現代美術家ルイ·チェチョルジュの概念抽象絵画の概念抽象絵画現代美術批評 [2] 現代美術評論家ルイ現代美術家チェ·チョルジュ氏の現代美術批評と現代美術デザイン批評 = 現代美術今日、現代美術評論家チェ·チョルジュの美術批評、現代抽象美術画家批評: チェ·チョルジュ欲望概念抽象ポップアートは、相手の欲望芸術の抽象概念的アプローチとポップアートのデザイン形態と言語抽象的イメージを組み合わせたものである。彼の欲望の概念、つまり概念抽象芸術が現れ、形而上学的哲学的光の中で強調される言語的意味の概念と衝突する絵が

Art Review 2025. 6. 5. 07:24

現代美術家ルイ·チェチョルジュの概念抽象絵画の概念抽象絵画現代美術批評 [2] 現代美術評論家ルイ現代美術家チェ·チョルジュ氏の現代美術批評と現代美術デザイン批評 = 現代美術今日、現代美術評論家チェ·チョルジュの美術批評、現代抽象美術画家批評: チェ·チョルジュ欲望概念抽象ポップアートは、相手の欲望芸術の抽象概念的アプローチとポップアートのデザイン形態と言語抽象的イメージを組み合わせたものである。彼の欲望の概念、つまり概念抽象芸術が現れ、形而上学的哲学的光の中で強調される言語的意味の概念と衝突する絵が、人工照明で劇的な出来事イメージを作り出す。& 現代美術の抽象絵画をデザインする抽象現代美術:抽象画家ルイ·チェ·チョルジュの現代概念美術は、他者の欲望をテーマにした非実在として、実際的造形性の痕跡と可逆的光の陰影で概念を抽象する美術だ。これは初期概念美術の概念で、ある絵画性の復帰、すなわち実在の座を代理する他者の欲望を抽象化する抽象画だ。: Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025

Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025

欲望を成功裏に伝える文学的蓋然性

欲望の概念の言語的意味は、視覚的文法を媒介する空間的関係を形成します。

他人の欲望に参加し、欲望の場所を基盤とした観点構造としての実際のイメージを構築する文化的観察です。これは他人の欲望に参加しようとする文化的欲望を成功的に媒介し、欲望の場所を基盤とした観点構造としての実際のイメージを構築できる文学的確率です。

イメージで欲望の代わりに配列されたオブジェクトとして、事件イメージで主観的欲望の概念は現実との違いで作られます。

ここで抽象化は欲望の欠乏として提示された抽象的で可逆的な光の陰影形態の連続性と可逆的な光と陰影形態で構成された実際のイメージを提供することによって構成されます。

抽象化は欲望の主体を対象とするベクトルで、フロイト死後の世界の本質から抜け出し、象徴的世界で疎外された欲望の存在を実際のイメージで区分し、欲望の概念を実際のイメージに移すことができないようにします。チェ·チョルジュの欲望概念は可逆的な光の影であり、その結果、実際のイメージを遡及して生成します。

Lacanの矮小な現実を平面的な現実イメージで向き合うためです。可逆的な光の陰影が欲望媒体として表現される欲望構造は、現実を分ける欠乏した欲望の抽象的世界と所有的属性を持つ欲望の概念に近いです。つまり、抽象的な世界に足りない欲望の空間を設定し、抽象的なイメージを言語的な意味で現実に統合することです。

欲望の概念は実際のイメージで設計されており、欲望の概念はいくつかの既存のフレームで言語的意味で構造的に表現されます。これは欲望の欠乏が共通的な欲求不足によって発生する言語的意味としての欲求不足を絵で表現したものです。

選挙期間中、トランプ氏は不足している欲望をつなぐ写真イメージを通じて、不足している欲望を超えて大統領候補になる政治的危機を避けます。

これは視覚的政治イメージの最優先事項である政治指導者のイメージとなり、大統領選挙に影響を及ぼし、有権者との後続関係につながります

人気のBTS音楽を演出するように、彼はアメリカの国旗に設定されたイメージとしてアメリカ大統領の象徴という意味で有権者を操作する政治的イメージとして象徴的な勝利構造を形成しました。

ここで抽象的欲望の概念は政治的現実に基づいたものではなく、象徴的オブジェクトとしてアメリカ国旗とは別の言語的意味として同じ現実の普遍的な美学的概念に発展した抽象的現実イメージになります。

彼は普遍的価値体系で危機欲求の所有的属性としての伝統的社会性から抜け出し、過度な行政介入と個人的欲望としての政治権力で経済的、政治的紛争を触発させた。また、実際の福祉は足りない欲求という視覚的文法で福祉国家を主張する歪曲された政治で毀損され、これを正当化するために市場経済が独占されている。

成功した欲望の媒体は、危機欲望の所有属性、欠乏した欲望の視覚的文法、そして文化的に変化した会話の分野と結びついています

欲望体系言語機能において、高度な視覚文法イメージは抽象的な意味を持ちます。

したがって、チェ·チョルジュの欲望公式による抽象的欲望概念の言語的意味としての実際のイメージは抽象化です。

実際のイメージを作った抽象画は、分割された鏡に映った実際のイメージと同じ抽象的欲望の概念を構成する絵画的イメージです。イメージは、言語的な意味で表現する鏡のように、現実に代わって欲望の概念を予測できるイメージを構成し、実際のイメージを再現します。

また、実際のイメージと同じ欲望概念から始まった自我は、イメージの言語的意味を他人の欲望と同一視し、これは可逆的な光の影の構造です。

光の可逆的な陰影構造は、新しい欠乏した他人の欲望を理想的な問題にし、言語的意味で現実を視覚的構成で表します。

この分離された構造は、実際の事件のイメージを再現するために、足りない欲望と抽象的な形態を対照する言語的意味の視覚的文法を作ります。

オブジェクトとして事件イメージの表現は、足りない欲望の構造として抽象的な欲望概念で進められ、イメージは他人の欲望を指示した実際の構造と事件イメージを共有します。

事件イメージの製作は無意識的な欲望が言語的意味の実際の構造であり、抽象的な欲望概念当時に不足していた欲望を戻す可逆的な光の影である効果的な現実の場所を具現し、相手の欲望が特定対象と同じ言語的意味を解釈するイメージを決定します。

文法言語の意味は成功的な欲望の媒介体として足りない抽象的欲望と同じではないため、抽象的欲望が望む実際のファンタジー構造から抜け出し、要求に応じて実際のイメージを持つ二重の意味構造を作ります。選択された実際のイメージは、欲望が必然的に所有する所有の属性と同じ現実の幻想を伝達する相関オブジェクトであり、連結された実際のイメージは欲望が必然的に所有する所有の属性と同じ現実に実際の幻想を伝達する相関オブジェクトとして選択されます。

これは欲望の概念と相関関係がある文化的欲望背景との距離を縮め、特定の欲望のイメージを作り出します。また、イメージデザインを掛けたチェ·チョルジュ欲望公式のように、幾何学的概念の数学で装飾されたオブジェクトから欲望の言語的意味を選択して他人の欲望を観点に誘導することができ、欲望構造から可逆的な光の方向と陰の大きさで抽象的欲望概念の観点から外れた実際のイメージをベクトルで構成することができます。

したがって、事物の遠近的描写よりは事物の位置を現実に決定する3次元構造、すなわち幾何学的現実の数学的理論によって抽象的な欲望概念を平面上に描写する絵、すなわち美的抽象化を通じて構造の中の欲望の構造を作り出す瞬間的な視線に焦点を合わせた欲望のイメージです。

数学的な大きさと方向を共有するユークリッド欲望ベクトルは、ユークリッド空間で成功的な欲望の媒介として現実の構造を設計する幾何学的オブジェクトを作ります。実際のイメージを事件のイメージとして再現し、足りない存在としての欲望概念を媒介する言語的意味でイメージのない欲望の本質を具現します。

そして、足りない欲望の構造が言語に転移し、意識構造の中で抽象的な楽しさが除去される言語的現実として形態素を重畳して構成されます。

形態素を構成する文法性によれば、欲望概念のイメージは意味を語る構造主義言語学のように言語的意味で構造的秩序を探すことと同じです。

イメージとしての言語的抽象化は、文法規則に従って形態素を実際のイメージで構成する過程です。

これは文章を構成する過程で、文章の意味として言語的意味として実際のイメージと単語を区別する隠喩的記号を意味します。

したがって、抽象画はチェ·チョルジュの欲望概念で、事件とパフォーマンスイメージの言語的意味として象徴的形態素を任意の実際のイメージで構成する絵です。抽象化を文法的に解体しようとする試みは、カントのように平面的意味と経験的客観的現実を視覚的、美学的表現で構成する二重構造を持っています。これは現実に内在した欲望の言語的意味を文法的に解体することとは異なり、現実に内在した欲望の概念によって誘導された欲望の言語的意味をイメージで構成し、欲望の欠乏を犠牲にすることで抽象化の言語的意味を現実のイメージに転移することです。

このように、事件と公演のイメージは言語的意味で表現され、意識構造のイメージは意味のあるものになります.

無意識から派生した抽象の言語的意味を欲望の享有から去勢に転換しながら言語的行動の次元で文法的に解体することにより、チェ·チョルジュの抽象化は主観的目的の原則として美的欲望概念、すなわちカントのような抽象的美しさを持っている。

欲望の媒体としての欲望の属性構造は、可逆的な光の影の中で実際のイメージに完成します。つまり、成功的な欲望の媒介体として欠乏を表現しようとする他者の欲望は、抽象的欲望と同時に存在する言語的意味の実際の構造によって明らかになります。これはメタ言語的機能に合う欲望の概念を実際のイメージの言語的意味に導く抽象的欲望の実際の構造です。

したがって、実際の構造をイメージの言語的意味で再現するために、文法的オブジェクトの欠乏した欲望の主体としての属性は言語的欲望背景、欲望の場所、そしてオブジェクトとしての事件イメージの所有属性によって抽象的現実と同じ象徴的絵イメージで美的意味を定義します。

これは抽象的な現実としての抽象化ではなく、イメージから欲望の二重的な位置を生成し、抽象的に欠乏した欲望イメージを既存の実際のイメージで繰り返し設計し、可逆的な光の陰影を持った言語的概念としての抽象化の大きさを消し、その位置を現実の範囲に制限します。

したがって、欲望の言語的概念としての抽象的象徴性は、欲望が足りない現象を持つ象徴的イメージとして文化的、構造的役割を果たします。

つまり、象徴的な形の芸術的構造が絵画的現実イメージに転移し、言語的象徴の意味が相手の欲望によって他の人が凝視できるようにします。

このように、相手が眺めることができる欲望構造は、事件イメージから欠如した欲望の存在属性を実際の形態のオブジェクトとして再現するイメージです。

イメージは抽象的な欲望の概念として表現され、文化性に基づいた不十分な欲望は瞬間的な事件のイメージから消費された文化に合わせた象徴的抽象に変換されます。

抽象化は文化性に対する叙事的存在ベクトルイメージで、文学的叙事イメージと概念的欲求不足に分かれます。

ここで欲望の概念の言語的意味として事件イメージは行動を表す動詞としての文法的ベクトルです。つまり、ベクトルは欲望の概念に作用する動詞ですが、言語的意味を視覚的に表現できないため、欲望の概念を抽象化し、言語的意味と同じ実際のイメージで視覚化します。

このように欲望概念の言語的意味は象徴的な方式でイメージに合うように繰り返されて視覚的に表現でき、欲望の抽象的な概念は文化的社会性の範囲で可逆的な光の影の中で叙事的イメージで決定されます。

また、成功的な欲望の媒介体としての対象の欲望概念、すなわち抽象的な答えを隠喩的現実として拒否する言語的意味の修辞的イメージは、光の影の中で可逆的な光が照らす暗い面の池に反映され、欲望の欠乏を後ろに隠して欲望の欠乏によって所有された対象を眺める対象を見る姿を反映します。

欲望を成功的に媒介できる文学的確率は抽象的欲望の操作から抜け出し論理的現実イメージで推論するロゴス(論証)であり、抽象を対象に説得し他人の欲望を証明する論証を通じて現実イメージを判断する言語的意味を修辞的に確立します。

したがって、事件イメージに論理的現実イメージで文学的確率を付与しても、事件の確率と欲望で証明されたパフォーマンスイメージは実際の事実であるため、事件の結果を可能な理由で説明しようとする欲望の普遍的論証に従います。このように、事件の結果を語るための論証過程は、欲望の一貫した設定として実際に可逆的な光の影を構成する抽象的な設計過程に合わせられています。

言語的意味として物事の存在をリアルに構成するために、実際のイメージを構成する抽象的なデザインは、特定の物事の欲望概念を一貫して維持します。また、特定の欲望対象の美的特性を引き出し、抽象的欲望がイメージによって触発されないように、欲望の概念を実際のイメージに抽象化します。

このような修辞的判断によって欲望が足りない所有対象の可能性による実際のイメージは文学的普遍性に従うので、絵で表現する時に文学的確率によって抽象化されます。

つまり、抽象化が足りない欲望のイメージから言語的意味を実際のイメージとして具現し、修辞的判断を通じて欲望の所有対象が抽象的確率で因果的構成を持つ可能性のある絵のイメージを獲得します。

これは、抽象化を構成するプロセスの方法を通じて、実際のイメージの抽象化を新たに定義します。このように決定されたチェ·チョルジュの欲望公式を利用した抽象的な設計過程を通じて、欲望の概念は抽象という物質的なオブジェクトを形成します。また、欲望が足りない対象は抽象的確率で現実との関係を決め、他人の観点から抽象的欲望の概念は実際のイメージとしての言語的意味を構成する主体として抽象化されます。

確率を欲望の概念の主題として描くことは、相手の欲望が抽象性と現実を一つの言語的意味で会うという約束を守る結果を生み出します。

イメージが仮想であるため、実際のイメージと異なる欲望概念の言語的意味を実際のイメージと同じように認識します。

この時、仮想イメージは抽象化を絵画的イメージで再現する仮想イメージであり、現実から外れた新しい概念の欲望公式を導入して現実と分離されたもう一つの現実を抽象化します。

したがって、対象が欲望の媒体として現実的な構造として確率を構成することは難しいです。しかし、抽象的に欠乏した欲望が事件とパフォーマンスのイメージを実際のイメージとして欲望の公式に適用するという概念は、確率抽象化の対象になる可能性があります。 / 著者。チェ·チョルジュ現代美術評論家（文化デザイン学博士）

パフォーマンス画像は、可逆的な光が生み出す意味空間で見られる形の意味を描写するオブジェクトです。パフォーマンスイメージは、「BLACKPINKは、絵『ラス·メニナス-下女たち18』のように鏡の中の新しいイメージを創造する」という意味を、実際の形に反転できる抽象的な空間に構造化し、実際の形に反転できる抽象的な空間に構成し、象徴的な文法構造を持った抽象的現実を見せてくれます。鏡の中のイメージはベラスケスが打者の無意識の中で表わした仮想の非現実的なイメージ、ベラスケスが打者の無意識の中で表わした幻想的なイメージ、ベラスケスのラス·メニナスイメージ(若い有権者たちはユーチューブで選挙放送よりBLACKPINK「ザ·ショー」を見ようとする。 )を通じて象徴的な文法構造を持った抽象的な現実を見せてくれます。

ルイ·チェ·チョルジュ、若い有権者たちはユーチューブで選挙放送よりBLACKPINK「ザ·ショー」を見ようとする。,

したがって、対象が欲望の媒介体として現実的な構造として政治的状況と有権者の選択確率を構成することは難しいです。しかし、抽象的に欠乏した政治的欲望が事件とパフォーマンスのイメージを実際のイメージとして欲望の公式に適用するという概念は、欠乏した欲望の確率的結果を抽象化の対象として政治的に悪用されています。

Louis Choi Chul-joo, morning glory p100-16-2-1-Inauguration of the 47th President of the United States, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest 258-the literary probability of successfully conveying desire, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j258-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j258-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <2024 U.S. presidential candidate> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <bamboo forest j256-the literary probability of successfully conveying desire-pond> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Louis Choi chuljoo, bamboo forest j258-the literary probability of successfully conveying desire-pond: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-16-2-1-Inauguration of the 47th President of the United State: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, leads to verbal abstraction. In other words, the shape in which the other's desire is realistically revealed in a momentary event is a linguistic abstraction with the same meaning. Conceptual art with morning glory and bamboo as a cultural background is linguistic abstraction. Abstraction creates a conceptual structure reflected in a pond based on the shape of subsequent reality fostered by language and hides the desires of others in instantaneous events.And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.

In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p137-2-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, morning glory p100-16-2-1-Inauguration of the 47th President of the United State> becomes a non-real abstraction of reality.

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest 256-the literary probability of successfully conveying desire, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j256-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <2024 U.S. presidential candidate> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: < > As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting < Louis Choi Chul-joo, morning glory p137-1-28-the literary probability of successfully conveying desire, a hand-painted picture on a computer> created by reversible light.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "j256-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire

Louis Choi Chul-joo, morning glory p133-1-30-the literary probability of successfully conveying desire, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p133-1-30-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's 3formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "p133-1-30-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.

Conceptual Abstract Painter Louis Choi Chul-joo's work "bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror" rather than campaign broadcasts through YouTube-pond-mirror" is an abstract reality image that reconstructs the structure of desire created through an aesthetic grammatical structure into a linguistic sense.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting < Louis Choi Chul-joo, morning glory p137-1-28-the literary probability of successfully conveying desire, a hand-painted picture on a computer> created by reversible light.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "j255-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p137-1--the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's 3formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p137-1-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p133-1-28-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, leads to verbal abstraction. In other words, the shape in which the other's desire is realistically revealed in a momentary event is a linguistic abstraction with the same meaning. Conceptual art with morning glory and bamboo as a cultural background is linguistic abstraction. Abstraction creates a conceptual structure reflected in a pond based on the shape of subsequent reality fostered by language and hides the desires of others in instantaneous events.And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <p133-1-28-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, Rendering the intersection of desire outside the window, 140X186cm, acrylic and composite materials on cloth, 2024> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, morning glory p113-7-1-South Korean President Threatens People With Declaration of Emergency Order> becomes a non-real abstraction of reality.

Louis Choi Chul-joo, morning glory p133-1-30-the literary probability of successfully conveying desire, a hand-painted picture on a computer

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-28-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-30-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory

Background image of an artist's artwork: Louis Choi Chul-joo, the bamboo forest 256, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond-mirror: [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century. The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object. Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world. ■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.