Art Critic Louis Choi Chul-joo Criticism [53] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [53] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: morning glory p100-17-2-an incompetent driver who accidents on a safe railway: The eyes on the picture see a desire object drawn on the canvas, but the eyes is like a subject staring at it.

The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.

Therefore, desire object means a concealed aesthetic structure as an entity revealed in the desire gaze system, not a non-real image in the perspective visual desire system.

 

Louis Chul-joo Choi, morning glory p100-17-1-an incompetent driver who accidents on a safe railway, a hand-painted picture on a computer

   

the Choi Chul-joo desire conceptual abstract art theory system

 In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.

The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.

The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.

Here, as a real object, color is a visual image familiar with the custom of sight.

The meaning is a symbolic language that symbolizes the imitated flower.

Here, the morning glory is a sculpture of desire object, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of desire.

 

Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.

This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.

 

However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.

Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic. This is an example of expressing the medium of art as a media art with contemporary media technology.

The difference between art and non-art is distinguished according to the existence of desire object as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.

 

It is difficult to reveal the desire object in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is a desire object.

A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.

This is because its formability can form an image or reform it into the same form through a realistic structure.

 

Louis Chul-joo Choi, morning glory p100-17, a hand-painted picture on a computer, 2024

 

The anamorphosis image of the desire of the other person who is difficult to replicate is the meaning desire object of the concealed aesthetic structure as an existence.

Here, the anamorphosis image is an object as another real image separated from the real image, although it is not real as an image of the whole.

An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.

The virtual image is viewed as a virtual image by being recognized as a plane.

Here, by revealing the desire object as a being through the Choi Chul-joo desire conceptual abstract art theory system, the virtual image becomes real.

 

Desire object is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.

The desire object form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the desire object to reveal artistry.

The artistry here reveals the desire object as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.

And the meaning object, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.

 

"morning glory" depicts an image created by the unchanging image of an morning glory, and the form of a thread painting drawn in a cloth shape with a grid illuminated on the back is a real picture. This is a poster of "morning glory" as an abstract painting on a computer, which follows the shape of the thread picture by shading the object of desire and the background.

In other words, the actual picture is a form in which the position of the non-realistic painting with reflected light is extended to the unchanging image of the lattice hole illuminated on the back. The meaning of the form is the desire of others decorated with the color of spatial light that expresses the reality of universality in the wind speed facing the morning glory as a real picture. In contrast to this decorated form of light, the dark space is a shadow created by staying in one place. Here, as a real object being, color is an image of a side familiar with the custom of seeing with the gaze. Meaning is a symbolic language that symbolizes an imitated flower. Therefore, the flower image as the background of desire manually done by the computer models a hidden aesthetic structure that means the object of desire symbolized in the non-real space due to its linguistic meaning.

 

Desire object is an object revealed in Choi Chul-joo's abstract art desire conceptual theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.

Therefore, the desire object as a gaze was revealed as a dot of light in the eyes of the other as the subject.

This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.

The eyes on the picture see a desire object drawn on the canvas, but the eyes is like a subject staring at it.

The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.

Therefore, desire object means a concealed aesthetic structure as an entity revealed in the desire gaze system, not a non-real image in the perspective visual desire system./ Writing. Choi Chul-joo, conceptual abstract art critic

 

Choi Chul-joo, abstract concept art critic