Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Artwork Criticism [51] Contemporary Art Today Choi Chul-joo's Art Criticism, Example of contemporary artwork: Abstract Artist

Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Artwork Criticism [51] Contemporary Art Today Choi Chul-joo's Art Criticism, Example of contemporary artwork: Abstract Artist Louis Choi Chul-joo Abstraction Art Work [17] contemporary abstract art movement examples: Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo's Abstraction Art Work: Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples:  "morning glory 2022-b-back"

 

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art) 

 

 

Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Contemporary Artist, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.

 

 

Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples : newsmanwha K-Pop Song illustratoin [9] Yubin's "ME TIME", office worker sympathizes 

Choi Chul-joo, <Yubin's "The time is running out after hesitating" 5>, a hand-painted picture on a computer

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same. 

 

Choi Chul-joo, <Yubin's "The time is running out after hesitating" 4>, a hand-painted picture on a computer

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 75-Yubin's "ME TIME", office worker sympathizes, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest a75-Yubin's "ME TIME"-pond, office worker sympathizes: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p69-2-Yubin's "ME TIME", office worker sympathizes: Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 75, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest a75, a hand-painted picture on a computer

 

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p4, a hand-painted picture on a computer 

 

 

 

Background images of art movement design works: Chul-joo Choi, morning glory 2020 p4-0 & Yubin's "The time is running out after hesitating", a hand-painted picture on a computer, 2020

 

 

Design review: Art movement design is a design methodology that approaches the modern image of an event with realistic abstraction as a desire conceptual art: Conceptual Abstraction Art movement based on desire is an abstract painting based on Choi Chul-joo's concept of desire painted as treacherous conceptual art that rejects abstraction that is difficult to distinguish between shapes.

 

 

Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept:  Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.

 

Conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is the concept of early conceptual art and is the return of painting.

In other words, it is a conceptual art created by a painting work. Therefore, his contemporary conceptual art refers to the semantic value of painting with the concept of desire, such as images of events in current affairs or scenes in performances.

Painting as Lacan Conceptual Art Docent: Lacan Conceptual Art faces artistic ideas and visualizes progressive phenomena and results as a painting object of Lacan's imagination and existence. (ACN · December 28, 2021, 17:07 Art Theory of Desire/ Louis Choi Chul-joo)

 

As the background of culture, the figure abstracts the concept of realistic structure and determines its shape by the reversible shade of light, but the background where the figure disappears as the whole is obscured by the time of the figure is summed up by contemporary light.

(Factual abstract painting cultural conceptual theory with treacherous conceptual art by Choi Chul-joo) 

 

Realistic structures are distorted by light, reflecting their shape. It is the contours and shadows determined by the shade of light that reveal its shape. Realistic abstraction as dangerous conceptual art focuses on this and forms realistic concepts.

(Choi Chul-joo's Realistic Abstract Painting Conceptual Art Theory)

 

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of figures as shades of light that distort realistic structures in everyday events or performances.  

Abstraction as a treacherous conceptual art means abstraction as a realistic structure in art, and because the conceptual meaning existing in the place of the realistic figure can be divided into pop art images as art acts or performance scenes, it is abstracted into a realistic abstraction of the concept of desire through the shadow of reversible light that interprets the abstract desires of others as images.

 

 

Louis, morning glory 2021-g-back, 135X167cm, acrylic and composite materials on cloth, 2021

 

 

Poster Image of Real Abstract Painting, which contains the concept of desire as non-realistic in the shadow structure of reversible light: Abstract painter Louis Choi Chuljoo's' <morning glory 2021-g-back>

Invisible pictorial objects in the visual system are desire concept images and surreal objects. This is a surreal object that shows the desire of the other momentarily. It is a dual object of surreal painting that has a symbolic meaning, unlike the symbolic meaning and the meaning of perspective actual shape, as a figure derived from human subconscious. 

Desire Concept The semantic language of images is based on the existence of reality that confirms Freud's unconsciousness as a category of the symbolic world. So the real meaning of the desire structure image is the unconscious structure. 

 

By appearing the concept of desire in the reality of the painting in the scene of an art act or performance, can be interpreted as another unconscious entity in visual art symbolizing the desires of others. 

In other words, the reality of the unconscious form of the concept of desire is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is determined by revealing the meaning of desire (signifiè) created by combining Choi Chul-joo's "morning glory" and "Bamboo Forest" as a background structure of another desire concept through the thought movement of events or performance images in Choi Chul-joo's desire concept structure. 

It is similar to interpreting the concept of desire by structuring "morning glory" and "Bamboo Forest" as devices based on the structure of the unconscious, like the stage of the performance, and revealing the meaning of the scenario through the thought movement of images illuminated by the reversible light of the past time.

 

The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. 

 

In addition, in , the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

 

Louis Choi Chul-joo's desire formula, which functions visually in the painting, is an abstraction of "morning glory" which depicts unconsciousness and language and targets the desires of others. Since it is repeatedly used as an art movement as an abstraction of the concept of desire to complete 100 different abstract posters and experience them consistently and meaningfully while preparing for exhibitions through the 2022 New York Exhibition Poster, the attempt to pursue in the abstraction of the concept of desire shows the meaning of desire that the exhibition poster with the effect of a certain semantic action sets a limited place in the existing space and symbolizes the desires of others hidden in the poster image like unconscious language.

 

Louis Chul-joo Choi, morning glory 2022-b-back, 130X158cm, acrylic and composite materials on cloth, 2022

 

The painting they completed as a means of livelihood is what Lacan calls a picture reflected in the mirror, that is, an imaginary system as a metaphor, an object that is satisfied with the image of the real object as an infant by looking at the object reflected in the mirror.

In <morning glory 2022-b-back>, the boundary of the canvas visual range is removed and the three-dimensionality of invisible mannerism in the picture is removed to schematize it as a semantic object. This is an object viewed from the perspective of semantic duality, away from the traditional style of painting expression from the Middle Ages to the modern times.

It imprints that it is a flat canvas and refers to the reality of the family as another meaning of the compositional image formed by chickens and chicks, not the actual picture of perspective. It is a lacan painting that shows the shadow of object a with a reversible light that rejects the image center of simulacre, which replaces real, by omitting the volume of chicken and rejecting perspective description.

 

The transition from such a semantic representation to notation shifts the planar dimension of the figure to the essence of meaning. This is a dual object that simultaneously shows livestock in daily life and a family in a symbolic sense through chickens and chicks. The shape of the picture reveals the aesthetic meaning of an object in the visual system in image painting. This is a pictorial act, and the object is defined in a limited area in perspective, distorting the original space, and drawing it on the canvas to produce meaning.

In addition, another meaning due to the shape of the area similar to the object forms a meaning subtracted from the image in a semantic form from the double expression of the shape.

 

The dual meaning formed here breaks the relationship with the apparent being in the visual system and exists as a meaning in an immaterial cultural space. The verbal expression of the object in the picture is also metaphorical, but assuming that it is an image that is not reproduced, real exists as a virtual image that reproduces real through thinking.

Here, 'morning glory 2022-b-back' is an unrealistic meeting that distinguishes the symbolic image and real meaning of morning glory, contrary to the reality that chickens and chicks are life and family.

 

In the picture space, conceptual desire's real is different from objective real and representative thoughts. It has a real object ɑ that is separated from the real transferred from the symbolic world

In "morning glory 2022-b-back," the hidden images of chickens and chicks in the morning glory landscape are repeatedly expressed in the meaning of the family, and the meaning of the family is revealed in the composition of hidden images from the images of chickens and chicks.

In the semantic space in the picture, the volume of chicken is omitted in its actual shape, and the meaning of the family is expressed in a non-visual system.

 

In the public domain, real is a hidden meaning beyond the displayed image.

As a real in its concealed meaning, "morning glory 2022-b-back" shows both the space of life and chickens and chicks with morning glory in the landscape to reveal the existence of the family. "morning glory 2022-b-back" is a real that shows the value revealed in the family's appearance, eliminating the unrealistic real that seems to be right in front of you and depicts the reality of meaning through thinking.

 

Painting in the symbolic world is only a continuing symbolic existence of objects. Lacan calls its existence a transcendent signifier.

<morning glory 2022-b-back> metaphorically expresses the meaning of the family as a real, an area separated from the realm of the symbolic world. Without showing the object to be expressed, compare the actual meaning of the family to chickens and chicks. In other words, invisible concealment creates an image that symbolically compares its meaning with its symbolic image.

 

However, Freud's unconscious expression can be compared to the desire of the symbolic others in the Lacan theoretical system through psychoanalytic interpretation. Here, the symbolic other's desire is identified in the category of the symbolic world in Freud's unconsciousness and the linguistic meaning of Lacan's signature image.

Therefore, the meaning of Lacan's concealed real image is an unconscious structure. By understanding the real of the family, which is not seen in <morning glory 2022-b-back>, you can find the meaning of the image that symbolizes the existence of the other's desire in an abstract painting.

 

The pictorial objects invisible in the visual system are desire's object and surreal object.

This is a distorted image in which the desires of others appear momentarily as an object of surreal desire. That is a dual object of surreal painting that has a symbolic meaning, unlike the meaning of symbolic and perspective actual shapes, as a shape derived from human subconsciousness.

The semantic language of conceptual desire's surreal image is based on the existence of real that identifies Freud's unconsciousness as a category of symbolic world. Therefore, the meaning of desire's surreal real is an unconscious structure. By understanding the real of the painting, <morning glory 2021-b-back> can be interpreted as another unconscious real in visual art symbolizes the desire of others.

 

In other words, the real of conceptual desire's unconscious shape is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is a formula that can be exchanged for meaning through the conscious movement of the notation image, and the meaning is determined by substituting a shape to reveal the meaning of conceptual desire graph.

It is similar to constructing an image with an unconscious structure into a scenario like a stage in a play and revealing and interpreting the meaning of the scenario through the thinking movement of the image shining reversible light of the past.

 

In Choi Chul-joo's desire theory of visual abstract arts, image exchange is expressed as the others person's desire instead of semantic action by repeating the structure of the mark image and shows meaning that does not act as resistance to insufficient images, that is, insufficient forms. In conceptual desire's graph of desire, it accepts Saussure's symbolic language, but reveals the meaning, which is the effect caused by the unconsciousness that prioritizes the meaning, that is, the image of the notation.

Here, Choi Chul-joo's desire formula; 'D(I...I')d=I(D...D'i)i' is replaced with <morning glory 2021-b-back>, 

 

Louis Choi Chul-joo C, morning glory 2022-b, 130X158cm, acrylic and composite materials on cloth, 2022

 

■ Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory 2021-b> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

As an image, morning glory is connected to the sky made by personifying chickens, and bamboo forests and ponds are selected as objects of other people's desire to hide the object in the shadow of light. 

Choi Chul-joo says that morning glory, bamboo forests and ponds, which are the objects of other people's desires, are the background of the desire to change space repeatedly like clouds..

 

The fantasy formula of desire, which functions visually in a picture, depicts shapes such as unconsciousness, language, etc., so that others can experience desire consistently and meaningfully. 

Therefore, the attempt to pursue in Choi Chul-joo's desire picture is the realization of an image that constitutes the meaning of abstracting the desires of others hidden in the image like unconscious language in the existing space where certain effects of semantic behavior occur.    / Writing. Art critic Choi Chul-joo (Conceptual Abstract Painter & Ph.D. of Cultural Design)

 

Conceptual Abstract Painter Choi Chul-joo