Contemporary Art Criticism [27] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Insta

Contemporary Art Criticism [27] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Renowned Contemporary Artist, Contemporary Painter, Abstract Artist Art Criticism & Contemporary Abstract Artist Louis Choi Chul-joo's Desire Concept Art Abstract Painting 'morning glory' Design Criticism: Art Design Review of Contemporary Art works [12] Abstract Artist Louis Choi Chuljoo Treacherous Conceptual Art Abstract Painting <Morning glory> Art Review / contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning glory 2022-l' pop art abstraction design: Louis's <morning glory p15-11>, 2022 New York Exhibition Abstract painting of contemporary art  

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer

 

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

 

Design review: the New York Contemporary Art Exhibition of "Morning glory" abstract painting(Poster: Youn Yuh-jung won the Oscar for Best Supporting Actress): an exhibition of the desires of others seen by a chick as an infant." a contemporary art work that applies artist Louis Chul-joo Choi's Lacan art theory. 20220301~20220308 Flushing Town Hall, New York.

 

<morning glory p15-11> creates a red monotone that superimposes the desire structure of the other, created by overlapping the concept of desire with <morning glory> as the background of desire. 

At 2022 New York Flushing Town Hall, abstract painter Louis Choi Chul-joo's "morning glory" is produced as a design concept based on the concept of desire, and this is the design of the shape as the semantic structure of the concept of desire, that is, the poster abstraction "morning glory".

 

Desire Concept Abstraction ■ Design Process / Abstraction <morning glory> forms the image into an art theory of Choi Chul-joo's concept of desire to convert the image into a desire meaning by repeating the abstraction of the concept of desire. This means that the desire is expressed in painting by repeatedly applying the desire formula to the desire of others revealed in the unconscious, and as a result of applying the formula of Choi Chul-joo's desire concept to painting, the desire structure gains value in approaching formative beauty.

■ The concept of desire/ <morning glory> is not the subject of the subject, but the spatial background of the desire of others. It is the same as a consistent space of life like the sky. Cartoon review representing the space of life and performance scenes connect to pop art images, but do not criticize and judge, but reproduce reality as news with photos of events and images of performance scenes. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured into reversible shades of light to paint the concept.

■ By substituting Choi Chul-joo's desire formula into the abstract painting <morning glory> created by abstraction of the concept of desire, the desire of one other is seen as a reversible structure of light, which reaches the morning glory of the desire background along with the satisfaction of pleasure and sexual impulse(Jouissance) and conceals the inconsistency imagined by the chick in the visual system.

 

Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-l', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. 

In addition, in <morning glory 2021-l>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

 

Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021

 

Louis Choi Chul-joo 2022 New York Exhibition Poster / 'morning glory p15-11' is a virtual non-real that structures the meaning of abstract space that can turn things into real images by constructing images that hide the desires of others in the temporal shadow of light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape reveals the place of the unconscious desire of others.

The image "morning glory p15-11," which depicts the meaning of the shape seen in the space of the meaning created by reversible light, refers to the concept of abstract meaning, which means an abstract space where the desires of others become common fossils and an abstract space that can compose the meaning of a shape hidden by long-term nature into a real shape that reverses things, and creates an image on one screen by drawing an image with a different meaning with reversible light hidden by the movement of the actual changed shape. 

Here, drawing images with different meanings from different perspectives and gathering them on one screen is an abstract design of the concept of desire, which is a new attempt to reject the romantic painter's style. In other words, it is an abstract painting that revived the structure of desire, "morning glory" by using the material of light projected in romantic paintings as a place of existence to explore a new style of modern art.

 

It is the conceptual abstract design method of desire that draws images with different meanings from different perspectives and gathers them on one screen to form a revolutionary picture that deviates from perspective. This is a new attempt to reject the mannerisms of the way Romantic painters painted. In other words, in romantic paintings, a reversible shade of light with the subject of light projected as the place of existence pursues a new style of modern art by breaking away from Romantic painter's modern art with realistic <morning glory> abstract painting. / Choi Chul-joo's concept of desire <morning glory> Abstract painting interpretation 

 

Louis Choi Chul-joo, morning glory p15-11, a hand-painted picture on a computer

 

<morning glory p15-11> based on the concept of desire is an image that allows you to see the desire of others who function gazing visually in the landscape in the abstract area of painting where certain effects occur. This is a perverse planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. It is an artistic discourse on reality and non-realism depending on the viewpoint of view. Reality and non-realism cannot be selected as visible images that reproduce objects, and the pictorial image that expresses the real image has been identified as an image as non-realism. Therefore, the way to find reality in an object is to reveal the abstraction of <morning glory> as a distorted image in a shade of reversible light similar to the concept of desire. 

 

This is because abstraction as a conceptual semantic structure with a non-real shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes. Its existence is an image that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which is an exhibition poster image of "morning glory". This is an abstraction of the image of the concept of desire into installation art.

 

To reveal physical reality as an abstraction is a realistic reality that makes the object 'steady look' and the realistic reality comes from a clear abstracted physical structure. The structural physicality of the abstract has several cross sections in its three-dimensional form. Like Picasso, several perspective shades of reversible light, such as painting a woman in multiple perspectives at the same time, realistically drawing an object from one perspective. 

This forms a non-real space with a realistic structure and shows the multifaceted complexity of an abstracted morphological structure. 

Here, the abstracted form is an object that the other sees in a conscious space, and an object that appears to be a distorted image that appears to be a gaze to the other due to a desire. As an existential object that passes through the concept of desire in the entire image is formed, an image with the same meaning as the other's unconsciousness and desire is concealed in the reversible shade of light in the entire image.

 

 

A shape with "morning glory" as the background of desire and a shape image tailored to the desire gaze are expressed as an abstraction with a concept of desire tailored to the conceptual cartoon theme by processing the concept of desire with a shade of reversible light. 

Here, painting as an object of change in customs is another image that seems to be an object. It is concealed and disappeared as a material of objects drawn in small pieces that are not visible in space. 

 

A small piece of the object is monochromated and shows a reversible real space through a symbolic art movement that actually changes the shape. And it shows how the object as another reality is revealed. In the abstraction, it appears to be an image that appears to be a perspective visual system and a distorted image that reverses the concept of desire, that is, perspective.

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p5-10, a hand-painted picture on a computer

 

 

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-3, a hand-painted picture on a computer

 

 

 

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-6, a hand-painted picture on a computer

 

 

 

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-13, a hand-painted picture on a computer

 

 

The desire image of an image different from reality is hidden in the shadow of reversible light because it is the difference between reality and the desire of others. This metaphorically conveys the meaning of reality to the imaginary world by abstracting the desires of others that appear by equating the image of reality (symbol) in the mirror with the same symbol. 

 

It's an imaginary world as a visible metaphor. However, it is not known which subjects are in the two phases. These two images are identified as images showing objects. Here, the other person sees the desire image as a different image from the real image and shows the desire. Real and non-real images cannot be selected as visible images that reproduce objects, and images that differ from phase are found to be non-real images. Therefore, the way to find reality in objects is to reveal the image of desire that projects the object of desire and the place where the desires of others existed as a reversible shadow of light.

 

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer  

 

The pictorial meaning is abstracted and transferred to the symbolic world through separation from the symbolic image of the sign and reality, recognizing that the symbolic image as a subject is not itself. Here, symbolic images and reality as abstract paintings meet reality through division. 

Abstract images as reality are revealed as deviated images, but as non-real images, they are deviated from real images. 

In the abstract painting achieved by the misinterpretation of real and non-real, the desire image forms a momentary image by serializing the sign image from the instantaneous staring image. 

 

Dsire's object is expressed through identification with the other's gaze and the desire image revealed in the other's unconsciousness. At this time, the images combine meaning in abstraction as a separate whole image. 

This equates the image of non-realism as an being revealed by the unconscious desire of the other and the image of the "morning glory" abstraction of reality revealed by the unconscious desire of the other as an abstraction of the concept of desire.

 

The abstraction here reveals the object as another being of the object by transforming the image of the object into an image that deviates from the other's desire perspective, and contains the meaning of formative desire that the object has with creativity and autonomy.  / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)

 

Conceptual Artist Louis Choi Chuljoo