜子一样的抽象欲望的概念,为了识别莲花池中映照的其他欲望对象,可以将欲望为主体生成的表现性形象的意识性形象设计成崔徹柱欲望公式。

因此,被时间性区分的欲望是不同形态的欲望交叉,形成渐进的欲望变化,欲望是在可逆的光影中作为现实形象出现的意识欲望的概念。这是看待欲望对象的他人欲望和根据时间性在不同的文化空间之间与现实相遇的欲望的交叉点。

在欲望的十字路口遇到的缺乏欲望,在特定场所交换对象结构的可逆光阴影的形象。

而且,作为主体,欲望将解释语言意义的实际结构作为欲望的形象,作为欲望的契机,事件或演出形象出现后,欲望的主体将无意识所说的语言意义实际结构化。其结构将语言意义解释为形象,将不同欲望抽象为他人希望的必然特定对象,与实际存在形象一视同仁。窗是抽象欲望的主体,将欲望限制为经验幻想,限制为实际存在形象,在别人的欲望中选择一个,展现实际形象。

作为在欲望概念中分裂的主体,选择者根据他人的欲望,强制特定对象成为映在池塘中的实际存在形象,形成时间性的可逆光的阴影作为想象抽象的框架,在窗外欲望的交叉路口通过窗户形成实际形象的向量将欲望的概念与形象向量连接,在欲望的概念中生成缺乏选择者的形象。而且,虽然不能将他人的欲望从欲望的交叉点转换成向量的数值图像,但是将实际存在图像限制在缺乏的欲望结构中,将其视为被疏远的语言意义,将抽象的他人的欲望实际化为实际存在图像。

实际存在形象中,由无意识的欲望概念的心理向量组成的特定对象和主体,欲望在相互视线上的指示向量对立,演绎出缺乏的欲望。

雅克·拉坎（Jacques Marie ́mile Lacan）在1971年通过讲义，把作为应试者缺乏的欲望视为存在，并以数学嗜好称之为数学。

在欲望的概念中，把抽象对象作为公理命题，"数学（mathematical statement）"包含着逻辑性地判断欲望的语言意义。就像缺乏的欲望可以决定特定的对象一样,将语言意义定为实际对象,不区分欲望概念和实际形象,而是判断为同样的欲望。

像这样,从欲望的概念开始,将数学欲望作为逻辑的公理,经过抽象设计,不基于语言意义的外在结构,而是作为具体现象的实际存在而归结。

因此,在窗外欲望的十字路口与实际存在的抽象相遇中暴露出的欲望结构的渲染,将数学欲望概念的抽象设计,即欲望概念的形象应用于崔徹柱欲望公式,2022年3月1日在纽约(Flushing Town Hall, New York)将欲望的背景结构作为"morning glory"展示中,以可逆光的阴影和欲望的主体,将牵牛花作为平面的实际存在形象出现。

欲望的概念和抽象结构交叉而产生的实际形象渲染是在欲望的概念中抽象化的意义的轮廓和可逆的光的阴影交叉而产生的,可逆的光的阴影与实际形象重叠的三维形状在欲望和概念中抽象化的意义的轮廓相同的位置画阴影,生成平面形象。

'morning glory'创造的窗外欲望的十字路口渲染、不充分的欲望背景、将无意识的欲望概念的意义形成特定场所的实际形象的无意识的欲望概念抽象化是根据崔徹柱的欲望公式描绘的。

崔徹柱的欲望公式是以I/I(形象)和D/d(设计)为记号,连接设计形象的数量和活动及表演形象,生成多项式欲望形象的乘法公式。

作为符号，形象的语言意义是试图识别欲望的抽象概念的欲望概念形象（I/i）。该形象作为实际结构的框架制作了窗户,使不充分的欲望主体在可逆的光线下隐藏的欲望概念在实际形象中展现出来,特定的欲望概念作为抽象的符号,作为可以用实际形象凝视的存在构成线空间。

欲望的设计将欲望的概念用抽象的符号平面化,美丽地生成欲望的对象。这里的抽象符号是存在欲望的言表意义结构。其结构通过欲望概念的无意识意义和抽象符号,与实际存在意识形象的设计均衡连锁的崔徹柱欲望概念抽象设计过程,向抽象化转变。

作为欲望结构的数学欲望公式设计过程,直到形而上学欲望概念被当作符号美学形象为止,设计接连不断。

像这样，欲望的概念被解释为美学抽象化。将能够正确应对形式美学的欲望概念解释为美学抽象化,作为感性的接受美学,不顺应强调现代美术的审美快感的潮流,将欲望的概念形象运用到崔徹柱欲望公式中,将抽象美术运动的历史形成实际形象的现代新欲望概念美术。

因此欲望概念的抽象化是以实际存在的被摄体为对象再现的语言性欲望概念的构想。这是将抽象结构分割成可逆光的阴影，将实际存在视觉化的欲望的概念构想作品。

将光的可逆性阴影和时间性带来的现实的造型性重叠起来，为了观察语言意义的实际形象，反复进行平面上简化实际结构的设计的欲望结构，不是将无意识欲望的概念中蕴含的语言意义编织而成的，而是构成与整体形象同等的现实。另外,作为实际结构的框架,窗外各种碎片需求结构的可逆光方向不同,在照明碎片相互交叉交汇的地方形成交叉路。不会被可逆光的阴影吸收,根据时间性,像星星一样在存在位置的白色光交叉点形成实际结构。

实际上，时间结构被解释为存在当时具有意义的形象。因此，根据时间性，存在现实图像被抽象化为时间的可逆非存在。欲望的结构是将过去和未来整合到现在的语言意义,从现有的形象开始,由一般的实际形象构成。这是为了使抽象的过去和未来的印象不回到原来的状态，通过在窗外的欲望的交叉点上调出从既存的象征性关系传达的实际印象，构成欲望概念的因果性对象的结构。/ 现代美术评论家崔徹柱（文化设计博士）

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others:

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 222-Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest i222-Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest i222-Tyson totally gave in to the boxing match, but I'm happy-pond: Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i) / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Choi Chul-joo, Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p129-1-Rendering the intersection of desire outside the window: Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 222, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest i222, a hand-painted picture on a computer

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

The figurative meaning of the conceptual abstract 'morning glory window' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.

"morning glory window" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p129=3, a hand-painted picture on a computer

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Conceptual Artwork Criticism: Korean news cartoon review-A line News of Chul-joo Choi's Korean Pop Star [3], Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 6, Cartoon art work designed by Louis Choi Chul-joo.

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction.

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Conceptual Artwork Criticism: Korean news cartoon review-A line News of Chul-joo Choi's Korean Pop Star [3], Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’, (2019-8-3)/ Reporter Choi Chul-joo’s Cartoon Review

. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’

. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'

Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Louis Chul-joo Choi, morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’, a hand-painted picture on a computer, 2024

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi chuljoo, morning glory p129=3, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p129-3> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory