モダンアート現代ポップアートの抽象画家現代アートアーティスト美術評論 [20] 現代美術評論家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [4] 現代美術家および現代の概念抽象画家の美術評論作品: Louis Choi Chul-joo <m

Art Review 2025. 4. 27. 03:26

モダンアート 現代ポップアートの抽象画家 現代アートアーティスト美術評論 [20] 現代美術評論家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [4] 現代美術家および現代の概念抽象画家の美術評論作品: Louis Choi Chul-joo <morning glory outside the window 2023-6-3> カートゥーンを欲望の概念にした写実的抽象化のデザイン評論

Louis, morning glory p107-7, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

カートゥーンを欲望の概念にした写実的抽象化のデザイン評論

<morning glory window p107-7>は'mornin g glory'の実在を意味する'mornin g glory'(anamorphosis)的イメージで生成されたイメージを可逆的光の陰影でカートゥーン漫評を概念とした裏切り的概念美術としての欲望概念抽象化だ。これは現代の欲望概念に基づいた写実的抽象化の方法論を提示する現代美術運動だ。

釜山(海雲台区庁ギャラリー)で韓国画家&現代概念抽象画家ルイ·チェチョルジュ<morning glory window>個展関連現代美術抽象画17作品にしたポスター17作品を製作し、これを欲望的意味構造でイメージをデザイン、すなわち絵画の展示ポスターイメージを記号化した現代美術の新しい欲望概念の抽象化<morning glory window poster 104-4-1>に定める。そして、その抽象化を瞬間的な凝視に見える欲望概念の実在イメージで構成し、<morning glory (outside the) window 2023-6-2>を通じて抽象的欲望概念の実在イメージのデザインを繰り返した新しい現代美術抽象化美術運動で作った抽象化を出現する

写実的な非実在の形状を可逆的な光で生成された意味空間で見える形状の意味を描き出したオブジェ<morning glory outside the window p107-7>は、他者の欲望を時間性に隠したイメージを可逆的な光の陰影で意味を構造化し、そのオブジェを実際の形状に可逆できる抽象空間を意味化し、形状の実際に変化した動きによって遮られる欲望的抽象の意味、すなわち鏡の中に照らされた欲望イメージはカートゥーン万平に仮想的な非実在したイメージを欲望的な概念という言語的な意味で抽象的な。

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

その抽象化の上に欲望概念を現代美術にした事実的抽象化の方法論を提示するチェ·チョルジュの現代美術運動を釜山(海雲台区庁ギャラリー)でその抽象化をもう一つの欲望イメージで構成する「Painting Installation Performance」を通じた欲望概念の抽象化<morning glory (outside the) window 2023-6-1>を生成する。

概念美術とした<morning glory 2023-6-2>は瞬間的な欲望概念が凝視に見える特定効果が発生する絵画の抽象的領域だ。この風景の中で、凝視的に機能する打者の欲望を瞬間的に見ることができるイメージだ。

これは絵画において「morning glory」という一貫した意味を持つように見える、倭相的平面性である。その朝顔は鏡に映った実在(le réel)と同じだが、背景の形状は同じではない。これは構想的形態として同一の意味の構造とした非実在の事実的形状を概念的意味構造として抽象だが、その形状が異なる同一の意味としての抽象化は類似した色と大きさが異なる思想的形状の抽象的存在として非実在する事実的イメージであるためだ。

その存在は、Jacques Marie ́mile Lacan の"解析の四方位"に適用した概念美術抽象化であり、実際に可逆できる形状として抽象空間を定義し、その形状が可逆的光の陰影で実際に変化した動きによって遮られる事実的形状の一概念美術の抽象化の意味をいう。

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

欲望概念イメージとして、オブジェ<morning glory window 6-3>として抽象的オブジェを再現する遠近法的視覚体系の器学的図式では、視覚体系は隠蔽しているが、無意識に現れた欲望的観点の瞬間的な凝視と見えるオブジェである。これは事件と公演イメージを欲望概念にした事実的抽象化だ。

抽象画として<morning glory>は、一般性を脱して芸術性を獲得しようと、他者の抑圧された無意識から現われた欲望を通じて表出された倭商的イメージをデザインで形成し、存在としてオブジェを生成して他者の無意識的欲望から表わした幻想的イメージでドラマ、災難、暴動、戦争、そして公演の瞬間的歪曲されたイメージを意味的構造にした芸術性を表わすことだ

その抽象化は、他人の欲望の影のイメージを隠したい欲望の概念を事件と公演のイメージを繰り返し、可逆的な光の時間性と重なる欲望のイメージを収集する。

そして「morning glory」を欲望の背景に踊る人が欲望を隠して公演イメージの中に可逆的な時間敏感性を付与し他人の欲望になり、光のイメージが重ならないように現象的な位置を設定する抽象効果がある。その抽象的効果は、時間的光を吸収してイメージ表面の象徴的表象を除去し、事実的欲望のイメージを作り出し、可逆的な光の影の中にある欲望の概念イメージを隠す。

このように「morning glory」とダンサーのイメージは、隙間に従属した現実を欲望の概念として認識し、欲望の瞬間によって客観化される事実的イメージとして抽象化される。/ 文. 元ソウル市立美術館キュレーターチェ·チョルジュ（現代概念抽象画家&文化デザイン博士）

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-1-4>

The abstract area of painting in which the specific effect of the desire abstract image occurs as an exhibition poster meaning of "morning glory p104-1-4" as conceptual art is an image that can momentarily see the desire of others functioning gazefully in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure is an abstraction of non-realistic realistic form with the same meaning as a realistic structure, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes..

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time..It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review: A line News of Choi Chul-joo’s newsmanwha K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Contemporary Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, MONSTA X <FANTASIA's "Let me be your fantasy" > 4, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. MONSTA X <FANTASIA> Online Live (local time 26th)

. MONSTA X <FANTASIA> En direct en ligne (heure locale 26th)

■ Art Critic Choi Chul-joo's Visual Culture Column: MONSTA X <FANTASIA>: Let me be your fantasy

■ Art critic Choi Chul-joo's visual culture column: Like a tiger who does not know Inwangsan Mountain, that is, a man in power without expertise, when he or she forces unreasonable corruption, the shadow is revealed and he or she regrets it.

= The temporality of light brightened by overlapping light is realistic in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a reversible shadow of light as a realistic abstraction, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" which is the background of desire.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the morning glory p107-7-1-Let me be your fantasy : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p107-1> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <UK Brexit No!: UK about to leave EU> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2023 Busan Exhibition to actualize the Desire Object.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-68-Let me be your fantasy: UK about to leave EU: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-h68-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest h68-Let me be your fantasy-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest h68-Let me be your fantasy-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light./ The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, leads to verbal abstraction. In other words, the shape in which the other's desire is realistically revealed in a momentary event is a linguistic abstraction with the same meaning. Conceptual art with morning glory and bamboo as a cultural background is linguistic abstraction. Abstraction creates a conceptual structure reflected in a pond based on the shape of subsequent reality fostered by language and hides the desires of others in instantaneous events.And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.

In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence

Louis Choi chuljoo, morning glory p133-1-33-1-Let me be your fantasy

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p130-3> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Choi chuljoo, morning glory p133-13-3-1-h68-Let me be your fantasy> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, In front of the bamboo forest h68-Let me be your fantasy-pond-mirror> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi chuljoo, morning glory p133-1-33-Let me be your fantasy-pond-mirror, nor the kiss-pond-mirror

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-33-1-Let me be your fantasy" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-33-Let me be your fantasy-pond-mirror" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.

By inductively illuminating the concept in the reversible shadow of light as a real image of desire, the linguistic meaning and real phenomena of the image are clearly embodied like mathematics.

As a specific object and subject composed of the psychological vector of the concept of unconscious desire in the real image, the instruction vector in which desire is opposed to each other's gaze creates a lack of desire.

In this way, mathematics is an abstract science based on the concept of desire, which goes through abstract design as an axiom and results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning.

■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire,

mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 68, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h68, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo_Choi, morning glory p107-7, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Louis Choi chuljoo, Let me be your fantasy 18, [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ A line News of Choi Chul-joo’s newsmanwha K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Brexit(UK leaving the European Union)._ Brexit(Le Royaume-Uni quitte l'Union européenne), ▶A million people who have gathered in London oppose Brexit._ Un million de personnes qui se sont rassemblées à Londres s'opposent à Brexit.