L'artiste contemporain et Art Moderne Pop Art [2] Artiste abstrait: la notion de désir populaire, le design abstrait L'application formelle de Choi Chul-joo: l'approche conceptuelle de l'art du désir d'autrui et la forme abstraite du design du pop-art ave

L'artiste contemporain et Art Moderne Pop Art [2] Artiste abstrait: la notion de désir populaire, le design abstrait L'application formelle de Choi Chul-joo: l'approche conceptuelle de l'art du désir d'autrui et la forme abstraite du design du pop-art avec l'image réelle. Alors que les images en conflit avec les concepts de sens linguistique mis en avant à la lumière de la philosophie métaphysique montrent à travers la lumière artificielle des événements dramatiques, celle de son désir l'art contemporain apparaît.  Peintre abstrait contemporain et critique d'art [1] Le critique d'art contemporain Louis Choi Chul-joo est un critique d'art contemporain qui examine l'art du processus de valeur esthétique du dessin animé photographique et aborde le sens de l'œuvre avec l'art visuel. La structure linguistique d'une peinture est une réalité dans laquelle une image qui abstraction du désir est perçue comme un regard de la structure sémantique linguistique du concept du désir. Le critique d'art Choi Chul-joo aborde la valeur esthétique, le processus et l'art de la critique d'art contemporain avec le concept de « design abstrait du désir » en plus de la critique d'art contemporain. Sa critique renvoie à la théorie des arts visuels, où l'art de la photographie, de la bande dessinée, de l'art et du design aborde le sens de l"œuvre à travers des structures grammaticales du langage, critiquant la réalité, notion de désir. / Les récits des événements et des actes du critique d'art abstrait moderne Louis Choi Chul-joo visualisent, à travers l'art visuel, le désir abstrait des concepts modernes. Ainsi de la critique d'art contemporain, qui valide la valeur esthétique, le processus et l'art de la photographie, de la bande dessinée, de l'art et du design et s'approche de l"œuvre avec la théorie de l'art abstrait, concept de désir de l'artiste contemporain Choi Chul-joo: Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024 

 

 

 

Louis Chul-joo Choi, morning glory window 2024-4-Memories 

Dans "lmorning glory-memory", l'abstraction est une nuance réversible de lumière, et plusieurs êtres conceptuels sont incarnés sur le fond de la "morning glory", qui représente la structure du désir en tant qu'êtres abstraits dans une forme réelle.

C'est l'image de la mémoire comme le désir de l'autre comme une nuance réversible de lumière dans "morning glory", qui ne décrit pas l'atmosphère. Ici, selon l'identité de la théorie du matérialisme, le désir de l'autre est conceptualisé et l'abstraction identifiée à l'image réelle est modifiée, laissant l'ombre sur le tissu par la peinture ajustée en mode abstraction de la structure réelle dans la temporalité.

Dans "morning glory-memory", l'abstraction est une nuance réversible de lumière, et plusieurs êtres conceptuels sont incarnés sur le fond de "morning glory", qui représente la structure du désir en tant qu'êtres abstraits dans une forme réelle.

C'est l'image de la mémoire comme le désir de l'autre comme une nuance réversible de lumière dans "morning glory-memory", qui ne décrit pas l'atmosphère. Ici, selon l'identité de la théorie du matérialisme, le désir de l'autre est conceptualisé et l'abstraction identifiée à l'image réelle est modifiée, laissant l'ombre sur le tissu par la peinture ajustée en mode abstraction de la structure réelle dans la temporalité.

 

Comme un jeu d'ordinateur, le mode abstraction chevauche les événements et les images de performance des caricatures d'actualité avec "morning glory", le fond de l'abstraction, et résume les désirs des autres en nuances d'une véritable structure de lumière réversible.

Selon l'endroit où il a été perçu comme un concept de désir, il est éclairé par une lumière réversible qui existait dans le passé et s'est développé en une structure ombragée, tout comme il semble être une image déformée selon la position et la distance de l'objet en réalité.

Ici, l'effet d'ombre de la lumière réversible forme une structure d'ombre réfléchie sous forme de lumière réfléchie provenant du petit trou du tissu où la surface arrière est éclairée.

 

La structure est peinte avec des fils peints en forme de "morning glory".

L'image et la couleur de la peinture conceptuelle montrent la valeur esthétique des formes cachées en formant l'image et la couleur de l'objet effacé, à l'ombre d'une lumière réversible, sans marquer de distance temporelle. 

C'est une peinture réaliste basée sur la théorie abstraite de Chul-ju Choi, qui capture le concept du désir au-delà de la littérature et décrit la couleur de l'ombre comme une lumière réversible.

 

Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024

 

Dans le concept du désir de Choi Chul-joo, l'image structurelle est une image textile qui bloque la couleur et restaure la structure linéaire de la couleur pour s'adapter à la couleur spécifique en insérant une structure de désir ombragée comparable au rétroéclairage.

Par conséquent, le concept du désir avec la structure du fil est une peinture qui dessine le désir abstrait dans la structure du tissu et du fil en tant qu'art conceptuel. 

Le tableau "morning glory-memory" est une image du concept de désir dans lequel l'esprit d'un jeune enfant dans le concept de désir de Choi Chul-joo est transféré à un poussin et le poulet, la femme et la danseuse sont dessinés sur une image de tissu comme des objets créés par la coutume. 

Comme l'image du désir, l'image de l'objet a été dessinée en composant des poussins, des poulets, des femmes et des danseurs dans un matériau comme le tissu pour créer une image dans laquelle les côtés gauche et droit étaient inversés. Par conséquent, sa peinture est une peinture de deux côtés qui ne fait pas de distinction entre l'avant et l'arrière. Ici, lorsque l'image au dos est convertie en avant, apparaît un nouveau tableau avec des traces d'une ombre dans une lumière réversible.

 

Dans le monde imaginaire, l'identification identifie extérieurement l'image de l'objet comme le même sujet que l'image de l'objet et forme intérieurement une image phénoménale du concept de désir dans lequel le sujet est transformé. En tant qu'image phénoménale, l'ombre d'une lumière réversible sans objet, d'une autre ombre et d'un dos de l'espace créé par l'objet, s'illumine ou disparaît.

Il s'agit d'une image insuffisante en tant qu'objet en tant qu'image satisfaite en tant qu'enfant dans l'image d'un objet réel.

La mémoire de l'objet adapté au danseur crée un espace séparé relié aux poussins, poulets, fossiles et femmes dans le trou avec des marges d'ombre dans l'espace vide, et colore et façonne les objets en une seule image qui intègre le côté lumineux du yin et du yang avec des couleurs sur l'image.

La forme est une image de la réalité dans laquelle l'objet réel se reflète dans le miroir en confirmant la structure de la réalité phénoménale qui n'existe pas en tant qu'espace vide à l'arrière de l'objet.

En d'autres termes, l'image de la réalité phénoménale peut être une image de la réalité dans laquelle l'image de la réalité comme métaphore se reflète dans le miroir ou une image qui apparaît comme une ombre virtuelle comme une autre image. 

Ici, l'image de la réalité est un podium façonné par le désir d'autrui qui peut voir la couleur ombragée comme un objet à travers le regard. La plate-forme clarifie le sens d'un être réel qui reflète l'image visible comme lumière réversible dans laquelle le désir s'est arrêté à la place de la ville et prend l'image comme forme de désir.

 

En tant que structure réelle de son sens, lorsque la forme s'arrête, le sens est créé comme un mouvement de pensée réversible. Il s'agit d'une image dans laquelle le sens de la pensée comme structure d'une image trouve une place de désir dans un espace vide. 

En conséquence, la représentation conceptuelle de la mémoire dans la fenêtre de la gloire matinale, le fond du désir, chevauche l'image réelle en une seule phase au même endroit dans une ombre réversible pour en faire une structure de désir d'image mémoire. 

Les pensées errantes créent un espace réversible en tant qu'image d'un objet réel dans le sens de la réflexion sur des désirs ambigus et montrent le désir en tant qu'objet phénoménal.

Et l'image de l'existence définit l'abstraction factuelle comme un sens qui inverse la réalité, et l'image réalise le concept abstrait par le sens transformé en ombre de lumière réversible. 

Il n'y a pas de réalité conceptuelle, mais le désir qui se dessine comme une abstraction cachée par la lumière inverse en remplace un autre. Ce désir crée un espace abstrait qui peut réversiblement représenter la réalité et fait référence à une valeur phénoménale. / L'auteur. Choi Chul-joo, ancien conservateur du musée d'art de Séoul (artiste d'art moderne et docteur en design culturel)

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, South Korean girl group ITZY has released its new album "IT'z ICY.“ 6, a hand-painted picture on a computer, 2019

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. South Korean girl group ITZY has released its new album "IT'z ICY.“

. Le groupe de filles sud-coréennes ITZY a publié son nouvel album "IT'z ICY.

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 95- South Korean girl group ITZY has released its new album "IT'z ICY.“ 4, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work 

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest d95- South Korean girl group ITZY has released its new album "IT'z ICY.“:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest d95- South Korean girl group ITZY has released its new album "IT'z ICY"-pond2:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest d95- South Korean girl group ITZY has released its new album "IT'z ICY.“-pond2-mirror:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“,  a hand-painted picture on a computer

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory Louis Chul-joo Choi, morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and cposite materials on cloth, 2024> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“-mirror,  a hand-painted picture on a computer

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's " Louis Choi chuljoo, morning glory Louis Chul-joo Choi, morning glory p133-1-25-South Korean girl group ITZY has released its new album "IT'z ICY.“-mirror is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest d95- South Korean girl group ITZY has released its new album "IT'z ICY.“-pond2-mirror" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. And  Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art. 

In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence.

 

Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory p112-1-South Korean girl group ITZY has released its new album "IT'z ICY.“ 6: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-IT'z ICY> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes. 

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 95, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d95, a hand-painted picture on a computer

 

 

 

Louis Chul-joo Choi, South Korean girl group ITZY has released its new album "IT'z ICY.“ 7, a hand-painted picture on a computer, 2019  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [1] South Korean girl group ITZY has released its new album "IT'z ICY.“ : Chul-joo Choi & Kang's Korean Pop Star / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶South Korean girl group ITZY._ Le groupe de filles sud-coréennes ITZ

                 

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest, a hand-painted picture on a computer, 2024

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest.

. Le parti d'innovation de Cho Kuk réforme les poursuites pour protéger l'intérêt public.

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 163-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work 

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest g163-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory p112-5-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-5-Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 163, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g163, a hand-painted picture on a computer

  

 

Louis Chul-joo Choi, Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest, a hand-painted picture on a computer, 2024  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Review of Korean News Cartoon [183] Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest.(2024-4-15) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Cho Kuk's Innovation Party Reforms Prosecution to Protect Public Interest._  Le parti d'innovation de Cho Kuk réforme les poursuites pour protéger l'intérêt public.  

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting. 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer, 2019

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’

. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 97- Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest g179-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory p112-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 97, a hand-painted picture on a computer

 

Louis Chul-joo Choi, morning glory p113-7,  a hand-painted picture on a computer

 

Choi Chul-joo's "morning glory p113-7," is not a philosophical ideal, but a cross-sectional shape of pop art.

Therefore, portrait images are valuable in expressing the aesthetic structure and series of semantic shapes of people who view people as ideological ideals stopped at the same time in their everyday place. 

The image reveals the value of the portrait image in the form of meaning that the object is revealed beyond philosophy by the status of the contemporary object.

Portrait images representing philosophical ideals enjoy semantic phenomena and are formed as existential abstractions. This creates a semantic gap between the portrait and the same image, and projects the gap into phenomenal light. And it realizes the shape of existence perceived at the same time with the shade of reversible light.

Therefore, the portrait image formed as a pop art image appears to be a universal image that conveys a semantic entity to a specific shape in the shadow of existence and reversible light, and from a conceptual point of view, the image shows traces of contemporary aesthetic conditions and existential meaning. 

 

Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 263--Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

 

Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest  b263-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

 

Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b263-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b263-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p112-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’,  a hand-painted picture on a computer

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory Louis Chul-joo Choi, morning glory p112-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’,: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p112-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and cposite materials on cloth, 2024> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory pp112-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’,> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p113-8-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’,  a hand-painted picture on a computer

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's " Louis Choi chuljoo, morning glory Louis Chul-joo Choi, morning glory p113-8-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest b263-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’-pond-mirror" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. And  Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art. 

In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence.

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b97, hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 263, a hand-painted picture on a computer

 

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 1, a hand-painted picture on a computer, 2019  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Girl group, "Girls' Generation"._ Groupe de filles, "Girls' Generation"  ■ Choi Chul-joo's Concept of Desire Formula In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). 

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.  

■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. 

■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of  the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure.  4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see.  Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.

 

Louis Chul-joo Choi, morning glory p112, a hand-painted picture on a computer