Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [15] Contemporary Artwork Critic Louis Choi's art criticism: Kim Hong-s..

Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [15] Contemporary Artwork Critic Louis Choi's art criticism: Kim Hong-seok's opening and closing is an imitation of light that recognizes the shape of a hidden object over time by reversing the reflective color of the front surface. 

a Design <開閉(Opening and closing)> of Kim Hong-seok's Abstract Structure, 20190501-20190515 Hansae Museum

 

開閉(Opening and closing), No.10 on canvas, ink stick, paintings and cotton thread, 1981.

 

 

 

 

 

 

開閉(Opening and closing), No.10 on canvas, ink stick, paintings and cotton thread, 1981.

 

 

 

Louis Choi Chuljoo's Art criticism: Kim Hong-seok's opening and closing is an imitation of light that recognizes the shape of a hidden object over time by reversing the reflective color of the front surface. 

 

The paints and thread that correspond to each other in time are traces of what has been revealed and margins.

A cylindrical thread that separates the margins is a white thread as a material.

The blue paint that existed close to the thread determines the length of the white thread by its visual universality.

Thread that form the shape show the effect of forming a formative meaning when the series of thread becomes a formative structure without explaining the object.

 

The structure of the white thread is serialized as a formative meaning, so that the blue is congruent at the intersection of the desire of the other.

This is a pictorial structure in which the meanings of colors are retroactive and the colors are orthogonal to thread.

It is Kim Hong-seok, who composes a sculpture on a single background of close time thread and paints.

 

He shows a style of painting by painting the shape of a cylinder with several thread and colours that compose and dismantle the object with a single line of thread.

He weave pictures in a line structure of thread.

Therefore, he equates the structure of thread with that of painting.

This shows the aesthetic significance of the bottom with repeated white thread at the top, while the lower part covers broken thread and blue on a brown background.

 

And the margins of the structure of another feature pass through the same space, filling the gap in time with blue.

The interval is a meaningless and incongruous structure of an entity divided by a disassembled thread that reveals the meaning of colour: a broken thread that does not improve its image as a symbolic meaning.

The thread of his <開閉> distinguishes the distance at which the time interval occurred by the length of the thread.

This forms the shape of the thread as an indistinguishable material on an essential basis. 

It‘s painting of character is that monochromatic thread and fragmented blue thread perpetuate the difference in time by repeating the structure and margins of woven thread revealed by the difference in time. 

That is, it defines the structure of a bright blue cloth and it repeats over time.

It is Kim Hong-seok's <Opening and closing> that produces a painting pattern as a structure that is indistinguishable from the object.

Therefore, <開閉> is not an existing structure.

 

This is the relationship between the pictorial pattern and the symbolic meaning, which is expressed in blue.

Blue is not the object of painting, but the object of the structure that forms it.

In other words, the blue orthogonal of the broken thread shows the overall shape by repeating the thread and margins of the vertical structure.

 

But the blue structure that disappeared in it shows no meaningful shape.

As a result, Kim Hong-seok tries to find significant shapes in the color structure.

 

His <開閉> is a form of self-consciousness that embodies what he saw before he realized how to perceive things.

The color of the shape reveals a hidden aesthetic value by giving time, not by marking, but by being considered the structure of the discoloured body.

He heats the visual form of <開閉> to boiling and binds the remaining thin blue to a thread as a new form.

 

Construct the shape in which the color of the line structure exists so that the shape as a knot blocking the color by inserting the structure of blue into a thread can be harmonized with a particular color.

Where the color is aware of the shape defect, leaving only a suitable area to avoid orthogonalization of the whole thread, and the structure of the entire color comprising the rest of the area disappears.

 

Still, he stops the gap of time and obtains blue from the colors of the existing space, leaving a meaningful mark of incomplete colors non-real.

It shows an unrealistic figure symbolizing <開閉> as a relationship between the non-real and symbolic meaning to an other, thereby concealing the actual aesthetic structure.

 

The semi-circular structure of the cotton chamber disappears into time, but the background brown and coordinated blue is a stationary space that rotates without becoming a single color.

This is the existing light that has entered the object in the past space of interpreting the logical meaning of a schematic structure.

The light reflects the color of the object in order to show the transformed shape, showing the fragmented object to pieces.

It imitates the shape of a time frame as a color reflected from a surface that can recognize an existing object, thereby reversing the shape of the target.

 

And it mimics the light that recognizes the shape of an object hidden in time by reversing the reflected colour of its present surface. / Writing. Art critic Louis Choi Chul-joo (Doctor of Cultural Design)

 

Art critic Choi Chul-joo

 

 

 

 

 

 

 

 

 

          開閉(Opening and closing), No.10 on canvas, ink stick, paintings and cotton thread, 1981.