The Story of Contemporary Art: Abstract Painting Review & Art Docent [6] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review

The Story of Contemporary Art: Abstract Painting Review & Art Docent [6] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / 

Abstract Design of Korean Painters [11] Contemporary Concepts Art Review: Korean Painting Abstract Works <morning glory window p106-3> Design Review

 

Louis Choi chuljoo "morning glory Window" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.

 

 

 

 

Louis, morning glory p106-3, a hand-painted picture on a computer, 2023

 

 

 

<morning glory Window p106-3> abstracts the concept of desire, which depicts images produced by amorphous images, meaning the reality of morning glory, in the shade of reversible light.

It is a modern abstract painting that symbolizes the design of the shape, that is, the exhibition poster image of the painting, by producing a poster of modern art related to the Busan solo exhibition (Haeundae-gu Office Gallery) of Korean artist and pop artist Louis Choi Chuljoo.

 

The object (Louis Choi Chuljoo 2023 Busan exhibition morning glory p106-3), which depicts the meaning of the shape seen in the meaning space created by reversible light, is an object ɑ of abstract desire concept images that reveal the place of others' unconscious desires as a virtual non-realization of cartoon review.

The object ɑ, which depicts the meaning of the event shape seen in the space of the meaning created by reversible light, is an abstract space that can turn objects into real shapes by structuring the meaning of the shape in the shade of reversible light, and means an exhibition poster (morning glory p34) as an artistic movement of the concept of desire that has actually changed from the background image to the cartoon shape (like "Have a wonderful Chuseok like the stars in the fall night").

 

Louis, morning glory p34, a hand-painted picture on a computer, 2022

 

 

The conceptual art of desire <morning glory p34> is an image that shows the desire of others functioning visually in the landscape in the abstract area of painting where certain effects of the concept of desire occur in the meaning of the exhibition poster.

This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the reality reflected in the mirror, but the shape of the background is not the same. Abstraction as a conceptual semantic structure with a non-realistic shape that has the same meaning as the conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-realistic being of different color and size.

Its existence means the abstract meaning of exhibition poster concept art, which defines abstract space as a real reversible image, and whose image is obscured by real changes in the shadow of reversible light.

 

2023 <morning glory Window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Contemporary Abstract Artist Louis Choi Chuljoo Desire Conceptual Art Abstracts: <morning glory Window p106-5>

 

 

 

Chul-joo Choi, <Have a wonderful Chuseok like the stars in the fall night>, a hand-painted picture on a computer

 

 

 

The object (Louis Choi Chuljoo Busan morning glory poster 106-3), which depicts the meaning of the shape visible in the meaning space created by reversible light, means a momentally distorted desire concept image object ɑ based on desire by structuring the meaning of "<Have a wonderful Chuseok like the stars in the fall night>" in the shade of reversible light.

 

 

Modern conceptual design by Choi Chuljoo, a contemporary art critic and conceptual artist, is the return of painting as a concept of early conceptual art, that is, a conceptual art design created by paintings, so his contemporary conceptual art criticizes phenomenal images such as current events and mentions design value in terms of painting.

On the other hand, Choi Chuljoo's conceptual art abstract design, based on the illusion of infant imagination in Lacan art theory, contains the meaning of the concept in the conceptual art abstract image of desire, and expresses the value of life through critical perspective and desire conceptual art abstract design, combining the concept of desire with the scene photograph of the event.

 

Here, desire concept art abstraction design refers to abstract design that can momentarily perceive the desires of others as a gaze rather than arbitrary philosophy. (ACN · October 7, 2022 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

 

Desire for Painting Design Concept Docent: Design Critic & Contemporary Artist Choi Chul-joo's Desire Concept Design Methodology: Modern Art Abstract Korean Painting by Applying the concept of desire to <morning glory p34>, overlapping the painting <Have a wonderful cookie like the stars in the fall night> created with reversible light. In addition, by re-applying Lacan's conversion formula by linking verbal metaphor images, the phenomenal position of "Have a wonderful Chuseok like the stars in the fall night" is set in another place in one space as a reversible shade of light to show the concept of desire based on "morning glory p34". This means that the poster designed as the conceptual art of desire in Louis Choi Chul-joo's exhibition in Busan is an abstract painting that actualizes the object of the concept of desire.

 

2023 <The Woman in morning glory> Korean Painting Modern Art Works: A Modern Korean Painter Louis Choi Chul-joo Conceptual Art Abstract Painting

 

 

 

Desire Concept Art abstraction reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary imagesⓐ Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstraction that interprets A(utre) as a symbolic world through separation from the symbolic image of symbols and reality. Abstract images and reality meet reality through division. As a reality, the concept of desire image is revealed as a dwarf image, but as a non-reality, the concept of desire with reality, that is, abstraction.(ACN. Oct. 14, 2022, interpretation of Choi Chul-joo's 'Four Defense of Lacan Interpretation')

 

If abstract desire art <morning glory window p106-3> is applied to Lacan's ((É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)), the imageⓐ('utre) The work of the painting is placed as a symbolic system at a diagonal position crossing the line and S(Es) of the interpretation A(utre) to interpret the interpretation A(utre) and S(Es) as a 'quadruple of interpretation'.

Here, the concept of abstraction of desire art reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary images.ⓐ('utre) Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstract painting that interprets A(utre) as a symbolic world through separation from the symbolic image of sign and reality Abstract images and reality meet reality through division. The concept of desire as a reality is revealed as a dwarf image, but as an unrealistic reality, the concept of desire with reality, that is, abstraction. (ACN. Oct. 14, 2022, Choi Chul-joo's interpretation of 'The four quadruple of Lacan Interpretation')

 

 

In the perspective of desire of the perspective visual system, which reproduces abstract objects with the object ɑ "Luis Choi Chuljoo Busan Exhibition Morning glory Window p106-3", the visual system is concealed, but it is a ɑ of objects that is viewed from the perspective of desire that is revealed unconsciously through a momentary gaze.

 

The object ɑ <morning glory Window 106-3> forms a dwarf image expressed through the desire revealed in the other's repressed unconscious as a picture, and creates a target ɑ as a being to reveal the artistry of the momentarily distorted image as a semantic structure.

 

Here, the artistry that appeared in the ɑ of things transforms the image of things into a structure of meaning with a dwarf image from the other's desire point of view, revealing the ɑ of things as another being of things.

And the little sculpture as the other's desire hidden in the background of the painterly "morning glory woman" really shows a reversible real abstract space <morning glory Window> through symbolic art movements that actually change shape.

 

Therefore, object ɑ as a conceptual image of desire is an image of desire and a structure of desire that emerged from the image of an event. What reveals reality as a result is to reveal the relationship between the representation of the object ɑ and the reality of the concept of desire. In addition, the representation of hidden desire concept object ɑ in painting works is an abstract concept of desire in the background of abstract objects pointing to abstract space and abstract landscape shapes in which the reality of the shape is obscured by abstract other's desire as the background of the reversible desire concept image of reality. / Writing. Art critic Choi Chul-joo (Korean Painter & Ph.D. of Cultural Design)

Contemporary Art Critic Louis Choi Chul-joo