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Art Critic Louis Choi Chul-joo Criticism [32] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art..
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Art Critic Louis Choi Chul-joo Criticism [32] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting : Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory window 2024-5-MonaLisa>:
Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.
As a reality, the desire structure is the subject, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the morning glory through the relationship of symbolic expression made by the Mona Lisa as a morning glory.
The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept.
As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic image as a deliberate abstraction.
Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024
Desire Concept Abstraction / In Choi Chul-joo's concept of desire Abstraction ■ Design Process/ Abstraction Choi Chul-joo's <morning glory>, Choi Chul-joo's abstract art theory is formalized, and the object image of desire is repeatedly converted into meaning in desire. This means expressing the desires of others through pictures by repeatedly applying the desire formula of the imaginary world and Choi Chul-joo, and as a result of applying the desire art theory to the painting, the value of approaching the formal beauty of the desires of others is obtained.
■ Choi Chul-joo's "morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
Desire for others is an abstraction that hides the discrepancy of the chick's imagination in the shadow of reversible light with <Napal Flower> as the background of desire as the 'Choi Cheol-ju's morning glory' through the chick's imagination as a desire.
Concept of Desire Facts Abstract Work: Louis Choi Cheol-joo, Morning Window 2024-5-Mona Lisa has expanded the expectation area of desire. By repeatedly applying the concept of imaginary world and desire and Choi's desire formula <D(I'm...I'm)d='(D'I)i> to the image of the object of desire, it realizes formability in the shadow of reversible light to acquire aesthetic value and reveal its meaning. / The meaning of the desired shape hidden by the instantaneous movement of the actual changed shape results in a literal abstraction. In other words, in the instantaneous event and performance image, the realistic shape of the other person's desire is a literal abstraction of the same meaning. Choi Chul-joo's concept of desire, with morning glory, bamboo, and pond as the background of desire, is an abstraction of the meaning of language as letters. After language is fostered, the abstraction creates a conceptual structure based on real letters and hides the desires of others in a reversible shade of light. Choi Chul-joo's concept of desire Abstract Art theory * Choi Chul-joo's Concept of Desire Abstract Art Theory
Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024
morning glory window 2024-5-Mona Lisa
In Renaissance art, which opened up the image of contemporary art, "Mona Lisa" refers to the aesthetic desire that spread from aristocrats to merchants. This is where the desire of the other to monopolize the artistic value of contemporary art is established.
The concept of desire is humanism, which deviates from religious creativity.
"Morning glory Window Mona Lisa" abstracts the mysterious image saved by Da Vinci's sfumato technique as the outline of reality as an image beyond the mysterious atmospheric effect of the color of the morning glory, which is the background of desire.
Abstraction is established as an aesthetic effect of safe desire with two morning glory on the face of the Mona Lisa and two morning glory on the left.
From the letters, the image of desire mediated by morning glory and Mona Lisa is repeated, showing an abstract reverberation effect in the shadow of reversible light.
As a reverberation effect, blue and black tree trunks were properly placed behind the morning glory so that the gaze could lead from the morning glory to the Mona Lisa, the background of desire, and the gaze was focused on the morning glory and connected to the face of the Mona Lisa as the subject of desire.
And by creating a position facing the Mona Lisa in the morning glory, the gaze is directed to the Mona Lisa, the subject of desire.
The metaphor for the concept of desire The Mona Lisa is replaced with a desire image in the morning glory, and the morning glory is demarcated into the background of desire. Here, the gaze of desire focuses on the Mona Lisa with a red window structured into a frame.
As a Renaissance thinking, it has a desired meaning with the object of desire, <morning glory> as an allegory. The "morning glory" is an abstraction that shows the real world of desire as a subject by linking the image of desire with a sensus allegoricus that explains other meanings beyond the literal meaning, and the morning glory window interprets the demarcation problem between objects and desires as a symbolic metaphor in the meaning of the text.
Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.
As a reality, the desire structure is the subject, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the morning glory through the relationship of symbolic expression made by the Mona Lisa as a morning glory.
The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept.
As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic image as a deliberate abstraction. / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design)
