Art Critic Louis Choi Chul-joo Criticism [50] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [50] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire, 112X162cm, acrylic and composite materials on cloth, 2024; Conflicts concealed by the abstract desires of the married couple's world reveal real images that can experience the meaning of desire, constructing an abstract line space in which the effect of confrontational conflict occurs.

This is an abstract real image that causes misunderstanding in the existential dimension, and it is an abstract painting that sets a clear place by comparing it with the morning glory, which is the background of desire.

 

Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire, 112X162cm, acrylic and composite materials on cloth, 2024

 

A couple's world set in the 'morning glory' of Desire

When a couple breaks away from the correlation of desire and enjoys desire with another boss, the couple reveals existential meaning in the correlation faced by the subject of inappropriate desire as a structure of confrontation according to sociality.

The behavioral reality in the play is destroyed, and the narrative structure of desire shows the confrontation and conflict of correlations.

This abstracts the confrontation of inner desires in the morning glory, which is the background of desire, as the meaning of unconscious language structure is the real image of the correlation.

Therefore, painting, which abstracts the desires of the couple's world, does not compare desire as a correlation, but replaces desire with confrontational conflict and realizes it. The real image replaces the phenomenon with a conflict image and creates an objective image that is opposed to desire as a correlation between opposing desires.     

The objective gaze of desire constitutes a correlation as a being according to unconscious desire and creates a pictorial framework tailored to the linguistic semantic structure that interprets it as a real image of desire with existential significance faced by the desires of others in the phenomenal space.

 

In this way, the image of desire tailored to the linguistic meaning structure is interpreted as a real image of desire with an existential meaning faced by the other's desire in a phenomenal space, and the background of desire is composed like a distant image using spumato techniques so that traces of temporality overlap and the surface of the object overlaps with reversible traces of light.

Like Da Vinci's Mona Lisa, the color light reflected sloping from the underlying surface of the skin is produced between small holes on the back of the shaded fabric and depicts the real structure of a woman who contains desire.

In this way, the objectivity of the external structure is secured so that the abstract unconscious structure of women expressing conflict in the couple's world can be considered phenomenally.

 

In "A couple's world set in the 'morning glory' of Desire" the background of social phenomena and desires, the couple aims for a contradictory appearance, but it is intended to camouflage their desire to deny decision-making relationships and justify the phenomenon of desire.

This is identified with the reality of freely finding a desire to stop judging the couple's empirical phenomena, reduce the desires of others to unrealistic phenomena, and form confrontational relationships because the couple's world aims for ideal happiness.

 

In the marital world, desires and phenomena are combined into an unconscious desire structure to hide conflict in the disclosure structure as a linguistic meaning and recognize the meaning of desire that is out of alignment. 

This darkens the morning glory with a reversible shade of light and repeatedly designs the image of desire as a linguistic meaning to reveal the phenomenon of an abstract couple that forms a confrontational relationship as the subject of desire as a structure of reality.

The actual image revealed in this way enables the desire to obtain the desired way from an object that causes conflict, not desire, under the influence of the concept of desire.

Here, the design of the concept of desire as an abstract reality structure transitions the abstract frame of looking at desire into the abstract design process of the concept of desire through Choi Chul-joo's concept of desire, and the abstract structure is transferred to the actual structure so that desire can be viewed as a gaze that makes you stare at reality.

 

Conflicts concealed by the abstract desires of the married couple's world reveal real images that can experience the meaning of desire, constructing an abstract line space in which the effect of confrontational conflict occurs.

This is an abstract real image that causes misunderstanding in the existential dimension, and it is an abstract painting that sets a clear place by comparing it with the morning glory, which is the background of desire./ Writing. Choi Chul-joo, abstract concept artist (Doctor of Cultural Design)

 

Louis Choi Chul-joo, art critic