モダンアート 現代ポップアートの抽象画家 現代アート アーティスト美術評論 [26] 現代美術評論家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。 これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [5] 現代美術家及び現代概念抽象画家の概念抽象美術作品評論のデザインプロセス:現代概念抽象芸術として視

モダンアート 現代ポップアートの抽象画家 現代アート アーティスト美術評論 [26] 現代美術評論家として概念抽象画家 Louis チェ·チョルジュの現代概念抽象美術評論は、他者の欲望をテーマにした非実在で、現代アート実際的な造形性の痕跡と可逆的な光の陰影で欲望概念を抽象する美術評論です。 これは初期の概念美術としての絵画性を復帰、つまり事実的実在の座を代理する他者の欲望を抽象する概念抽象美術評論です [5] 現代美術家及び現代概念抽象画家の概念抽象美術作品評論のデザインプロセス:現代概念抽象芸術として視覚芸術理論を通じて美的価値の芸術性を検討し、現代概念抽象画家であり批評家であるチェ·チョルジュは彼の「morning glory」作品を通じてしばしば抽象的な欲望概念と言語的意味構造を反映して知覚と美的構造を解釈し、その結果として抽象的欲望の言語的意味と同じ実在イメージの抽象化に帰結する。: Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" <morning glory outside the window 2024-1-back> カートゥーンを欲望の概念にした写実的抽象化のデザイン評論 & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Manwha Review [174] Succession to eldest son after announcing retirement of Queen of Denmark (2024-1-16) / Reporter Choi Chul-joo’s Cartoon Review

 

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024 / Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 202401

 

<morning glory outside the window 2024-1-back>は「morning glory」の実在を意味する欲望的背景イメージを可逆的光の陰影でカートゥーン漫評を概念とした裏切り的概念美術としての欲望概念抽象化だ。 これは現代の欲望概念に基づいた写実的抽象化の方法論を提示する現代美術運動だ。

釜山(海雲台区庁ギャラリー)で韓国画家&抽象画家ルイ·チェ·チョルジュ<morning glory outside the window>個展関連現代美術抽象画作品としたポスターを製作し、これを欲望的意味構造としてイメージをデザイン、すなわち絵画の展示ポスターイメージを記号化した現代抽象画<morning glory outside the window 2024-1-back>とする。 そして、その抽象化を瞬間的な凝視に見える欲望イメージで構成する<morning glory outside the window 2024-1>を通じた欲望概念イメージを可逆的光の陰影で構造を連鎖した抽象化<morning glory outside the window 2024-1-back>を出現する。

事実的な非実在の形状を可逆的な光で生成された意味空間で見える形状の意味を描き出したオブジェ<morning glory outside the window 2024-1-back>は、他者の欲望を時間性に隠したイメージを可逆的な光の陰影で意味を構造化し、そのオブジェを実際の形状に可逆できる抽象空間を意味化し、形状の実際に変化した動きによって遮られる欲望的抽象の意味、すなわち鏡の中に映った欲望イメージは、カートゥーンマンピョンによる仮想的な非実在イメージとして他者が無意識的な欲望に位置する現代美術だ

 

Louis Choi chul-joo's Art movement Abstract "Painting Installation Performance" : Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

その抽象化の上に欲望概念を現代美術にした事実的抽象化の方法論を提示するチェ·チョルジュの現代美術運動を釜山(海雲台区庁ギャラリー)でその抽象化をまた別の欲望イメージで構成する「Painting Installation Performance」を通じた欲望概念の抽象化を生成しようとカートゥーンイメージで一瞬の欲望概念が凝視に見える特定効果が発生する絵画の抽象的領域だ。 この風景の中で、凝視的に機能する打者の欲望を瞬間的に見ることができるイメージだ。

これは絵画において「morning glory」という一貫した意味を持つように見える、歪像的平面性である。 その朝顔は鏡に映った実在(le réel)と同じだが、背景の形状は同じではない。 これは構想的形態として同一の意味の構造とした非実在の事実的形状を概念的意味構造として抽象だが、その形状が異なる同一の意味としての抽象化は類似した色と大きさが異なる思想的形状の抽象的存在として非実在する事実的イメージであるためだ。

その存在はラカンの「解釈の四方位」に適用した概念美術抽象化であり、実際に可逆できる形状として抽象空間を定義し、その形状が可逆的光の陰影で実際に変化した動きによって遮られる事実的形状のものとした概念美術の抽象化意味をいう

欲望概念イメージとして、オブジェ<morning glory outside the window 2024-1-back>として抽象的オブジェを再現する遠近法的視覚体系の器学的図式では、視覚体系は隠蔽しているが、無意識から明らかになった欲望的観点の瞬間的な凝視に見えるオブジェである。 これは事件と公演イメージを欲望概念にした事実的抽象化だ。

抽象画として<morning glory>は、一般性を脱して芸術性を獲得しようと、他者の抑圧された無意識から現われた欲望を通じて表出された倭商的イメージをデザインで形成し、存在としてオブジェを生成して他者の無意識的欲望から表わした幻想的イメージでドラマ、災難、暴動、戦争、そして公演の瞬間的歪曲されたイメージを意味的構造にした芸術性を表わすことだ。

その抽象化は、他人の欲望の影のイメージを隠したい欲望の概念を事件と公演のイメージを繰り返し、可逆的な光の時間性と重なる欲望のイメージを収集する。

そして「morning glory」を欲望の背景に踊る人が欲望を隠して公演イメージの中に可逆的な時間敏感性を付与し他人の欲望になり、光のイメージが重ならないように現象的な位置を設定する抽象効果がある。 その抽象的効果は、時間的光を吸収してイメージ表面の象徴的表象を除去し、事実的欲望のイメージを作り出し、可逆的な光の影の中にある欲望の概念イメージを隠す.

 

 

ルイ·チェ·チョルジュの「morning glory window 2024-1-back」は時間的光を吸収し、イメージ表面の象徴的な表現を除去して現実的な欲望のイメージを作り、欲望の概念的イメージを可逆的な光の陰に隠す。 アサガオとダンサーのイメージは、ギャップに従属する現実を欲望の概念として認識し、欲望の瞬間によって客観化される現実的なイメージに抽象化される。

抽象化への欲求を含む可逆的な光を伴う現実のイメージと組み合わされる。

欲望のイメージは、その概念に従属する現実世界の美的構造の概念、すなわち欲望の抽象化を事件として具現し、パフォーマンスを容易にする現実を直接獲得する過程を繰り返す。

欲望という概念が現実のイメージと重なることはできないという事実は、事実的イメージが欲望概念の言語的意味と同一視された新しい現代美術の概念美術、すなわち現代美術の抽象化美術運動にしたチェ·チョルジュの欲望概念だ。

抽象化された現実的概念は現実と似た現実的図形を表すが、雲のような概念化された風景の光で施工を一時的に停止する。

朝顔(morning glory)の風景の裏側から抽象化することは、時宜を損ね、過去に調整された欲望の痕跡と現在の重なり合う色の風景を実現し、欲望のイメージを絵画に移す。

また、イメージから抽象化された象徴的なアイデアを隠し色の形で表現するのではなく、いくつかの方向に光の陰でイメージを収集する。

このように、絵画は欲望の結果として欲望の概念となり、現実の空間で相互作用する抽象的なイメージを解体する。 抽象化における欲望の状況を現実の世界に変える現実的な抽象化で差別化された印象を示している。

歪んだ風景の中で明るい部分と暗い部分を陰影し、現実的な表現で欲望的な意味を描くことで美的価値を示す。

ルイ·チェの絵は、過去の欲望のイメージを再現し、光の色と時間を組み合わせたものである。 それは、時間と対比されるイメージで止まる可逆的な色の光で、概念を欲望のイメージに彫刻する。

欲望の概念は、二重の風景を持つ'morning glory',竹林に抽象化を重ね、象徴的なイメージを分解·統一することなく、光の隙間に断片的な現実空間を残し、現在の表現とその間の隙間に現実を繰り返し描く。

このように、彼は欲望のギャップを作り出し、現実のギャップの中で欲望のイメージを繰り返すが、変わらない世界は無意味である。 そして、二重意味構造は、失われた現実のイメージに影の中の欲望を加えることで、変化しない現実を抽象化する。

現実の生活の中で瞬間的に歪んでいるダンスや音楽パフォーマンスのイメージの現実的な抽象化を明らかにするために、概念形態の対象を意味構造で抽象化する。

概念形態として、同じ意味構造を持つ非現実主義の現実的な形は概念的な意味構造として抽象的であるが、異なる形を持つ同じ意味を持つ抽象化は、色や大きさが異なる非現実的な存在である。

その存在は抽象的な空間を実際の可逆的な形と定義し、'morning glory'の前に置かれた窓の形が、可逆的な光の陰によって実際に変化した動きによって覆われるイメージ<morning glory>を窓の外のインスタレーションアートに抽象化する。 それは絵の中の欲望のイメージ、つまり鏡に映る雰囲気のない空間である。 これは、非実在の絵画から現実的なイメージに抽象化された存在としての抽象化である。

これは、欲望の概念の背景に反射したダンサーが雲のように非現実的な空の表面イメージを表面イメージとして具現するように、欲望の概念のイメージが瞬間的に存在する可逆的な光の陰影として小さな間隔で展開される抽象的な都市的印象である。

このように、現代の視覚文化における都市イメージの断片は、現実的な構造における欲望の構造に抽象化される。/ 美術評論家のチェ·チョルジュ氏（イメージインスタレーションアーティスト、文化デザイン博士）

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed, a hand-painted picture on a computer, 2020

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [170] Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed. (2023-12-21) /Reporter Choi Chul-joo’s Cartoon Review

. Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed

. Pope, Les unions de même sexe ne peuvent pas être bénies, mais les couples de même sexe peuvent l'être.

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed 2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 59-Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: In front of the bamboo forest h59-Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p108-1-Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p108-1-59-Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 59, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h59, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p108, a hand-painted picture on a computer

As a treacherous conceptual artist, abstract painter Louis Choi Chul-joo produces a design concept based on a conceptual abstraction of modern painting and abstractly designs it in the form of a desire conceptual semantic structure. In other words, it is an abstract real painting that designs the painting by symbolizing the abstract real image of the painting. (Conceptual Art Theory on Abstraction by Choi Chul-joo)

 

 

Louis, morning glory p108, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

"morning glory window p108" is a treacherous conceptual art with cartoon review as the concept of an image created as an anamorphosis image, which means the reality of a morning glory, in the shade of reversible light, and is an abstraction of the concept of desire. This is a modern art movement that presents the methodology of realistic abstraction with the concept of modern desire.

In Busan (Haeundae-gu Office Gallery), a poster was produced as a contemporary art abstraction work related to the individual exhibition of Louis Choi Chul-ju <morning glory window> and this is a modern abstraction <morning glory window p108>, which symbolizes the exhibition poster image of painting, as a structure of desire. The abstraction <morning glory (outside the) window p108> appears by linking the conceptual image of desire through <morning glory (out the side) window p108>, which consists of a desire image that appears to be a momentary gaze.

The object <morning glory outside the window p108>, which depicts the meaning of the shape seen in the semantic space created with reversible light, is an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of the other in the temporality in the shade of reversible light, and the meaning of the desire abstraction, which is hidden by the actual changed movement of the shape, is an abstraction that reveals the place of the other's unconscious desire in <morning glory> as a virtual real image of cartoon review.

The abstraction shows a realistic form of non-realism that represents the meaning of the abstract landscape form, in which the reality of the shadow form of reversible light made up of encounters with reality, is hidden by the abstract desire of the other. The shape is the intersection of the actual structure chosen by the desire of the other created by the abstract shade.

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2004-1-back, 223X227cm, acrylic and composite materials on cloth, 2024

This is <morning glory 2024-1-back> with a realistic structure that is momentarily abstracted at the intersection where the desire of the other designed in the shade of reversible light and the actual shape of the whole is seen as a gaze.

The abstract shape is cut to accommodate a new subject staring at the abstract shape. In this way, the subject of the cut shape is fixed in a shape representing reality. Another space in the physical space exposed in the shadow of the picture with reversible light, like the space reflected in a mirror, is the reality of viewing the entire scene of the picture through a gaze of an abstract shape that cannot be seen from the gaze.

 

Louis Choi chuljoo, Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed-2 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's A line News of Manwha Review [170] Pope, Same-sex unions can't be blessed, but same-sex couples can be blessed (2023-12-21) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Same-sex unions can't be blessed._ Les unions de même sexe ne peuvent être bénies.

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer, 2024

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [174] Succession to eldest son after announcing retirement of Queen of Denmark (2024-1-16) /Reporter Choi Chul-joo’s Cartoon Review

. Succession to eldest son after announcing retirement of Queen of Denmark

. Succession au fils aîné après l'annonce de la retraite de la Reine du Danemark

 

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 96-Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest g96-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest g96-Succession to eldest son after announcing retirement of Queen of Denmark-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest g96-Succession to eldest son after announcing retirement of Queen of Denmark-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Choi Chul-joo, Morning glory p109-1-pond-Succession to eldest son after announcing retirement of Queen of Denmark,

 

Desire Concept Realistic Abstract Work: Louis Chul-joo Choi, Morning glory-p109-1-pond-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <Morning glory p109-1-pond-Succession to eldest son after announcing retirement of Queen of Denmark> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Choi Chul-joo, Morning glory-dancer image of Mona Lisa's Desire structure is synchronic linguistic meaning, 113X165cm, acrylic and composite materials on cloth, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory p109-1-pond-mirror-Succession to eldest son after announcing retirement of Queen of Denmark > becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory Louis Chul-joo Choi, morning glory p109-1-pond-mirror-Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Therefore, conceptual abstract painter Louis Choi Chul-joo's " Louis Chul-joo Choi, morning glory p109-1-pond-mirror-Succession to eldest son after announcing retirement of Queen of Denmark" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest g96-Succession to eldest son after announcing retirement of Queen of Denmark" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.

In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p109-1-96-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p109-1-Succession to eldest son after announcing retirement of Queen of Denmark> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 96, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g96, a hand-painted picture on a computer

 

"morning glory window 2024-1" creates an abstract effect in which a dancer who represents the conceptual image of desire hidden in the phenomenal image in the 2023 morning glory poster image overlaps bamboo forests with different backgrounds to give reversible time sensitivity.

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-7>

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-7-1>

 

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

 

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

 

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p108>

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p109>

 

2024 <morning glory window> Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p109-1>

 

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024 / Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 202401

 

<morning glory window 2024-1-back> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-1-back> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.

The object <morning glory window 2024-1-back>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024

 

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-1-back> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 2024-1-back> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-1-back>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

 

Louis Chul-joo Choi, morning glory window 2024-1, 223X227cm, acrylic and composite materials on cloth, 2024

 

Louis Choi Chul-joo's "morning glory window 2024-1" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Abstract artist & Doctor of Cultural Design)

 

現代美術家 チェ·チョルジュ