Contemporary Artworks Review & Artist Artworks [37] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review : Contemporary Artist Movement & Contemporary Artist Louis..

Contemporary Artworks Review & Artist Artworks [37] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review : Contemporary Artist Movement & Contemporary Artist Louis Choi Chul-joo's Contemporary Art Design & Review [15] Contemporary Art Review that actually abstracts the abstraction of the concept of desire and abstract art with realistic conceptual art design : Famous Contemporary Abstract Artist Louis Choi Chul-joo's treacherous Concept Art Abstraction 'morning glory' Abstract Design & Contemporary Pop Art Abstract Artist Louis Choi Chul-joo's <It's hard to see a morning glory exhibition due to COVID-19>

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Art review of the artwork posted on Facebook: Famous contemporary artist, modern painter, abstract painter & contemporary pop art abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'morning glory'

2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

 

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Louis Choi Chuljoo,, It's hard to see a morning glory exhibition due to COVID-19, a hand-painted picture on a computer

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Louis, Choi Chul-joo, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021/ 2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

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Louis Choi Chul-joo's 2022 New York Exhibition is a renowned contemporary art work by a contemporary art critic in the field of photography aesthetics and cultural design theory, creating a pop art abstraction of contemporary photography that interprets the aesthetics of photography through photography criticism. One of his notable works is the realistic abstraction of morning glory against the backdrop of the concept of desire.

The concept of his work realistically designs events and performance scenes with the concept of desire to explore the image structure of conceptual art and produce abstract designs that are considered examples of modern art.

His work reveals spatiality and temporality as an abstraction of the concept of desire with reversible light that explores realistic abstraction as treacherous conceptual art.

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This is an example of the realistic abstraction art movement of his desire concept, which produces abstractions based on contemporary art concept abstract works related to the <morning glory> poster 100 and expresses this as a modern concept abstraction symbolizing the design of shape as a semantic structure of the concept of desire.

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Louis Choi Chuljoo,, Abstract Painting Poster-100 Painted With Desire Concepts at 2022 <The morning glory Exhibition>, a hand-painted picture on a computer

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Louis Choi Chuljoo,, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021

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The object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2021-e), which depicts the meaning of the shape seen in the meaning space created by the reversible light of the non-real shape, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in the temporal shadow, and the image in the mirror shows the concept of desire of the abstract image that reveals the place of the other's unconscious desire with a non-real virtual image.

 

The concept of desire refers to the concept of abstract meaning, desire, which is obscured by the actual change in the shape of the exhibition poster by constructing the meaning of a certain shape in the shade of reversible light and the meaning of the image hidden by the long time in which the desire of the other is shared by the meaning of abstraction, or desire, is hidden by the actual changed movement of the exhibition poster shape.

This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-real as an ideological non-formal existence with different colors and sizes.

 

Its existence is an abstract painting that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which refers to the abstraction meaning of exhibition poster concept art.

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Louis Choi Chuljoo,, <Omicron Spread Restricts Entry of Foreigners-4>, a hand-painted picture on a computer

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Concept of Desire Replaces the meaning of phenomenal abstract places with exhibition posters Art abstraction can distinguish places of shapes while conceiving the meaning of planes that interpret them. Images have different meanings because they are abstract in color and size similar to ideological structures, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, the image of the object and the abstract meaning of the object are identified with the image of the object, and the object forms an internally transformed abstract meaning. This means that the abstract meaning of the figure that defines the abstract space that can actually be reversible and the design meaning of the abstract figure whose shape has been changed by the movement of the actual changed figure are obscured by shading.

Its meaning is a symbolic word that imitates the desire of others, such as COVID-19 <Omicron Spread of Foreigners Entry-2>, and is conceptually designed as several abstracted <morning glory>.

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Louis Choi Chuljoo, morning glory p45-3-COVID-19, a hand-painted picture on a computer

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In the abstract <morning glory>, we design a figure representing the desire of others and reproduce it as an abstract object as a concept of desire. The mechanical diagram of the perspective visual system abstracts the concept of desire as a different momentary gaze from the perspective of the desire of others revealed unconsciously by creating a place in one shade with reversible light concealed by the visual system.

The concept of desire abstracted as a conceptual art forms a dwarf image expressed through the repressed unconscious desire of others to acquire artistry beyond generality, creates desire as a shadow of conceptual formality along with the desire of others as beings, and exists as a meaning.

 

Desire as a semantic entity reveals the desire as another entity of the object by transforming the image of the object into a structure of meaning from the other's desire perspective, and contains a formative value as an autonomous choice of the other's desire.

And, painterly, a small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the meaning movement of the image that actually changes the shape. This is where the other's desire is abstracted into a space where the object can be actually reversible in the meaning of the existence of an abstract object.

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The desire of the other emerges by repeating the formula that reveals the meaning of the shape covered by the actual changed instantaneous movement of the shape as the concept of desire.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

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The meaning of the shape obscured by the actual changed instantaneous movement of the shape results in linguistic abstraction. In other words, the realistic form of the other's desire in a momentary event is linguistic abstraction of the same meaning. Verbal abstraction is a conceptual art with a cultural background of morning glory and bamboo. Abstraction creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in momentary events.

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In everyday life, "morning glory 2021-e", it rejects the two-dimensional floor plan and divides the fantastic plane into two planes, creating a shadow of reversible temporal perception by being seen as a fabric structure so that others' desires can be recognized as reversible shadows. It is difficult to reveal an object called a structure of beauty hidden in a hidden structure that exists as a shadow attribute in a picture that converts it into a system that approaches perception and paints symbolic representations as meaningless beings.

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The perceived symbolic representation is a linguistic composition that lacks a formative aesthetic structure that looks well like cloth. In other words, the perceived symbolic expression is a linguistic composition that lacks a formative aesthetic structure in which the image is clearly visible on the surface of the cloth.

It is a virtual image that is recognized as a representation as a plane image but hides reality. An image is an aesthetic structure hidden from the perspective of reality and belongs to a semantic structure as a virtual image belonging to the structure of desire.

 

<morning glory 2021-e> is a background shading by manipulating the background of the morning glory with reversible light on the surface of the cloth made of intersecting threads. And the light reflected through a small hole in the fabric is an abstract image that overlaps with reversible light in an unrealistic picture to extend the plane of the object. The meaning of the image is that the reality of the existing universality encountered by the morning glory, which represents the other's desire, overlaps with the reversible light to decorate the entire space with the meaning of color.

The morning glory has no light setting, while the background is painted in the style of a Quattrosento painting.

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This is the process of transitioning from the imaginary world to the symbolic world, where the non-existent as reality and the image, that is, the image reflected in the mirror in the imaginary world, coexist. It reproduces the reality of morning glory as a coexisting image, but the background image identifies it with morning glory, but the metaphorical meaning of reality does not match the shadow color and assimilated image. Its meaning is metaphorical like the language structure, so it is not the same as the shape of the morning glory. Therefore, the meaning structure of the shadow created by reversible light with different images from morning glory in terms of what reality is is an object as another reality from a non-real shadow. This is not an image as a subject, but an object of reality as a being with the desires of others.

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Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~20220310

Yeomyeong Hall, New York.

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Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021/ Lacan painting exhibition showing the shade of object ɑ with reversible light, 20211223-2021125 Gwangan Gallery.

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As a concept of desire, images that are deviated are consistent with the visualization of photographic images with collages. This is because it is an image created by the desire of others in the theoretical system of desire images with irrelevant gaze areas, whether flat or three-dimensional. In <morning glory 2021-e-back>, among the three morning glory as an object, the morning glory below the center is a distorted image, and the image of desire is an image of gaze.

Here, morning glory refers to the existence stopped by a momentary gaze in the continuity of reversible time.

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The image in <morning glory 2021-e-back> shows the existence of reversible timeliness by flattening the morning glory according to the perspective visual system margin and reversible timeliness of the object, not actual.

However, although the existence of morning glory is reproduced, the morning glory is confirmed by the background image of desire, but it does not match the actual desire. It is the semantic structure of shadows created by reversible light that differs in image from morning glory in terms of what existence is. It is an object as a being with a reversible temporality different from a non-real shadow.

Therefore, the object is not an image as a subject, but as a being as a desire of others.

 

The morning glory below the center connects reversible light to form the process of time to indicate the direction by determining the position of existence and the space in which it exists. The morning glory formed at one light source point of view does not have any sense of quantity. Here, the morning glory is a partially fragmented image like a collage. In this way, each partial image exists in space as the fragmented shape is exposed at the same time.

A flat, morning glory is the form of a subject generated by the observer's gaze. This shows a flatness converted to a desire image by extracting beings connected in one color with reversible light through morning glory that have eliminated the sense of quantity and contrasting the morning glory as external images with several reversible lights in the background.

Desireful gaze cannot be selected as a visible image that reproduces real and non-real objects depending on the viewpoint of view, and a photographic image that expresses a real image is identified as an image as non-real. Therefore, the existence of the object is a dwarf image similar to Desire's object.

Therefore, the desire' gaze that sees the shade created by reversible light reproduces real and non-real objects according to the viewpoint of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of an object that reverses the desires of others by looking at the concept as a real image.

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And as we examine the cartoon images of events and performances, we see the existence of an object of desire as a concept that is understood as an unrealistic image, a real image that is conceptually similar to the object of desire. / Writing. Art critic Choi Chul-joo (abstract painter and Ph.D. in cultural design)

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Contemporary Artist Louis Choi Chul-joo