Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [10] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Fa..

Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [10] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Contemporary art review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [17] Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review / Modern Korean Painting Art Review News - Read New Artwork: Modern abstract artist Louis Chuljoo Choi's Thread painting <morning glory outside the window 1>

Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Choi Chul-joo Art Review: Work posted on Facebook: Louis Choi Chuljoo, a morning glory outside the window 2023-1

 

Louis Choi chuljoo's "morning glory woman" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.

 

Louis Choi Chul-joo's cartoon criticism: When desire arises, you observe through the window and lie as an opportunity to covet.

 

 

Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic

 

 

■ In <Choi Chul-joo Morning glory Window>, desire's art theory is repeatedly applied to abstract painting and converted into a symbolic image to formalize desire's art theory as a method of abstract painting. This means expressing other people's desires in paintings by repeatedly applying desire's imagination and fantasy formula, and as a result of applying Lacan art theory to paintings, it gains aesthetic value by having a formative meaning in the image that appeared as another's desire.

 

■ <Choi Chul-joo morning glory> is not the subject of the subject, but the cultural and spatial background of other people's desires. It is the same as a consistent life space like the sky. It connects to Cartoon Lib and Pop Art, which represent the space of life, but does not criticize and judge, and reproduces real images as news with photos of events. And the reality of the object symbolized by the news is conceptualized as the desire of others. The effect is to complete the concept of desire with abstraction by structuring it into a shade of reversible light.

 

Thread painting = Louis, Chul-joo Choi, a morning glory outside the window 1, 151X178cm, acrylic and composite materials on cloth / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light  

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction. 

 

Exhibition of Modern abstract artist Louis Chul-joo Choi's "morning glory" with the image of Desire's object ɑ and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.

 

 

Louis Choi Chuljoo, morning glory p26-2-7

 

<morning glory p26-2-7> is an image of desire created as an abstract image that means the reality of morning glory.  

 

In New York (Flushing Town Hall & Yeomyong Hall), 100 posters with the design concept of desire structure were produced as posters of contemporary art related to the solo exhibition of Louis Choi Chul-joo. It is a modern abstract painting that symbolizes the design of desire image, that is, exhibition poster image of abstract painting, as an abstract semantic structure.

The object <morning glory>, which depicts the meaning of the shape seen in the meaning space created by reversible light of the shape of non-real reality, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in a reversible shade of light, and shows an abstract image that reveals the place of the other's unconscious desire as a virtual non-real image. 

 

The object "morning glory" which depicts the meaning of the shape seen in the meaning space created by reversible light, refers to an abstraction in which a structure with an abstract shape hidden in a long time in which the desire of others is fossilized turns things into real in the shadow of reversible light, and the reality of the exhibition poster is hidden by the shade of reversible light, that is, abstract.

 

Louis, Chul-joo Choi, a morning glory outside the window 1, 151X178cm, acrylic and composite materials on cloth / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light 

 

 

The abstract area of painting, which has a specific effect on the desire structure as a meaning of <morning glory outside the window 1> as a conceptual art, is an existential abstract that hides an image that can instantly see the desires of others functioning gazing in the landscape with reversible shades of light. 

This is a perverse planarity that seems to consistently mean "napal flower" in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is a non-real form as a conceptual non-formal existence with different colors and sizes.

Its existence defines abstract space as a real reversible shape and refers to realistic abstraction as a conceptual art of the image of the exhibition poster, whose shape is obscured by the actual change of movement into a reversible shadow of light.

 

Desire Concept Art abstraction, which replaces the phenomenal place of the abstract meaning with an exhibition poster, can distinguish the place of the shape and abstract it as a different meaning to interpret the shape. 

The shape is abstract with a color and size similar to that of an abstract structure to say a different meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified as the same subject, and the subject internally forms a modified abstract meaning. This refers to the abstract meaning of the desire, which defines an abstract space that is actually reversible and refers to the abstract image of a desire in which the shape changed by the actual changed movement of the shape is shaded.

 

The morning glory outside the window, which designed a figure that represents the desire of others in the abstract <morning glory>, abstracts the realistic image as an abstract object. In the diagram of the perspective visual system, the visual system creates a shaded place with reversible light concealed, and each object as a different instantaneous gaze is abstracted from the other's desire perspective revealed in the unconscious.

 

An object abstracted as a desire conceptual art refers to the existence of abstraction in meaning by abstracting a distorted image expressed through the desire revealed in the other's suppressed unconsciousness to obtain artistry beyond generality and creating an object as a shadow of poster formality with the desire of the other. As a semantic entity, the object reveals the abstract object as another entity of the object by transforming the object's image into an abstract structure of meaning with a distorted image from the other's desire perspective, and contains the formative value as an autonomous choice of the other's desire.

 

In addition, the small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is a place of abstract objects in a space where the other's desires can be actually reversible in the meaning of the existence of the desire.

 

morning glory outside the window 1  / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light 

 

 

The virtuality of abstract exhibition posters is structured as conceptual cartoons, similar to gaze images that virtually reproduce distorted images that cannot be expressed on the same plane, or as if they represent real places with desires as links to images.

The connected part of the other person's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of a person looking at the other person's object exposed in the mirror with reversible light is not visible. 

 

However, the person who drew the picture replaces the other. And the image revealed by staring at the abstract image of the structure of desire is an abstract place. Existential reality is the object revealed by the position of the subject as a gaze from the perspective of the other's desire to move to the position of the subject (atopia) that appears at the point of disappearance throughout the virtual image.

 

The structural physicality of reality has a number of cross-sections in a three-dimensional form, and conceptualization captures the multifaceted conceptuality of the morphological structure as an object with one cross-section and two sides within one concept.

Therefore, in a space that conceptualizes the desires of others as a subject, a three-dimensional pop art space made up of reversible shades of light reveals the desire behavior as a physical reality and makes the object look real. 

This is the physical structure of desire that results in real and non-real. The structure has several crooked cross-sections in a three-dimensional form, and abstracts the pictorial image as a conceptual art into a multi-faceted image of the semantic structure as an object in a concept.

  

Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic and composite materials on cloth, 2023

 

 

"morning glory window" repeats the concept of desire to cover the shadow image of others' desires and collects images of desire in which external light overlaps with timeliness.

In "morning glory window", a person dancing against the backdrop of morning glory overlaps like a small pillar to cover and hide the shade.

It gives reversible time sensitivity to shades, becoming the desire of others, and has the effect of setting phenomenal positions so that images of light do not overlap.

Louis Choi Chul-joo's "morning glory window" absorbs temporal light and removes symbolic representation on the image surface.

In this way, it creates an image of desire and is obscured by reversible light, leading to the concept of desire in the shadow.

 

 

 

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

 

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

 

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.  

 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

 

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

 

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

 

In this way, desire creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. / Writing. Art critic Louis Choi Chul-joo (Ph.D. in cultural design)

 

Art critic Louis Choi Chul-joo