Art Critic Louis Choi Chul-joo Criticism [47] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism

Art Critic Louis Choi Chul-joo Criticism [47] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a abstract conceptual art based on the concept of other people's desires of others and Contemporary Art Critic Choi Chul-joo's New Work Modern Art Reading: Contemporary Art Works Published on Facebook: Louis Chul-joo Choi, morning glory window 2024-10-a shapeshifting from a lack of desire, 122X112cm, acrylic and composite materials on cloth, 2024: Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.

This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light.

 

Louis Chul-joo Choi, morning glory window 2024-10-a shapeshifting from a lack of desire, 122X112cm, acrylic and composite materials on cloth, 2024

 

a shapeshifting from a lack of desire

The abstract demand for the lack of desire to rule the conceptual image of desire with the same motif as the visual structure is the symbol of the other.

Like the god who created the shape of Shapeshifting, it transforms flowers into a symbol of perpetuity, creating a background of desire and expanding the range of desire to land and sea with chickens and fish.

The range of desire created a form of shape Shapeshifting in which the object was replaced by a structure of desire from one image to a picture effect.     

The visual structure in which the object image of desire is transformed into a semantic effect is the encounter with a conceptual image in which unconscious desire is an attribute of an object. 

This is a visual structure of desire, and a dancer who transforms to find chickens and fish repeatedly designs the concept of desire.

Here, a woman who appeared as the subject of desire hides the chicken in a reversible shadow to satisfy the existential deficiency and visualizes the shadow of the fish reflected in the pond as a Euclidean vector of real space.

In this visualized image, the abstract concept of linguistic desire is reflected in the pond, and the symbolic image repeats the expressive desire structure of the image and projects it into the reversible shadow of light.

As an outline of reversible light according to language culture, fish that deviate from mythological imagination transform into a geometric real structure with size and direction.

According to the semantic action of the real structure, the linguistic meaning of the image divided into several forms is created as an image consistent with reversible temporality, and the entire image obscured in the shade of reversible light is expressed.

 

According to the semantic action of the real structure, the linguistic meaning of the image divided into several forms is created as an image consistent with reversible temporality, and the entire image obscured in the shade of reversible light is expressed.

Here, the transformation of the desire structure of the entire image faces theological rationalism and achieves an abstract concept transformation away from doubts about the subject of painting.

And it creates a correlated image of desire as a common form of desire inherent in abstractions drawn as real structures exposed to events and actions.

 

As desire and the expressive image of that desire are identified, the meaning of desire becomes a correlated image of desire that creates abstract symbolism

The correlation image of desire is generalized in mass production structure and various mass media due to the industrialization of modern art. Known works according to culture form a market structure, but the value of manual work is buried due to the lack of publicity of the works.

This aesthetic value is because images of known works, not painters, are repeatedly created as objects of desire.

The expressive image, defined as the correlation of the concept of desire, plays a role in creating the place and desire image according to temporality in the desire structure.

Cultural symbolism cyclically fixes the concept of desire, generalizing the lack of desire structure to abstract desire as an image of reality.

In this way, Choi Chul-joo's desire formula, which changes the form by turning the image of desire into a real image, abstracts the real image that creates the object of desire.

 

Language Image Just like the function of functioning the desire structure into the unconscious desire concept by inserting a real image that deviates from the abstract structure, the desire image is structured into an aesthetic image as a function that constitutes a binary relationship of abstract desire so that culture can consciously recognize the subject of desire from desire and escape from other distortions based on the imaginary unconscious. (Choi Chul-joo's theory of abstraction of the concept of desire)

 

Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.

This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light./ Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)

 

Conceptual Abstract Artist Choi Chul-joo