Art Critic Louis Choi Chul-joo Criticism [54] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [54] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024: The image of actual desire is an abstract desire in which the subject has disappeared instead of a being in which the subject is divided. The desire and the subject of abstract reality combine to stare at reality from the repressed unconsciousness and reveal reality from the subject's inadequacy to satisfy reality.

And in order to reveal reality from the subject's inadequacy, desire and abstract reality images combine.

 

Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024

 

 A chick Abstracting Desire from Dinosaurs into Reality 

The concept of abstract desire according to temporality creates space for dinosaurs created by reversible light, stops the existence of desire in phenomenal reality in the connection of clock gears, and identifies it with the space of the concept of desire that chicks personified by reducing the change to the shade of light were mistaken for chickens.

Human desire goes beyond survival as a subject who began the desire for survival from dinosaur fossils after the earth's crust was created and the geological era passed. 

A chick, such as a baby, is mistaken for a chicken and confronts desire as a lack of desire exists.

Dinosaurs are traces of empty spaces where desire does not exist according to temporality, that is, empty spaces where deficiencies do not face. 

]As the background of desire, "morning glory" forms a conceptual abstraction that replaces the concept of abstract desire with a real image by overlapping the image of events and performances as the subject of desire, "Bamboo Forest" forms a shade as the temporality of light, and "Pond" as a mirror reflecting reality. 

The subject and background of desire chain the concept of extraneous desire, symbolic design, and the subject becomes real as a verbal semantic action, and the background transfers the unconscious image through the verbal semantic action of the subject to reality.

The subject of the symbol, which symbolizes the concept of abstract desire, shows a state concealed by the existence of unconscious desire symbolized by the meaning of the symbol.

Unconscious desire is a correlation of desire hidden in temporality, and repeatedly designs objects of desire that dinosaurs and chickens can abstract.

The unconscious attempts to consciously express an object lacking the subject of existence, which is an instinctive motive tailored to the actual structure, and consciously attempts to represent an object lacking the subject of existence that has replaced the object consciousness lacking self-consciousness with self-consciousness. 

In order for self-consciousness to consciously express the object of unconsciousness, the object lacking the object of abstract desire is recognized as a linguistic meaning through conscious movement, and the concept of desire to recognize the essential existence of the object of instinctive desire is specified as abstraction.

It creates an image with a design that determines the linguistic meaning of the concept of desire, and hides the abstract concept of desire in the structure of reality in which symbolic symbols are designed. As an abstract object of desire as the subject of design, chicks appear in a mirror as chicken reflecting abstract objects to create a hidden structure of reality through linguistic meaning, and create a space where the mirror image of reality and the subject of reality are identified.

An image is created by designing the linguistic meaning of the concept of desire, and the abstract concept of desire is concealed by the structure of reality, so that the structure of reality and the concept of desire through linguistic meaning are identified to form an image of reality that causes meaning. 

As a result, the subject of desire creates an object with the color of the actual image in a linguistic abstract structure that matches the custom so that another reality of the abstract structure represented by the concept of desire as a linguistic semantic structure has an aesthetic value in accordance with the position as a single image.

In this way, the concept of desire does not presuppose causality with the real image, but embodies the object of desire to escape from the misunderstanding that has shifted from the abstract concept to the structure of reality, and intervenes in the place of existence with 'morning glory' as the background of desire, resulting in an abstract real image of the concept of desire as a correlation between real images. In other words, the existence of desire results in a real image abstracted from the object of the concept of desire without opposition to the concept of desire as the correlation of the real image.

 

Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024

 

Desire resulting in a real image can acquire the result of a new reality that does not exist in the perspective visual system space, that is, an abstract real image, by repeatedly passing through the abstract design process as a concept of desire.

However, the absence of an abstract design process consequently achieves an abstract ending and stops with a lack of desire. This is a small piece containing a pictorial abstract structure of the formability of lines, planes, and colors as an interruption stage of desire that is difficult to interpret. Here, Romantic painters destroyed the form in a situation where paintings were lacking compared to photographic images. They reconstructed the shape of the object with optical principles and mechanical configurations to express reality as an abstract structure.

Like monitor pixels, the canvas shows a voluminous pattern of small square dots on a black cloth that are symmetrical to the left and right and symmetrical to the top and bottom.

To increase the size of pixels from the canvas to image elements, increase the size of the image to make it look clear, separate the color light and shade of reversible light to focus on a certain distance from the canvas, illuminate several parts, and superimpose multiple intuitive representations as a conscious action of the concept of desire.

An image that represents desire as a correlation of the concept of desire is an abstraction that expresses a concept by specifying it as an image that is unconsciously and intuitively omitted from the entire form as desire in the shade of reversible light with the same linguistic meaning.

 

Choi Chul-joo's Desire Concept Abstraction Design is a modern art movement as a new abstract art methodology that realizes the concept of modern abstraction, transformed from romantic painting to abstraction, as a real image.

 

One conceptual art creates a double place with the concept of the selector's desire, not abstract, and overtakes abstract conceptual art in that double place, and repeatedly designs reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as a subject.

The conceptual aesthetics of shapes that designed the reality of desire are aesthetic experiences as values of life.

The lack of empirical desire acquires value by satisfying the lack of desire as a result of the form of designing objective reality.

This is the concept of the other's desire to achieve semantic correlation through empirical consciousness movements due to the lack of objects of desire.

Therefore, as a result of the concept of desire, the subject of the event and action image contains the concept of occlusion with the desire structure.

And like the image of the subject who moved the lighting and background for shooting, the shape of the actual image is a shade of black background, so the actual image is adjusted to have aesthetic value with the concept of desire consistent with the subject.

Therefore, the actual image is omitted as a shade and placed in the range of light, so that the actual image has an aesthetic value that conforms to the custom, and the structure and background of the actual subject are placed in black like the image of the subject transferred to the film.

 

The concept of desire, which illuminates the abstraction of the concept of desire by putting it in a photo as a momentary impression of events and performance images, clearly realizes the linguistic meaning of the image, and inductively illuminates the concept in a reversible shade of light, resulting in a universal reality.

This settles into the essence of reality, where the reversible shaded structure of light that existed in the place of reality is tailored to the concept of desire so that the real phenomenon can embody the abstract concept.

Here, the concept of abstract desire momentarily embraces reality, as if printing an image of a shaded subject of reversible light on a slide film against a black background.

In the intermediate stage of representing the reality of the concept of desire as an image, desire is accurately perceived among various concepts of abstract desire, and it is distinguished as an image, replacing it with a lack of desire.

Recognizing sensitized images is because the image that immediately recognizes the desired image in a distorted form and the image of the film capturing the moment are the same.

Objects arising from the absence of desire allow real images of the same dimension as linguistic meaning to exist in imperfect experiences in objects of unsatisfactory desires abstracted from the unconscious.

 

Desire is a being who does not possess a place where non-existent deficiencies remain.

Therefore, as a subject lacking from dinosaurs to anthropomorphized chicks, beings that symbolize the linguistic meaning of desire are abstracted as the substance of the concept of desire. In other words, as a past or death and existence symbolized by dinosaurs, chicks represent the semantic existence of symbols abstracted by lack of desire as a concept of desire as an existing reality.

The representation classifies the concept of desire into an empirical desire structure by covering the shade of light with black and transforming the concept of desire into an empirical desire structure, and classifies the concept of desire into an abstract design system.

And, in the abstract design system, the concept of desire is classified into an empirical desire structure, classifying the form, and dividing it into reflective color light that changes to the existing reality form to change the form into the existing reality shape. 

This is a method of designing the abstract concept of desire in reality as a real image as a conscious movement between the pixels of the image and the structure of desire with events and performances as the subject.

The abstraction of chicks, which personified reality in dinosaurs as the reality of the concept of desire, identifies the real image of existence as a result of inducing desire motives by a being who made the abstract reality of a being concealed from the reality of a desire event.

Here, the design effect of the concept of desire concealing the cause of the event as a realistic being separated from reality is the abstraction of the real image.

 

The image of actual desire is an abstract desire in which the subject has disappeared instead of a being in which the subject is divided. The desire and the subject of abstract reality combine to stare at reality from the repressed unconsciousness and reveal reality from the subject's inadequacy to satisfy reality.

And in order to reveal reality from the subject's inadequacy, desire and abstract reality images combine./ Writing. Choi Chul-joo, abstract concept art Critic (Doctor of Cultural Design)

 

Choi Chul-joo, a contemporary conceptual abstract artist