Conceptual Artist Art Work [4] Contemporary conceptual artwork criticism, Contemporary conceptual artist Criticism, Abstract conceptual art & Abstract conceptual art artist Louis Choi Chul-joo Modern conceptual art work: Contemporary artist Louis Choi Chu

Conceptual Artist Art Work [4] Contemporary conceptual artwork criticism, Contemporary conceptual artist Criticism, Abstract conceptual art & Abstract conceptual art artist Louis Choi Chul-joo Modern conceptual art work: Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual installation art and abstraction of modern installation art based on the concept of the desires of others: Art Review: Abstract Painting Design Methodology is a new art movement in abstract painting that approaches modern images of an event and performance as desire concept art as realistic abstract painting.& Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = 

Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [17] contemporary abstract art movement examples: Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo's Abstraction Art Work: Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples

 

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art) 

 

 

Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Contemporary Artist, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.

 

 

Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples : newsmanwha K-Pop Song illustratoin [9] Yubin's "ME TIME", office worker sympathizes 

Choi Chul-joo, <Yubin's "The time is running out after hesitating" 5>, a hand-painted picture on a computer

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same. 

 

Choi Chul-joo, <Yubin's "The time is running out after hesitating" 4>, a hand-painted picture on a computer

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 75-Yubin's "ME TIME", office worker sympathizes, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest a75-Yubin's "ME TIME"-pond, office worker sympathizes: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p69-2-Yubin's "ME TIME", office worker sympathizes: Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 75, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest a75, a hand-painted picture on a computer

 

 

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p4, a hand-painted picture on a computer 

 

 

 

Background images of art movement design works: Chul-joo Choi, morning glory 2020 p4-0 & Yubin's "The time is running out after hesitating", a hand-painted picture on a computer, 2020

 

 

Design review: Art movement design is a design methodology that approaches the modern image of an event with realistic abstraction as a desire conceptual art: Conceptual Abstraction Art movement based on desire is an abstract painting based on Choi Chul-joo's concept of desire painted as treacherous conceptual art that rejects abstraction that is difficult to distinguish between shapes.

 

 

Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept:  Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.

 

Conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is the concept of early conceptual art and is the return of painting.

In other words, it is a conceptual art created by a painting work. Therefore, his contemporary conceptual art refers to the semantic value of painting with the concept of desire, such as images of events in current affairs or scenes in performances.

Painting as Lacan Conceptual Art Docent: Lacan Conceptual Art faces artistic ideas and visualizes progressive phenomena and results as a painting object of Lacan's imagination and existence. (ACN · December 28, 2021, 17:07 Art Theory of Desire/ Louis Choi Chul-joo)

 

As the background of culture, the figure abstracts the concept of realistic structure and determines its shape by the reversible shade of light, but the background where the figure disappears as the whole is obscured by the time of the figure is summed up by contemporary light.

(Factual abstract painting cultural conceptual theory with treacherous conceptual art by Choi Chul-joo) 

 

Realistic structures are distorted by light, reflecting their shape. It is the contours and shadows determined by the shade of light that reveal its shape. Realistic abstraction as dangerous conceptual art focuses on this and forms realistic concepts.

(Choi Chul-joo's Realistic Abstract Painting Conceptual Art Theory)

 

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of figures as shades of light that distort realistic structures in everyday events or performances.  

Abstraction as a treacherous conceptual art means abstraction as a realistic structure in art, and because the conceptual meaning existing in the place of the realistic figure can be divided into pop art images as art acts or performance scenes, it is abstracted into a realistic abstraction of the concept of desire through the shadow of reversible light that interprets the abstract desires of others as images.

 

 

Louis, morning glory 2021-g-back, 135X167cm, acrylic and composite materials on cloth, 2021

 

 

Poster Image of Real Abstract Painting, which contains the concept of desire as non-realistic in the shadow structure of reversible light: Abstract painter Louis Choi Chuljoo's' <morning glory 2021-g-back>

Invisible pictorial objects in the visual system are desire concept images and surreal objects. This is a surreal object that shows the desire of the other momentarily. It is a dual object of surreal painting that has a symbolic meaning, unlike the symbolic meaning and the meaning of perspective actual shape, as a figure derived from human subconscious. 

Desire Concept The semantic language of images is based on the existence of reality that confirms Freud's unconsciousness as a category of the symbolic world. So the real meaning of the desire structure image is the unconscious structure. 

 

By appearing the concept of desire in the reality of the painting in the scene of an art act or performance, can be interpreted as another unconscious entity in visual art symbolizing the desires of others. 

In other words, the reality of the unconscious form of the concept of desire is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is determined by revealing the meaning of desire (signifiè) created by combining Choi Chul-joo's "morning glory" and "Bamboo Forest" as a background structure of another desire concept through the thought movement of events or performance images in Choi Chul-joo's desire concept structure. 

It is similar to interpreting the concept of desire by structuring "morning glory" and "Bamboo Forest" as devices based on the structure of the unconscious, like the stage of the performance, and revealing the meaning of the scenario through the thought movement of images illuminated by the reversible light of the past time.

 

The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. 

 

In addition, in , the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

 

Louis Choi Chul-joo's desire formula, which functions visually in the painting, is an abstraction of "morning glory" which depicts unconsciousness and language and targets the desires of others. Since it is repeatedly used as an art movement as an abstraction of the concept of desire to complete 100 different abstract posters and experience them consistently and meaningfully while preparing for exhibitions through the 2022 New York Exhibition Poster, the attempt to pursue in the abstraction of the concept of desire shows the meaning of desire that the exhibition poster with the effect of a certain semantic action sets a limited place in the existing space and symbolizes the desires of others hidden in the poster image like unconscious language. / Writing. Art critic Choi Chul-joo (Conceptual Abstract Painter & Ph.D. of Cultural Design)

 

Conceptual abstract artist Louis Choi Chul-joo