Art Critic Louis Choi Chul-joo Criticism [48] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [48] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a abstract conceptual art based on the concept of other people's desires of others and Contemporary Art Critic Choi Chul-joo's New Work Modern Art Reading: Contemporary Art Works Published on Facebook: The Process, Definition, and Formative Meaning of Thread Painting in Louis Choi Chul-joo's Concept of Design Desire: Choi Chul-joo's desire design visualizes desire as an abstract image and symbolizes the concept of desire as a real image through a visual vector.

Using reversible light, the boundary between reality and unreality is abstracted to create an unconscious abstract space, and abstract elements are designed repeatedly to conceptualize real images as a structure of desire and inductively infer the concept of desire from these abstract images.

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conceptual abstract artist Louis Choi Chuljoo "Morning Glory" 2022 New York Personal Exhibition, 20220301~20220308 Flushing Town Hall, New York.

 

 

Louis Chul-joo Choi 's Process, Definition & Shape Meaning of Thread Painting 

* The production process of thread painting designs a predetermined point of an object, that is, a point of an object that depends on a predetermined existence unfolding an instantaneous coincidence in a brush. This is implemented by media art and painting without explaining the empty space. Here, in the process of producing the original media art in which the accidental place is repeatedly reproduced, thread painting is a form drawn by the gaze of the other.

 

*  Thread Painting (Definition): An image created by the media art "morning glory" is drawn in the form of a cloth whose rear surface is reflected by hand (which can additionally embroider the shape). In other words, it is a picture that expands the space of a non-realistic painting with a shaded shape on a cloth made of crossed thread and a reflective light from a small hole in the fabric.

 

* The figurative meaning of the media art "morning glory" through thread painting is that the color of the meaning decorates the reality of the customs universality faced with the object with the color of light. In contrast to the light of the decorated shape, the dark blank space is a shadow that has created a place as an being. Here, as a real object, color is a single image of a cultured custom that seems to be a gaze. This is a symbolic language that symbolizes an imitated flower. Here, the morning glory image is a piece of meaning symbolized in the non-existent space as a result of desire meaning.

 

Louis Chul-joo Choi 's Process, Definition & Shape Meaning of Thread Painting 

 *  The production process of thread painting designs a predetermined existence in which paint from a brush accidentally spreads at the position of a predetermined object, that is, the position of an object that relies on instantaneous coincidence. By making the image of the shape with embroidery, the image of the taught fabric is expanded with embroidery or the position of the fabric is widened by drawing a flat shape. In other words, thread painting drawn on the fabric forms a multi-faceted structure of the object by expanding the viewpoint of the image as a cross-section of space.

 

▲ Thread Picture = Embroidery: Hea-sook Jang, Thread Painting: Choi Chul-joo (Plane painting with altered embroidery image)

 

Modern Concept Abstract Image Installation Artist Choi Cheol-joo designs spots on objects that rely on momentary coincidence and determines the range of paint stained with a brush from the spots on the object. When making spots on a figure with embroidery, the space of the image drawn on the fabric is widened by expanding the image drawn on the fabric with embroidery or by modifying the shape of the embroidery and painting it flat.

As an installation of the image, I implement it as a flat painting without embroidery or embroidery in media art and draw pictures without depicting empty spaces. Here, in the process of creating an image mechanically reproduced with original media art, thread painting is a form drawn with the other person's gaze.

 

▲ morning glory thread painting (Definition): an image made by joining morning glory with hand drawn cloth or embroidering additional shapes with cloth reflecting the back. : Embroidery & Painting: Choi Chul-joo

 

 

 

▲ Louis Chul-joo Choi,  morning glory 2021-g-back, 135X167cm, acrylic and composite materials on cloth, 2021

 

* The figurative meaning of "morning glory" in thread painting is that the color of the meaning decorates the reality of the customs universality faced with the object with the color of light. The dark space in contrast to the light of the decorated shape is a shadow created in a designated place. Here, as a real object, color is a single image of a cultured custom that seems to be a gaze. This is a symbolic language that symbolizes an imitated flower. Here, the morning glory image is a piece of meaning symbolized in the non-existent space as a result of the desired meaning.

 

 

Louis Choi Chul-joo's Process, Definition & Shape Meaning of Thread Painting: The process of creating a thread is to design a set presence in a place where paint spreads from a set object, an object that relies on instantaneous agreement, to embroider the image into a thread, to enlarge the place of the cloth by drawing a picture of a combined image or flat shape. 

 

▲ [First thread drawing = Louis Choi Chul-joo] The process of creating a thread painting involves designing a place where paint accidentally spreads over the location of an object that depends on instantaneous coincidence, and expanding the image of the object by embroidery or by drawing the image of the object in a two-dimensional plane.

 

 

 ▲ A still media art image of Choi Chul-joo's morning glory

 

Louis Choi Chul-joo's <morning glory B-00-2-1> Thread painting: The <morning glory> is on a piece of cloth with a view of the image on the back. Media art, which has no description of space and is embodied as a picture, is a real picture that looks like the other person's desire in the process of drawing the image of the morning glory of the original media art reproduced by hand.

 

▲ Louis Chul-joo Choi,  morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021

 

 

▲  [Second thread painting]

* The production process of thread painting designs the existence of a place that is accidentally determined by the movement of the brush in the place of the determined object, that is, the place of the object that depends on instantaneous coincidence. This is embodied as a picture without describing the atmosphere. Here, in the process of producing original media art reproduced as the concept of desire, the form drawn as the process of the gaze of the other is thread painting.

 

*  Media art through thread painting The figurative meaning of 'morning glory' is that color in meaning decorates the reality of conventional universality facing objects with color of light. The dark space, which contrasts with the light of the decorated figure, is the shadow created in the place of existence.

Here, as the existence of a real object, color is a single image of cultural convention seen through the gaze. It is a symbolic language that symbolizes imitated flowers. And, the morning glory image is a transition of the concept of desire in a real picture symbolized in a space that does not exist due to the meaning of desire.

In the symbolic form, the unreal is a constructive form with a concrete real image. The reality of that form is another reality that is separate from the entire form as a crooked image.

In reality, a symbolic image is a distorted image that ignores reality and connects an incomplete structure to make a meaningless structure different from reality a condition of visual shape. In reality, a symbolic image is a distorted image that ignores reality and repeatedly creates an incomplete structure to form an unconscious desire structure different from reality as a condition of visual shape. Since the unconscious desire structure reproduces reality from a subjective point of view to a real point of view, a structure of desire hidden in the entire image of the unreal world appears.

Therefore, it is difficult to distinguish between the desire structure and the real image obscured by reality, whether the real image should be adjusted to fit the entire picture of the desire concept or the real structure of the viewer.

 

Therefore, it is unclear whether it is in the picture or is reflected in a mirror outside the picture, and the reality is unclear. In this way, "morning glory" is seen as a sphere reflected in the mirror as another object of reality transferred from symbolism as a non-reality that does not reveal the reality of other objects, not the same object reflected in the mirror in the imagination. The structure of desire is not revealed and concealed, and there is no real image of the structure of unconscious desire of the person who sees the picture by looking at another object revealed in the mirror.

Symbols and reality are inconsistent through hidden concealment from absence to absence. The space in which an object reflected in the mirror has moved from sign to reality is realized as an invisible reality. At this time, the object loses the symbolism of the space that existed and the reality of the space embodied in the symbol is extinguished.

To reveal the concept of desire in the unconscious space is to draw a realistic image, which is the actual structure of the structure of desire in which the object appears to be a crooked image.

 

Realistic real comes from a clear concrete structure. Structural spheres have several cross-sections in three-dimensional form.

The cross-sections paint objects in multiple viewpoints at the same time, but in "morning glory", one cross-section and two sides are flattened into a structure at one point in time.

However, cubist paintings show the multifaceted complexity of the object's morphological structure without showing realistic perspective or a face that makes it feel voluminous, thus clearly revealing the physical structure by removing the sense of volume and shadow.

In other words, rather than reproducing the shape, what is recognized as a prescribed size as reality is summed up. This is seen as a real image in the form of an object as a crooked image of "Napal Flower" as a media art without a predetermined size at other times in the form of visual representation, and an cognitive representation tailored to the size with thread painting in which the object is stopped.

 

▲ Louis Chul-joo Choi’s thread painting: morning glory 2022-c, 135X156cm, acrylic and composite materials on cloth, 2022

 

* The production process of the actual desire picture repeatedly designs a predetermined existence, that is, a place of an object that relies on instantaneous coincidence. The image drawn in this way is the actual picture "morning glory 2022-c", which was drawn on the back of the cloth using the images of chickens and chicks in Louis Choi Cheol-joo's "morning glory B-00-2-1".

 

The meaning of a desire object creates the concept of desire as a thought movement that replaces the image by combining the effects of unconscious language into images.

In other words, after creating the actual image of the desired object, <thread painting: morning glory 2022-c>, the design is repeated in the connection structure between the image and the redesigned image, and the deficiency is revealed, and desire appears as a semantic action instead of the unconscious desire structure as a resistance to the semantic action.

The image formed by the deficiency is the same as what the infant in front of the mirror saw, and the image of the object is identified as the same subject in the imagination, and internally, the subject forms a transformed image of desire.

 

The reality of the object is an image of reality reflected in the mirror by confirming the structure of a phenomenal reality that does not exist in an empty space on the back of the object.

In other words, the phenomenal real image may be an image in which the image of reality as a metaphor is reflected in a mirror, or another image that appears to be an imaginary shadow.

Therefore, Lacan's metaphor did not compare to an object, but replaced one signifier with another, and Cézanne made it possible to see the meaning of the form after a similar form was revealed rather than an imitative painting's return to the object.

 

The two fixed points where the symbolic image from unconscious desire to divided subject leads to the structure of desire and the intersection of divided subject and intersection are where the meaning is fixed.

Simultaneous and disclosure are the semantic functions of the fixed point. Here, the meaning of the picture is completed by the retroactive effect of the simultaneous function using embroidery and painting, and the disclosure function is a disclosure structure, or metaphor, that can be obtained from the source because it is hidden in the picture like language. And after simplifying the form into a practical landscape, dividing the object into a plane, and abstracting it by adjusting the reversible light of the other's desire with a subjective color at the point where light and shade intersect. 

 

The simultaneous function of embroidery and painting is completed by the retroactive effect of the meaning of the painting, and the formal function is hidden in the painting like language, so the formal structure that can be obtained from the painting is a metaphor.

It also simplifies the metaphor form in the picture into a practical landscape, divides the object into a plane, and abstracts the others desire by adjusting reversible light to subjective colors at the point where light and shade intersect. (Choi Chul-joo's abstract art theory on thread painting) 

 

Choi Chul-joo's desire design visualizes desire as an abstract image and symbolizes the concept of desire as a real image through a visual vector.

It uses reversible light to abstract the boundary between reality and unreality to create an unconscious abstract space, repeatedly designing abstract elements to conceptualize real images as a structure of desire, and inductively infer the concept of desire from these abstract images.

Therefore, the formative meaning of the actual painting in Louis Choi Cheol-joo's concept of design desire is as follows

The simultaneous function of embroidery and painting is completed by the retroactive effect of the meaning of the painting, and the formal function is hidden in the painting like language, so the structure of desire that can be obtained from the painting is metaphorical.

And in that desire structure, we abstract what others want by simplifying the metaphor form into a practical landscape, dividing the object into a plane, and adjusting reversible light at the intersection of light and shade into a subjective color./ Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)

 

Conceptual Abstract Artist Choi Chul-joo