Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [16] Contemporary Artwork Critic Louis Choi's art criticism: By giving ..

Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [16] Contemporary Artwork Critic Louis Choi's art criticism: By giving time to the lotus flowers and objects that make a daily impression, The Buddhist monk Seong-pa creates a place of meaning and draws them into the meaning of deviation, not phenomena, wrapped in the site.

Choi Chul-joo’s Contemporary Art Criticism : The Buddhist monk Seong-pa - <A burning of thought lotus : Hwa Joong Yeon> 20180416-20180421 Hansae Museum

 

The Buddhist monk Seong-pa

 

 

 

Louis Choi Chuljoo's Art criticism: A burning of thought lotus, Wha Joong Yeon

 

The Buddhist monk Seong-pa’s lotus flower is as a man of virtue, 

watch intently people look forward to making their daily living and gaze at the expectation in a repeated world.

(The Buddhist monk Seong-pa’s lotus flower is one of the virtues, and he watches people do their daily routines and live up to expectations in a repeated world.)

 

The Buddhist monk decides the meaning of the object based on the most fundamental foundation from which it is created in his daily life.

This is another person's gaze at the object in the same way that the Buddhist monk's self is defined. 

 

<Hwa Joong Yeon>, formed by the another person's desire to type, the distorted image of a lotus flower is recognized as the meaning of the real in which things are created.

The Buddhist monk looks at the lotus flower which is the best among flowers through the gaze, but the man of virtuechooses to shoot and block a bow, the man doing enters the light and acts from the perspective of the man of virtue.

These gaze form a lotus flower as if light could be realized by performing it, and form a study in the superior man, 

like a seed of watermelon, a watermelon 's seed meaning is a process in which the light of performance appears to be at the point of the dot, making him prosperous later generations.

 

A watermelon 's seed, which seems to be at the point of light, takes a look at every action he takes towards the man of virtue.

In other words, the conduct of the man of virtue can be seen from all directions, when it only see one point.

So the Buddhist monk Seong-pa try to experience the actions of the function, 

namely as being consistent and meaningful as the meaning of the lotus, which serves as a cover for the inopportune inertia, as something consistent and significant.

And the meaning of lotus flowers, which offer the hope of the man of virtue , tries to find the place where the effect of the meaning takes place.

 

The objects collected in the room which has lotus of the man of virtue, each of whom has create the meaning of the object to be confronted, knock on the compositional space, and fragrance of confusion.

It composed future objects that are meaning on a fragrant place so that you can experience the meaning of a consistent object by giving it a lotus flower's place.

It is composed of the things that are present in the aromatic places where the meaning of the lotus flower is created so that it gives you a consistent experience of the meaning of the object.

 

Painting is the subject of painting on a flat image as art, and values it on the meaning of the aesthetic source.

This corresponds to the visualization of the meaning of <Hwa Joong Yeon>,

as a flat image of the real that created lotus flowers.

 

As a result, The Buddhist monk Seong-pa's  Lacquered Folk painting have an artistic conversational style by creating of things structures that read the meaning of the repeated popular world in everyday sense.

The Buddhist monk has cut ivy into the stem as a different structure to create a place of meaning for understanding lotus flowers and each object, creating a structure of meaning that is coated with lacquer on another structure.

And varnishing with lacquer repeated as a coating made of unstructured yellow soil to aid understanding of the sufficient scenario to reach the completed lotus flower.

 

But, the meaningful structural another person's place becomes a object of some ordinary, inconsiderable fragrance that hides the structured one.

Therefore, in order to create the meaning of the Lacquered Folk painting, the Buddhist monk reveals the meaning of the object in place of structure by distinguishing the lotus flower from its original shape.

So, as the desire to show the lotus's shape is dependent upon the demands of the another man, 

the Buddhist monk is left alone as estrangement. 

This does not mean that the lotus flower you are about to paint has no meaning, but rather means that it is included into a repetition of meanings.

The meaning of lotus flowers is to make the another's place, not me. 

And when the another's demand is ignited in the lotus flower, it amuse a significant meaning. 

The meaning of this is that it works by a repetition of lotus flowers's meaning.

The Buddhist monk made up the lotus flower's meaning into a space of structure.

 

On the same screen, compose a sequence of lotus flowers of the present state by making up the meaning of lotus flowers consisting of the moments in which it was stopped.

This causes the phenomenon to show its meaning beyond making lotus flowers appear in its form.

 

Showing the lotus shape is a time of unconsciousness for the Buddhist monk.  

As a lotus flower, like the wooden vessels not yet lacquered, the Buddhist monk painting the meaning of Lacquered Folk painting by the color of the lotus flower without the structure of Lacquer ware inlaid with mother-of-pearl applied to it.

It is not a spatial structure, but the structure shows that there is a general exist as a presence of action of unconsciousness.

There is no such thing as a lotus flower that is shown by the unconscious stare at the existence of the act. 

This is because the visual domain does not exist as a presence of action.

 

Still, The Buddhist monk Seong-pa is making lotus flowers and other objects visible from the place where The Buddhist monk sees them.

The existence of the Buddhist monk's actions is the structure of lotus flowers and <Chaek GaDo>, and the familiar item meaning of the superior man's hand is the combination of India ink, ink-stone and water dropper for preparing ink, watermelons and dish, lotus flowers and vases, and piles of books.

It is used to freely imagine existing objects and to overlap the visual point at which they are confronted with the variation in form, giving rise to freely shapes and sizes. 

And each object produces a scent that is free-flowered into a structure that is associated with it.

 

The structure of the meaning shows that the Buddhist monk's actions is divided. This is because one thing takes the actions away from the other. This is the desire of the man to marginalize things.

The lotus flower, shown from the Buddhist monk's desire perspective, is a surrogate for the meaning and a object of desire.

The space of an object is defined by its restricts semantic structural sphere of the meaning and  represents its meaning as the structure of the space.

As a result, the Buddhist monk made the lotus flower area work in the area of the another's desires, so that the batter could see the meaning of lotus flower in the structure of the lotus flower created by the Buddhist monk.

In this way, it is the unique painting of Seong-pa's Lacquered Folk painting to make the screen into a multi-meaned space in the gazes of minded objects and present a layer of folk meaning of objects.

 

The vase, which replaced the fish under the white lotus flower that is set on the green leaves, it shows the structure of imagination in line with fish a imaginary structure in which the site is aligned with the book stacks and the fish that visits the lotus flower.

As a result  to erase the imagination of the fish, so that the imagination of the fish erased, the Buddhist monk makes a coating of lacquer to come up with the lotus side of the lotus flower, which is the lotus flower and <Chaek GaDo>'s object coexist together.

 

The Buddhist monk appeared the lotus flower with folk painting <Chaek GaDo>, so that he could find the right way to deal with the peace of mind in his daily wish.

This makes the unfocused <Hwa Joong Yeon>, look for a way to check the effects of the dissatisfaction and mismanagement between the lotus and the objects, all gathered at the base point of their absence.

 

Accordingly, the Buddhist monk Seong-pa's paintings show a multilayered view in the context of a semantic system that makes objects perceive the metaphor based on their depiction.

The more unrealistic image and function's Lacquered Folk painting is, the more distant it become from artistic trends.

 

Considering this situation, the lotus flower, which is a real image revealed by the desire of the another, presents the Lacquer folk painting method in terms of how to form and perform the realistic image associated with the object.

The Buddhist teachings and procedures made of lotus flower follow the custom. 

This is a ordinary term meaning of the customs hidden in the rituals.

 

But without a consciousness of meaning  disappearing, there is meaning everywhere.

Consequently, the choice of meaning is made by making use of other lotus flowers, while lotus flowers represent rituals for other things. In this choice, lotus flowers have a ordinary meaning of the symbolism.

This is the meaning of lotus flower as a result of the repetition of lotus flowers's meaning, it's selects the meaning of lotus flower as a symbol of lotus flower.

 

The lotus flower of the Buddhist monk Seong-pa has a conscious mind of meaningless existence by performing a lack of existence.

It features lotus flowers as a symbolic figure that can fill the deficiency at the place where they symbolize the lack by questioning what the another wants.

However, lotus flower is symbolism over time, but it shows the impressive place of lotus flower's meaning.

 

By giving time to the lotus flowers and objects that make a daily impression, the Buddhist monk creates a place of meaning and draws them into the meaning of deviation, not phenomena, wrapped in the site. / Writing. Art critic Louis Choi Chul-joo (Doctor of Cultural Design)

 

Contemporary Art Critic Louis Choi Chul-joo

 

 

     

 

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Buddhist monk Seong-pa’s Wha Joong Yeon