Conceptual Artist Art Work [1] Contemporary conceptual artwork criticism, Contemporary conceptual artist Criticism, Abstract conceptual art & Abstract conceptual art artist Louis Choi Chul-joo Modern conceptual art work: Contemporary artist Louis Choi Chu
Korean Contemporary Cartoon Designer Choi Chul-joo's News Manwha Exhibition = News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation, 20191129-20191205, Hansae Museum
A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review Choi Chul-joo;s K-Pop Star 20191129-20191205, Hansae Museum
Conceptual image installation artist, contemporary art conceptual cartoonist & conceptual artist Choi Chul-joo's conceptual image installation art cartoon work exhibition concept is a return to pictorial ability as a concept of desire in early conceptual art. In other words, as a symbolic image before Dadaism, it is the desired conceptual art of the other created as a cartoon work. Therefore, like current affairs cartoonism, his contemporary conceptual art abstracts phenomenal images by referring to the semantic abstract value of symbolization.
In art, ready-made ready-made products cannot replace painting, and it refers to a message according to a concept created like Marcel Duchamp and philosophy spoken by his sympathizer Joseph Kosuth. On the other hand, Choi Chul-joo conceptual art, which symbolizes the illusion of the imaginary world in Choi's concept of desire art theory, contains a message in the painting of the concept of desire as a satirical cartoon. It combines a critical perspective with the life value of a desire painting as a satirical cartoon of the scene of the event. This overlaps the life value as a critical visual and a desire painting based on the scene of the event and the image of the performance as a satirical painting beyond the linguistic interpretation of mathematical concepts and philosophical meanings. Here, the desire painting refers to a realistic painting that seems to be a conceptual image that can be perceived rationally at the moment by staring at the desires of others rather than a random philosophical figure.
In modern times, news cartoon art is composed of a phenomenon of a formative conceptual image that reconstructs the space of everyday action into cartoons. This is a historical painting using a modern conceptual image as a news cartoon art that shows events and life phenomena in the same way as historical painting up to modern times.
As a modern cartoon art historian (現代漫畫美術歷史畫家), artist Louis Choi Cheol-joo, who installs news comics as paintings with images of modern conceptual art, refers to the meaning of modern cartoon art history as a line of news.
A one-cut cartoon is a one-cut cartoon that sketches an incident person as an image and combines the development of the concept with a double meaning structure that matches the dramatic event in the visual and the results as a cartoon image.
One cut cartoon shows meaning as a cartoon, and one line of cartoon criticism takes meaning by enjoying the cartoon image. The meaning here is identified with the cartoon image, so that the conceptual image can be viewed as installation art so that the meaning can be seen, and it seems that a meaningful cartoon space is installed as an image.
The space makes use of the characteristics of news cartoon criticism by letting emotions permeate the main characters of the event and the actual scene of the event as in the background.
Choi Chul-joo's Cartoon Review One Line News is a symbolic cartoon displaying news. The cartoon appears to be a painting that has installed a conceptual image as an image in which a line of the cartoon review is a cut cartoon with a frequency like a desire by repeating the beat of the news.
As a conceptual artist installing images, cartoonist Choi Chul-joo identifies the level of meaning in a cartoon structured around the reality of the news by equating the cartoon with a certain symbolic conceptual image in the news at the scene of the incident.
The image of the event installed as a painting vibrates as a cartoon in a chain that forms multiple spatial dimensions, just like the daily life of the global village. This is to set the size of the main characters and the scene of the event to create a line of news for a cartoon review, and to install and adjust the image of the news in the spatial image like a cartoon. / Article Choi Chul-joo, a cartoon critic (conceptual artist & doctor of cultural design)
20191129-20191205, Hansae Museum