Modern and Contemporary Artist [6] Contemporary Abstract Art Painter Criticism [14] Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary artist Louis Choi Chul-joo's r..

Modern and Contemporary Artist [6] Contemporary Abstract Art Painter Criticism [14] Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory window 2024-3-cave painting> & Cartoon review K-POP Star (20) BTS New York Times Square Performance 

 

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

 

 

 "morning glory 2024-3-Cave Painting" is the background of abstraction, which is a manual drawing of desire created as an atypical image, meaning the reality of morning glory. This is a realistic abstraction of "morning glory 2024-3-Cave Painting" which transforms cave images into shades reflected in reversible light as a representative object of the desire of anthropomorphic chickens.

 

Starting with 100 poster abstract paintings produced at the "morning glory" solo exhibition in New York in 2022, 712 abstract paintings of the concept of desire were completed in Busan (Haeundae-gu Office) in 2023. The abstraction of the concept of desire is "the abstract art movement of Choi Chul-joo," which abstracts images of events and performances with realistic painting design, and is being produced as a new abstraction by adding it as a background image of his cartoon desire concept.

 

Louis Chul-joo Choi, morning glory p111-4, a hand-painted picture on a computer, 2024

 

 

If the image is applied to the Lacan concept as an imaginary system ("E=jacques Marie Emile Lacan, Ecrites, Seuil, 1977, 53) without specifying the image in the place of the abstract space, the 'four directions' of interpretation is to interpret the picture by placing the line of image ('utre) and  Language (moi) a and the line of interpretation (utre) and picture (Es) S at diagonal positions that intersect each other.

 

Here, conceptual art abstraction applying Lacan's "the four directions of Interpretation" begins with the imaginary world in which the infant identifies the symbolic image reflected in the mirror with the imaginary world imageⓐ While recognizing that the symbolic image is not himself as a subject, it transfers to abstraction interpreted (utre) as a symbolic system through the separaton of the symbolic image and reality of the signifier. The abstract image and reality meet with reality through division. As reality, the symbolic image is revealed as a crooked image, but as non-real, it is an encounter that is contrary to reality, that is, an abstraction. (Choi Chul-joo's interpretation of 'The Four Direction of Lacan Interpretation' on ACN.Oct. 14, 2022)

 

 

 

 

On the other hand, abstraction as an imaginary image in Choi Chul-joo's concept of desire repeats the concept of desire to hide the shadow image of another person's desire as a performative image and collects images of desire overlapping with the timeliness of reversible light.

In "morning glory window 2024-3-Cave painting", it is an abstract effect in which a person dancing against the backdrop of morning glory hides desire and gives reversible time sensitivity to events and performances, creating other people's desires, and overlapping them with reversible shades of light to establish a phenomenal position.

 

Just as a dancer reflected in the background of the concept of desire embodies an unrealistic image of the sky such as clouds on the surface, this becomes an abstract urban impression in which the image of the concept of desire is developed at small intervals in the instantaneous reversible shade of light, and the fragments of urban images in modern visual culture are abstracted into a structure of desire in a realistic structure.

 

Contemporary Art Designer Louis, morning glory p111, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

 

 

Contemporary art designer Choi Chul-joo's contemporary art movement, which presents a realistic methodology of abstraction using the concept of desire as contemporary art as a symbolic symbol of contemporary art, will be created in Busan (Haeundae-gu Office Gallery) by "Painting Installation Performance Design", which composes the poster abstraction design as a conceptual image of desire, 20230703 Haeundae-gu Office Gallery, Busan.

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

 

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, be made up by a person who gives love, a hand-painted picture on a computer, 2024

 

 

Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, K-POP Star (20) BTS New York Times Square Performance : A line News of Choi Chul-joo’s Manwha Review (2020.1.2.) / Reporter Choi Chul-joo’s Cartoon Review

. be made up by a person who gives love

. être fait par une personne qui donne de l'amour. 

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 296-BTS New York Times Square Performance, a hand-painted picture on a computer/  Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

Desire Concept Realistic Abstract Work: In front of the bamboo forest h296-BTS New York Times Square Performance: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p111-4-BTS New York Times Square Performance: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p111-4-BTS New York Times Square Performance> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

 

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 296, a hand-painted picture on a computer

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h296, a hand-painted picture on a computer

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p111, a hand-painted picture on a computer

 

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

 

Louis Choi Chul-joo's "morning glory window 2024-3-cave painting" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

 

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

 

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

 

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions. 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

 

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between. 

 

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. 

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

 

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

 

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.

 

 

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

 

 

<morning glory window 2024-3-cave painting> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

 

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting  <morning glory window 2024-3-cave painting> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.  

 

The object <morning glory window 2024-3-cave painting>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory". 

 

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

 

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-3-cave painting> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

 

Abstract painting  <morning glory window 2024-3-cave painting> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In  <morning glory window 2024-3-cave painting>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

 

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

 

This is like a mural in an abstract cave where the image of the concept of desire develops at small intervals in the shadow of reversible light that exists momentarily, just as a chicken in the past, which became a fossil reflected in the background of the concept of desire, becomes the desire of others and embodies the surface of an unrealistic sky such as clouds.

In this way, <morning glory window 2024-3-cave painting>, which is fragmented into the desires of others in modern visual culture, is abstracted into a structure of desire in a realistic structure, and the fragmented cave painting image of the concept of desire overlaps with <morning glory window 2024-3-cave painting> as an impressive cross-section of the city.

 

And the small piece as the desire of the other hidden in the background of the cave painting shows a real abstract space that is reversible through the movement of the concept of symbolic desire in a shape that actually changes it. 

This refers to the meaning of an abstract object, and in a cave painting, the object is designed as an abstract space that can actually be reversible, so the substance of the shape is abstracted into the desire of the other  / Writing. Art critic Choi Chul-joo (Contemporary artist & Doctor of Cultural Design)

 

Contemporary artist Louis Choi Chuljoo