Modern and Contemporary Artist [5] Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism example [23] Contemporary Artwork Cr..

Modern and Contemporary Artist [5] Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism example [23] Contemporary Artwork Critic Louis Choi's art criticism: Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism 

 

Louis, morning glory p107-7-1, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

 

 

"morning glory window p107-7-1" is a treacherous conceptual art with cartoon review as the concept of an image created as an anamorphosis image, which means the reality of a morning glory, in the shade of reversible light, and is an abstraction of the concept of desire. This is a modern art movement that presents the methodology of realistic abstraction with the concept of modern desire.

 

Louis, morning glory p107-7, a hand-painted picture on a computer, 2023 

 

 

In Busan (Haeundae-gu Office Gallery), a poster was produced as a contemporary art abstraction work related to the individual exhibition of Louis Choi Chul-ju <morning glory window> and this is a modern abstraction <morning glory window 2023-6-1>, which symbolizes the exhibition poster image of painting, as a structure of desire. The abstraction <morning glory (outside the) window 2023-6-3> appears by linking the conceptual image of desire through <morning glory (out the side) window 2023-6-2>, which consists of a desire image that appears to be a momentary gaze.

 

The object <morning glory outside the window 2023-6-3>, which depicts the meaning of the shape seen in the semantic space created with reversible light, is an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of the other in the temporality in the shade of reversible light, and the meaning of the desire abstraction, which is hidden by the actual changed movement of the shape, is an abstraction that reveals the place of the other's unconscious desire in <morning glory> as a virtual real image of cartoon review.

 

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

 

 

Choi Chul-joo's contemporary art movement, which presents a realistic abstraction methodology based on the concept of desire as contemporary art, is created in Busan (Haeundae-gu Office Gallery), an abstraction of the concept of desire through "Painting Installation Performance" that constitutes the abstract as another image of desire. 

"morning glory 2023-6-2" as conceptual art is an abstract area of painting in which a specific effect that appears to be a gaze occurs in the concept of instantaneous desire. This is an image that can momentarily see the desire of the other who functions gaze in the landscape.

 

This is a planarity that seems to have a consistent meaning of a morning glory in painting. The morning glory is the same as the reflection of the mirror real(le Réel), but the shape of the background is not the same. This is because abstraction as the same meaning, which is a conceptual form and abstraction with a structure of the same meaning with the same meaning, is a non-realistic image as an abstract being of an ideological form with different colors and sizes.

Its existence is an abstraction of conceptual art applied to Lacan's "Four Directions of Interpretation," which defines an abstract space as a real reversible shape and refers to the abstraction of conceptual art as a realistic shape in which the shape is hidden by actual changed movements in the shade of reversible light.

 

 

 

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

 

 

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

 

 

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

 

 

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

 

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

 

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

 

 

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory". 

 

 Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

 

 

 

 

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

 

 

 In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

 

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

 

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

 

 

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

 

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

 

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

 

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions. 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

 

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

 

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

 

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-1-Dance>

 

 

 

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-2-music performance>

 

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstract poster: <morning glory p107-7>

 

 

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. 

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

 

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

 

The impression of a city is "morning glory window" as the desire of others in a consumption culture that develops at small intervals in which the image of the concept of desire exists instantaneously.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Contemporary artist & Doctor of Cultural Design)

 

Contemporary Artist Louis Choi Chuljoo