Contemporary art work review examples [4/ 26~30] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example

Contemporary art work review examples [4/ 26~30] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary art review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [4] Modern Painter Artworks Art Review : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review/ 배반적 개념미술로 한 추상미술 아티스트 루이 최철주의 <나팔꽃>을 라캉 미술이론을 적용한 미술평론

미술평론 뉴스-신작읽기/Art Review News- Reading New Works: 현대미술 회화 디자인: 개념적 의미 구조의 추상화로서 팝아트로 디자인된 현대미술 작품 12 - 현대 이미지 설치 미술가 & 추상화가 루이 최철주 나팔꽃 2022 뉴욕 전시/ Modern abstract artist Chuljoo Choi's <Morning glory p36-6>

Exhibition in New York

 

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022

 

현대 미술평론: 유명한 화가, 한국 화가, 현대 화가, 현대미술가 & 한국 현대 미술평론가 최철주 현대미술 작품 팝아트 신작읽기 The artwork posted on Facebook: 미디어 아티스트, 팝아티스트, 현대미술가, 개념미술가, 현대미술 작가 & 한국 화가 루이 최철주 뉴욕 전시 라캉적 미술평론/ Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / Art trend & review: Media artist and contemporary artist Choi Chul-joo's New York exhibition

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction.

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Conceptual art poster related to the 2022 New York <morning glory p36-7> Exhibition:

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p36-7, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p36-7, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p36-7: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p36-7> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, morning glory p138-10, a hand-painted picture on a computer, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory p138-10, a hand-painted picture on a computer, 2025> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p138-10, a hand-painted picture on a computer, 2025

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

루이 최철주의 배반적 개념미술 추상화 ■ 구상 형태를 선과 색에 맞추는 개념미술에 배반적이다. ■ 최철주의 추상화 디자인 프로세스/ 추상화 <나팔꽃>에서 라캉의 미술 이론을 그 추상화에 연쇄하여서 기표 이미지를 기의 이미지로 전환하고자 라캉의 미술 이론을 형식화한다. 이것은 라캉의 상상계와 환유공식을 반복 적용하여서 타자의 욕망을 회화에 발현하는 의미를 가지며,

여기서 생성된 이미지는 피사체의 입면으로 정시되는 도면을 제외한 형태로 왜곡된 시선으로의 교차점에서 전체 피사체가 일정한 방향의 빛으로 보이는 하나의 형상이다. 그 형상에 라캉 미술이론을 적용한 결과로서 타자의 욕망을 조형미에 접근한다. 이것은 타자의 욕망이 하늘에 감춰진 빛에 있지만 피사체의 자리가 땅위에 있다. 따라서 형상이 없는 하늘과 땅이 실재라면 사실적 욕망의 구조는 지잔 시간에 존재했던 사건의 현장을 그린 존재적 추상이다. 그 추상의 대리자로서 가역적 빛의 음영으로 생성된 <나팔꽃>은 욕망의 구조로서 정해진 형태가 개념의 존재를 인식하게 만드는 사실적 비실재의 이미지로서 미적 가치를 얻는다.

 

■ 최철주 <나팔꽃 윈도우>는 주제의 대상이 아니고 타자의 욕망 공간적 배경이다. 가역적 빛의 셀재를 맞추고 그 빛의 실재를 감추는 흰색을 통해서 비실재의 구름을 만들고 실재의 음영을 가린다. 그 음영에 틀로서 윈도우는 음영에 숨긴 무늬를 볼 수 있도록 그림자를 통해서 실재의 색조를 조명하고 그 실재의 형상을 존재로서 인식하게 한다.

존재로서 형상을 보는 것은 하늘처럼 일관된 삶의 공간을 보는 것과 동일하다. 그 삶의 공간을 대리하는 만평과 연결하지만 비평하고 판단하지 않고, 사건의 사진으로 실재를 재현하여서 상징하는 대상의 실재를 배반적 개념미술로 구조화하여서 그 개념을 추상한다.

(배반적 개념미술 추상화 최철주미술이론 ACN ・ 2022. 12. 24. 17:11)

 

Louis, morning glory p36-6, a hand-painted picture on a computer, 2022

 

배반적 개념미술 추상화 루이 최철주 <나팔꽃> 미술 평론

라캉적 주체를 드러내는 것은 결여된 주체로서 오브제ɑ를 드러냄이다. 이것은 추상화 <나팔꽃>에서 타자의 욕망을 주체로 한 형상에서 재구성된 결여를 대리하는 피사체 다. 그 피사체에 음페된 결여를 상징하는 주체의 이미지를 드러내는 프레임을 구성하고 유아가 비존재에서 벗어나 주체로서 실재를 선택하려고 그 프레임 속에 가역적 빛의 음영으로 오브제ɑ를 생성한 것이 <나팔꽃 윈도우> 다.

이것은 사실적인 실재로 귀결한 욕망의 물리적 구조다. 그 구조는 입체적 형태에서 여러 개의 왜상적 단면을 갖고서 개념미술로 한 회화적 이미지를 하나의 개념에서의 오브제로서 의미 구조의 다면적 이미지로 추상한다. ( ACN ・ 2023. 6. 22. 23:13 <나팔꽃 윈도우> 주체 이미지: 최철주추상개념미술이론)

 

morning glory p36-6>은 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.

뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 확가 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화다.

이미지를 재구성한 형태로서 <morning glory p36-6>의 이미지와 색은 시간의 거리를 주어서 표식하지 않고 가역된 빛의 음영의 상상적 조형 구조로 형상하여서 함으로서 숨겨져 있는 형상의 미적 가치를 보인다.

 

그 형상의 구조를 가역적 빛의 음영으로서의 조형을 형상적 구조에 개념만평으로 존재한 조형을 재구성한 그림이다. 이것은 회화적 비실재성과는 다른 존재성과 실재성의 이중적 개념이다. 이러한 기표 이미지는 루이 최철주 개념만평으로 한 실재적 이미지들의 조합에 의하여 <나팔꽃> 추상화로 형성된 라캉적 이미지와 실재로서의 오브제ɑ가 전체적 이미지에서 동일관계를 형성한다.

그것은 응시로써 드러난 오브제ɑ는 실재로서의 조형물로서 팝아트를 만든 것이지만 시각적 형상의 이미지는 가상적인 비실재이다. 즉 전시공간에서 라캉적 <나팔꽃> 디자인으로 설치된 개념만평 이미지가 평면적으로 시각화되는 추상화를 말한다. 그 추상화는 개념만평의 퍼스펙티브 이미지를 사진이미지로 이해하고 그 이미지에 <나팔꽃> 추상을 재현시킨 것과 같은 추상이기 때문이다.

따라서 사진적 이미지를 개념만평의 미술성으로 한 형상적 미학을 추구하는 퍼스펙티브 구조에 페인트한 추상화 다. 그 추상화는 라캉의 미술이론에 등장하는 유아를 병아리로 전이하여서 풍습에 의해 만들어진 대상의 실제 형상을 배경으로 그려진 이미지다.

그 이미지의 의미를 드러내는 것을 라캉은 말한다 “기표화 연쇄 속에서 환유(métonymie)와 은유(métaphore)라는 두 가지 기표들의 결합방식을 따른다. 환유는 기표를 다른 기표가 대체하여 발생한다.

(E IL= Jacques Marie Émile Lacan, "L'instance de lalettre dans l'inconscient oh laraison depuis Freud", in, Ecrits, Seuil, 1966., 507)

환유된 추상은 상상계처럼 기표의 형태가 갖는 절대적인 의미를 보이는 은유로서 개념만평으로 한 모방적 회화의 범주를 넘지 못하고 사실적 이미지로 <나팔꽃>으로 추상한다.

이것은 개념만평의 사실적 이미지로서 기표가 갖고 있는 이미지를 <나팔꽃> 의미의 형태다. 그 기표의 차이성을 동일한 의미로 추상하여서 의미를 실재화한 상상적 추상화는 실재에서 벗어난 새로운 개념미술의 도입을 통해 실재에서 분리된 또 다른 실재를 이미지화 하여서 추상한다

 

비사실적 실제의 형상을 가역적 빛으로 생성된 배경의 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 포스터 36-6)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 배경의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간 <나팔꽃>을 의미화한다. 여기서 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 <나팔꽃>을 배경으로 한 가상적인 비실제의 이미지로서 타자의 무의식적 욕망의 자리를 추상적 이미지로 실재화한 오브제ɑ 다.

 

이것은 그 이미지의 의미를 드러내는 것을 라캉의 환유공식으로 한 “기표화 연쇄 속에서 환유와 은유라는 두 가지 기표들의 결합방식을 따른다. 환유는 기표를 다른 기표가 대체하여 발생한다.(E IL, 507)"

 

보이지 않는 실재로서의 추상은 보이는 은유의 형태적 기표가 상징적 의미로 한 추상화로 실체적 형상 이미지의 기의가 타자의 욕망으로 실체화된 형상적 의미를 말한다. 그 의미는 팝아트로서 사실적 구조를 이루고, 왜상적 배경으로 한 <나팔꽃>에 가역적 빛의 음영으로 추상적 의미를 구상화한다.

 

현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 <나팔꽃> 포스터 36-6

 

보이지 않는 실재로서의 추상이미지를 개념만평으로 한 <나팔꽃 p36-6>는 개념적 의미 구조의 추상화로서 팝아트로 디자인된 현대미술 작품 인 전시 포스터 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다. 그 이미지는 나팔꽃 추상화라는 일관된 의미로 보이게 있는 왜상적 평면성을 가진다. 나팔꽃 추상화는 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적인 개념만평 형상을 개념적 의미 구조로 한 추상이지만 그 형상이 다른 동일한 의미로서의 <나팔꽃>으로 추상화된 유사한 색깔과 크기가 다른 사실적 형상의 존재로서 실재한다.

 

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Choi Chul-joo, <Red Velvet Irene & Seulgi 7>, a hand-painted picture on a computer

 

라캉의 욕망 그래프에서 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 욕망이 등장하게 한다.

이것은 라캉 환유의 공식 f(S...S')S=˜ S (-)s 에 따라서 기표<Red Velvet Irene & Seulgi 7>과 다른 기표를 연결해주는 의미작용의 효과로서 의미가 합동한다.

그것은 라캉 은유의 공식 f(S/S') S =˜ S (+) s 에 따라서 하나의 기표<Red Velvet Irene & Seulgi 7>과 기표<나팔꽃 p36> 가 다른 기표로 대치되면서 원래의 기표로서 <나팔꽃 p36>이 기의가 된다 즉 개념만평으로 한 기표<Red Velvet Irene & Seulgi 7> 가 다른 기표로 치환한다는 의미를 가진다.

그 의미는 타자의 욕망<morning glory p36-6> 을 모방한 <나팔꽃> 의미를 상징하는 기호적 언어로 추상된 <나팔꽃>으로 현대미술 팝아트로 디자인된다.

 

미술가 작품 배경 이미지: Chul-joo Choi, morning glory p36-0, a hand-painted picture on a computer, 2020

 

그 추상화 의미의 형상적 자리를 전시 포스터로 개념만평을 대신한 라캉적 개념미술 추상화다 개념만평으로 한 형상의 자리를 <나팔꽃>과 구별하여서 그 형상을 해석하는 타자의 이면(裏面)적 의미를 구상한다.

그 형상은 실재를 가역할 수 있는 추상적 공간을 가역벅 빛으로 음영하여서 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미 다. (ACN ・ 2022. 12. 10. 18:04 개념만평으로 한 루이 최철주 <나팔꽃> 추상화 개념)

추상 공간의 자리를 더 이상 포스터로 명시하지않고 라캉의 “해석의 네 방위(É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)”에 적용한다면 상상계로서 이미지ⓐ ('utre)와 말(moi) a의 선과 상징계로서 해석A (utre)와 그림(Es) S의 선을 교차하는 대각선 위치에 둠으로써 회화 작품을 '해석의 네 방위(The quadruple)'로 해석한다.

여기서 라캉적 개념미술 추상화는 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 상상계 이미지ⓐ와 동일시하게 상상계에서부터 시작된다. 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로서 해석A (utre)된 추상화로 전이한다. 그 추상화 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재와의 어긋난 만남 즉 추상화 다. (ACN. 2022.10.14 '라캉 해석의 네 방위'에 대한 최철주 해석)

2022 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품 팝아트 : 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <morning glory p36-6>

 

비실재로서 개념만평<Red Velvet Irene & Seulgi 7>의 욕망적 형상이 실재와의 어긋난 만남은 응시로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경<나팔꽃> 형상의 의미를 대리하는 비실재의 사실적 형상<morning glory p36-6> 을 보인다.

그 형상은 억압된 무의식에서 응시로써 실재를 만나기 위해 주체의 불충분함에서 오브제ɑ를 드러내려고 기대하는 것이다.

즉 주체를 구성하고자 오브제ɑ를 드러냄은 욕망과 타자와의 환영을 주체에 결합하는 것이 응시가 주체로서의 회화에서 빛이 들어나는 점은 응시점이다. 이것을 개념만평 이미지로 매개하여서 회화를 추상한다.

그 추상은 상상계처럼 기표의 형태가 갖는 절대적인 의미를 보이는 은유로써 모방적 회화의 범주를 넘지 못하고 사실적 이미지로서 추상화를 대리한다.

그 추상화에서 라캉적 디자인은 오브제에 대한 시점을 타자의 응시적 시점에서 본 욕망적 관점에서의 시점이다. 이렇게 타자의 욕망에서 응시적 시점으로 드러난 이미지<morning glory p36-6> 는 사실적 비실재의 이미지이다. 여기서 그 환유는 기표와 기표의 연결구조에서 연쇄화 후 결핍이 드러나게 되고 그 결핍 즉 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 은유된 욕망(오브제ɑ) 이 등장하게 한다.

 

그리고 은유적 대상을 기표로 한 개념만평이 다른 기표로서 <나팔꽃>로 대체된 또 다른 기표가 은유의 대리자 기표로서 추상화와 결합하여서 드러난 현대미술 팝아트 이미지로서 개념적 의미 구조로 한 나팔꽃<morning glory 2022-g> 실재를 추상한다.

실재를 추상적으로 재현하는 추상화는 실재에서 벗어난 새로운 개념의 도입을 통해 실재에서 분리된 또 다른 실재의 의미를 팝아트로서 이미지화 한다.

그 추상화에서 원근법적 시각체계에서 인지할 수 있는 형상인데 반해 실재의 의미는 왜상적 배경<나팔꽃>으로 대조를 이룬다. 여기서 개념만평으로 한 원근법적 이미지는 사실적 구조를 이루고, <나팔꽃> 추상화로서 왜상적 배경은 가역적 빛의 음영으로 이룬 형상으로서 의미를 현대미술 작품 팝아트로서 구상화한다.

따라서 의미를 구상화하는 팝아트로서의 왜상적 이미지는 타자의 욕망을 형상화하는 원인이자 <나팔꽃> 오브제로서 사실적 추상화로 실재한다.

 

사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

따라서 배반적 개념미술로 한 사실적 추상화는 일상의 사건에서 사실적 구조를 왜곡하는 빛의 음영으로 형상을 빛의 음영으로 그 형성을 확정하여서 사실적 개념을 추상화한다.

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. / Writing. Choi Chul-joo, Contemporary Art Critic (Doctor of Cultural Design)

 

Contemporary Abstract Art Artist Louis Choi Chul-joo

 

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Contemporary Artworks Review 26

Art Critique & Contemporary Art Review 26

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [26] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Cultural Design Critic Louis Choi Chul-joo Contemporary Art Desire Design Review : Reading New Works of Contemporary Art - Non-realistic Abstract Design as Desire Meaning Structure; Posters and Abstract Designs that symbolize the exhibition image of a painting (3) = Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / The Desire of Chickens to Become Chickens as Infants: Modern Abstract Painters & Korean Painters Louis Choi Chul-joo 2022 New York Exhibition Modern Art Works <morning glory 45-03> & Choi Chul-joo's desire formula D(I...I')d=I(D...D')i

 

Contemporary Artist, Louis Chul-joo Choi ’s thread painting: <morning glory 45-03> / 2022 New York "morning glory" Exhibition: Louis Choi Chul-joo's exhibition featuring images of objects of desire and Picasso's separate stereoscopic structure, 20220301-20220308 Flushing Town Hall, New York.

 

Contemporary Art Design; Contemporary Art Painting Design with Specific Effect as Visual Culture as a semantic function of image structure of desire concept and phenomenon image based on the concept of event and performance image and realistic design abstraction

 

Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트)

 

Desire Conceptual Art Docent: Conceptual art through Choi Chul-joo's abstract art theory, which transferred Lacan's art theory to the concept of desire, visualizes the progress and results of imagining the concept of desire and the object of existence while facing artistic ideas.

 

The image of the sculpture in Choi Chul-joo's abstract art theory appears to be created as a separate stereoscopic at the intersection of a drawing or painting that is regularized as an elevation or other distorted gaze. This is a perceptive image that appears to be several reversible lights in a certain direction.

In the sculpture, the desire of the other lies in the light hidden in the sky, but the place where the light forms is on the fixed ground. If the sky and the earth without a shape are real in that place, the structure of desire is now an abstraction of the factual structure that existed in that place. The representative of the abstract is <Choi Chul-joo morning glory & Bamboo Forest>. This is a structure of desire created by reversible shades of light, which is not a fixed sculpture, but a realistic, non-real figure that makes the existence of a concept recognized. By distorting the pattern hidden in the same image and shadow of the sculpture and lighting it in a real color through a reversible shade of light so that the pattern can be seen, the shape of the reality can be recognized as a being. (Louis Choi Chuljoo Painting and Sculpture Image Installation Performance Concept)

 

Louis Choi Chul-joo Painting and Sculpture Image Installation Performance Conceptual Art Abstraction of Reality Painted at 2022 New York Exhibition : an abstraction poster<morning glory 45-03>

 

Shape image as a conceptual semantic structure of desire: The object of desire <morning glory 45-03>, which designed the image as an object, is a real conceptual art image of real morning flowers by linking the non-real conceptual art image <morning glory 2022-h> with reversible shades of light. This means <Corona mutant viruses 6> transferred from <morning glory 2022-h>, and it is an object of desire that is painted with image as reversible light.

The shape of the object is an abstraction as a modern conceptual art work that is repeated by overlapping "Corona mutant viruses 6" as a reversible shade of light on "morning glory 2022-h", which is the design of the shape, that is, the concept of painting, symbolizing the image of "Corona mutant viruses 6" as "morning glory 45-03".

 

Louis Chul-joo Choi, morning glory 2022-h, 149X185cm, acrylic and composite materials on cloth, 2022

 

Louis Chul-joo Choi, morning glory 2022 p45, a hand-painted picture on a computer

 

Louis Choi Chul-joo, morning glory 2022-h, 20220301~20220308 Flushing Town Hall, New York.

 

Contemporary Art Critic & Conceptual Artist Choi Chul-joo's contemporary conceptual art is the concept of early conceptual art, the return of painting, or conceptual art created by painting work.

As a result, "morning glory 45-03" refers to the meaning value of the non-realistic realistic image "morning glory 2021-h" while criticizing phenomenal images such as current events, and is transferred to the actual non-real image "morning glory p45" as a conceptual art.

Beyond mathematical concepts and philosophical meaningful linguistic interpretations, this combines critical perspectives and life values of desire painting with satirical photographs of events. desire painting here means a conversational personality that can be perceived momentarily by staring at the desires of others rather than arbitrary philosophy. (ACN · April 20, 2022 / New York Exhibition New York Exhibition Docent 1)

 

Therefore, the shape frame of the morning glory is drawn differently from objective reality and representational conceptual art so that you can experience the distorted background of reality according to timeliness from the desire of others in rationalization, because the object is a realistic image of a real object separated from the reality transferred from the symbolic world.

 

 

Abstract Painting designer Louis Choi Chul-joo, designs the image of the painting by shaping desire's art theory as a storyboard.

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Modern Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.

 

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Chul-joo Choi, <Corona mutant viruses 6>, a hand-painted picture on a computer

 

Desire Object <Louis Choi Chul-joo 2022 New York morning glory 45-03> The shadow scheme that reproduces the abstract representation image object hides the visual system, but is an abstract object that shows the unrealistic image revealed by the unconscious from the perspective of desire.

The desire of objects hidden in abstraction forms a dwarf image expressed through the other's suppressed unconscious desire to acquire artistry beyond generality and creates a desire of objects as beings, revealing the conceptual artistry of real and unrealistic abstraction by using the image of the other's desire as a semantic structure.

 

This replaces Choi Chul-joo's desire formula, which represents the meaning existing in Louis Choi Chul-joo's 2022 New York exhibition poster image, to reach a conceptual image of a divided desire to abstract another morning glory against the backdrop of pleasure and desire impulse. It shows the real image of the desire of the morning glory, which conceals the desire and inconsistency imagined by the morning glory with reversible shades in the visual system (Choi Chul-joo's desire formula D(I...I')d=I(D...D')i)

 

Louis 2022 New York exhibition 'morning glory 45-03' metaphorically expresses the meaning of life as a reality, a separate area from the realm of the symbolic world. There is no object to express, and the desire meaning of man as a cover-up overlaps with several reversible shades of light. In other words, it is not possible to distinguish which subjects are in the two phases, but these two images are identified as objects to be shown. Here, you can see an image different from the actual image, and the other person's morning glory cheers. The cheering morning glory is again overshadowed by reversible light because it is satisfied with images that are different from reality.

 

The satisfaction of others' desire for morning glory is another morning glory that equates images of other images with the same symbols as those of reality in the mirror, metaphors each other's desires with exhibition posters, and conveys meaning (signifier). As a visual culture of the semantic action of desire, the area of the painting where certain effects occur is <morning glory 45-03>, and the image that can see others' desires function visually in the landscape shows the actual and unrealistic expression of desire superimposed on the reversible shadow object of light to express the image of desire as an abstract image.

 

The image of the structure of desire is an idea applied to Choi Chul-joo's desire formula by recognizing what is not in reality as the desires of others.

The image is an abstract image that depicts the unconscious and language alike. The morning glory you see here is a crooked structure with flat colors. This is Choi Chul-joo's concept of desire. So this is a crooked planarity that seems to have the consistent meaning of the morning glory in art conception. The flat image of the morning glory is an abstract desire image that sees the same conceptual art as the reality reflected in the mirror, but the shape of the background reflected in the shadow of reversible light is not the same.

 

Louis Chul-joo Choi, morning glory p45-03, a hand-painted picture on a computer, 2022

 

<morning glory 45-03> Meaning of Abstract Desire:

The abstract meaning of art as a modern art abstract work <morning glory 45-03> is a cross-sectional image of another cultural space that seems to be an object of change in custom, revealing the infant existence of a chick hidden in the shade of a morning glory as a chicken.

Louis Choi Chul-joo is an abstract painting depicting morning glory in 2022 New York Exhibition as an invisible desire piece in an abstract space, concealing the desires of others in the background of the morning glory, and overlapping objects in the shadow of the background of the "morning glory"

 

Here, the object hidden in the background of the 'morning glory' is a small piece as a desire of others. In fact, it abstracts reversible real space through the movement of symbolic weights that change the shape of the sculpture.

Assuming that space is a desire image formed by reversible shades of light, reality exists as an abstract and imaginary image that reproduces reality in a similar way.

 

Louis Chul-joo Choi, morning glory p45-02, a hand-painted picture on a computer, 2022

 

Image Design Abstract as Conceptual Meaning Structure: Desire Conceptual Poster Abstraction as desire image

"morning glory" is an object of desire painted in the form of an imge desire, reflecting the back of an image made by metamorphosis of desire, which means the reality of morning glory.

The image of the object of desire is an abstraction of contemporary art related to the Flushing Town Hall & Yeomyeong Hall poster in 2022 exhibition, which is related to the desire concept, which is a abstract modern conceptual art that repeats the desire of the image as an exhibition image of the painting.

 

Abstraction is thinking about the meaning of the other side because the more you see the form and distinguish the difference, the more you understand the form in one direction, and when you talk about abstraction with a specific image, it becomes a symbolic structure with different colors and sizes.

But desire abstraction, which has the same meaning as a conceptual form, is an abstraction with a realistic image structure of non-realistic concepts such as posters.

Therefore, a realistic abstraction is a real image with the same color and size of an object with a different abstract meaning than an abstract painting with the same meaning of a different shape.

 

Louis Chul-joo Choi, morning glory 45-01, a hand-painted picture on a computer, 2022

 

The object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03), which depicts the meaning of the shape seen in the meaning space created by reversible light, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desires of others with timeliness, and the meaning of the conceptual abstract, hidden by the actual changed movement of the shape, shows the desire of the object of the abstract image that reveals the place of the unconscious desire of the other as a non-real virtual image.

 

Conceptual artist Choi Chul-joo's abstract design is a return to a painterly painting with a conceptual mystery, a conceptual art design created by a painterly work. So his contemporary conceptual art criticizes phenomenal images such as current events, but also speaks and abstracts design values with painterly character.

In art, off-the-shelf can't replace painting, it's a concept created like Marcel Duchamp and a message according to the philosophy that his sympathizer Joseph Kossut speaks of.

On the other hand, Choi Chul-joo's conceptual art abstract design, which is based on the illusion of infant imagination in Choi Chul-joo's Abstract Desire art theory, contains the meaning of the concept in desire conceptual art abstraction images, combines critical perspectives and the life value of desire paintings with field photographs of events, beyond mathematical concepts and philosophical meaningful linguistic interpretations, and combines desire conceptual art abstract design with critical perspectives.

Here, desire conceptual art abstract design refers to an abstract design that can instantly recognize the desires of others through a gaze rather than an arbitrary philosophy. (Choi Chul-joo Conceptual Art Abstract Design Interpretation)

 

Desire for Picture Design Concept Abstraction Docent: Modern Art Critic Choi Chul-joo Desire Design Methodology: Choi Chul-joo Desire Image <morning glory> is expressed as the desire formula <D(I...I')d=I(D...D'i)i>. By applying <D(I...I')d=I(D...D'i)i>, overlapping the shades created by reversible light, applying the desire formula by repeating verbal metaphor images, and setting a phenomenal place in another place in one space as a shade of reversible light. As a cultural space, the image of <morning glory p45-03> designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

 

The image of <morning glory p45-03> designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

 

 

The abstract area of painting, which has a desire specific effect as a meaning of <morning glory p45-03> in conceptual art, is an image that allows you to see the desire of others who function gazefully in the landscape.

This is a planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes.

Its existence refers to the abstract meaning of conceptual art, which defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light.

Desire conceptual art abstraction, which replaced the phenomenal place of abstraction meaning with a poster, can distinguish the place of the shape, conceiving the meaning of the desire's surface that interprets the shape. The shape is abstract in color and size similar to the meaning of the ideological structure to say a different meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, so that the image of the object and the abstract meaning are identified with the image of the object, and the subject internally forms a modified abstract meaning. This refers to the abstract meaning of the shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered by shading.

Its meaning is designed as a symbolic language that symbolizes flowers that imitate the desires of others and is abstracted as <morning glory p45-03>.

 

Desire's object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03) is reproduced as an abstract object by designing a shape that represents the desire of others in the abstract <morning glory>. In the desire's diagram of the perspective visual system, the visual system creates a shadow of reversible light concealed, and each of the desire objects as a different momentary gaze is abstracted from the other's desire perspective revealed in the unconscious.

In this way, the object abstracted as a desire conceptual art forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality, creates a desire object as a shade of formality with the desire of the other as an existence, and exists as a meaning.

 

As a semantic entity, the object of desire transforms the image of the object of desire into a structure of meaning with a distorted image from the perspective of the other's desire, revealing the image of desire as a different entity of the object, and implies formative value as an autonomous choice for the other's desire.

And a small piece of the other's desire, painterly hidden against the backdrop of a chicken's morning glory, actually shows a real abstract space that can be reversed through the thought movements of images that change shape. This means that the desire of the other exists as an abstract object, and actually the desire object is located in a realistic abstract space shaped on the back of the painting.

 

<morning glory p45> "Flame" is a meaning in which the desire of the other exists as an abstract object against the backdrop of the 2022 New York exhibition, and in fact, the object of desire is located in a realistic abstract space in which a Covid-19 image is embodied on the back of the painting.

 

The place of abstract space is no longer specified as abstract, but is displayed as conceptual art and abstraction. Abstraction begins in real life when an infant as a chick grasps the reality of a chicken along with the imaginary world of the image of desire reflected in the mirror. Recognizing that the image of desire as a subject is not itself, the image is transferred to abstraction by interpreting it as a symbolic world through separation from the symbolic image and reality. Abstract images and reality meet reality through division. It reveals the image of desire as a distorted image into reality, but it is an unrealistic reality, which is an encounter with reality, that is, abstraction.

 

The reality of the shape made up of the other's desire meeting with reality shows a non-realistic realistic shape that represents the meaning of the abstract landscape shape, which is obscured by the abstract desire of the other. The shape is an intersection with the actual structure chosen by the desire of the other, created in abstract shades.

This is a non-realistic realistic structure that is momentarily abstracted at the intersection where the desire of the other, designed as a reversible shade of light, appears as a gaze

 

Like Velázquez's "Las Meninas" the abstracted figure reproduces the actual position of the king and queen in the mirror with Velázquez's subjective perspective, making it unclear whether the position as a painter paints a mirrored object or a whole picture. Here, it is difficult to distinguish whether the position of the viewer should be adjusted to the entire picture or to the mirror. And the position of the king and queen in the mirror is unclear whether they are in the painting or reflected in the mirror outside the painting. In this way, it appears to be another abstraction of reality transferred from symbolism as an invisible reality by revealing the reality of another object other than the same object reflected in the mirror in the imaginary world.

By the desire of the other, one object was clearly concealed without being revealed as an object reflected in the mirror, and the reality of the person who sees the picture by looking at another object revealed in the mirror is absent. However, the person who drew the picture replaces the other.

 

At the 2022 New York Exhibition, Choi Chul-joo's expression of abstraction of desire as a conceptual system of desire in abstract art is a linguistic structure revealed by unconscious desire that disappeared from perspective, and the picture that appears as a result of this process has cultural and spatial significance. Picasso designs a place of culture like a composition that combines 3D images and collage techniques revealed in unconscious desire.

While these cultural design images recognize that multi-facetedly unrealistic images are virtualized in the planarity of painting, abstract images can be shaped by a technical method called new abstraction in modern art. This is a virtual image in which the original expresses existence and has an artistic value that emerges the concept of desire.

 

Therefore, the distorted desire image, which is culturally designed, is an image revealed through the desire thinking of others at a multi-point that appears to be a real structure.

The pictorial composition of cultural design is to transfer this image to a fixed image on the cloth. This is the object that designed the desire that emerged as a distorted desire image revealed by staring from the other's desire cultural perspective. / Writing. Choi Chul-joo, critic of contemporary art (contemporary artist & PhD of cultural design)

 

Contemporary Artist Louis Choi Chul-joo

 

 

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Contemporary Artworks Review 27

Art Critique & Contemporary Art Review 27

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [27] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Artist Movement & Contemporary Artist Louis Choi Chul-joo's Contemporary Art Design & Review [15] Contemporary Art Review that actually abstracts the abstraction of the concept of desire and abstract art with realistic conceptual art design : Famous Contemporary Abstract Artist Louis Choi Chul-joo's treacherous Concept Art Abstraction 'morning glory' Abstract Design & Contemporary Pop Art Abstract Artist Louis Choi Chul-joo's <It's hard to see a morning glory exhibition due to COVID-19> & <morning glory-2021-l>

 

2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

 

Louis Choi Chuljoo,, It's hard to see a morning glory p9-3-exhibition due to COVID-19, a hand-painted picture on a computer

 

Louis, Choi Chul-joo, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021/ 2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

 

Louis Choi Chul-joo's 2022 New York Exhibition is a renowned contemporary art work by a contemporary art critic in the field of photography aesthetics and cultural design theory, creating a pop art abstraction of contemporary photography that interprets the aesthetics of photography through photography criticism. One of his notable works is the realistic abstraction of morning glory against the backdrop of the concept of desire.

The concept of his work realistically designs events and performance scenes with the concept of desire to explore the image structure of conceptual art and produce abstract designs that are considered examples of modern art.

His work reveals spatiality and temporality as an abstraction of the concept of desire with reversible light that explores realistic abstraction as treacherous conceptual art.

 

This is an example of the realistic abstraction art movement of his desire concept, which produces abstractions based on contemporary art concept abstract works related to the <morning glory> poster 100 and expresses this as a modern concept abstraction symbolizing the design of shape as a semantic structure of the concept of desire.

 

Louis Choi Chuljoo,, Abstract Painting Poster-100 Painted With Desire Concepts at 2022 <The morning glory Exhibition>, a hand-painted picture on a computer

 

Louis Choi Chuljoo,, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021

 

The object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2021-e), which depicts the meaning of the shape seen in the meaning space created by the reversible light of the non-real shape, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in the temporal shadow, and the image in the mirror shows the concept of desire of the abstract image that reveals the place of the other's unconscious desire with a non-real virtual image.

 

The concept of desire refers to the concept of abstract meaning, desire, which is obscured by the actual change in the shape of the exhibition poster by constructing the meaning of a certain shape in the shade of reversible light and the meaning of the image hidden by the long time in which the desire of the other is shared by the meaning of abstraction, or desire, is hidden by the actual changed movement of the exhibition poster shape.

This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-real as an ideological non-formal existence with different colors and sizes.

 

Its existence is an abstract painting that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which refers to the abstraction meaning of exhibition poster concept art.

Louis Choi Chuljoo,, <Omicron Spread Restricts Entry of Foreigners-2>, a hand-painted picture on a computer

 

Concept of Desire Replaces the meaning of phenomenal abstract places with exhibition posters Art abstraction can distinguish places of shapes while conceiving the meaning of planes that interpret them. Images have different meanings because they are abstract in color and size similar to ideological structures, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, the image of the object and the abstract meaning of the object are identified with the image of the object, and the object forms an internally transformed abstract meaning. This means that the abstract meaning of the figure that defines the abstract space that can actually be reversible and the design meaning of the abstract figure whose shape has been changed by the movement of the actual changed figure are obscured by shading.

Its meaning is a symbolic word that imitates the desire of others, such as COVID-19 <Omicron Spread of Foreigners Entry-2>, and is conceptually designed as several abstracted <morning glory>.

 

Louis Choi Chuljoo, morning glory p9-8-COVID-19, a hand-painted picture on a computer

 

In the abstract <morning glory>, we design a figure representing the desire of others and reproduce it as an abstract object as a concept of desire. The mechanical diagram of the perspective visual system abstracts the concept of desire as a different momentary gaze from the perspective of the desire of others revealed unconsciously by creating a place in one shade with reversible light concealed by the visual system.

The concept of desire abstracted as a conceptual art forms a dwarf image expressed through the repressed unconscious desire of others to acquire artistry beyond generality, creates desire as a shadow of conceptual formality along with the desire of others as beings, and exists as a meaning.

 

Desire as a semantic entity reveals the desire as another entity of the object by transforming the image of the object into a structure of meaning from the other's desire perspective, and contains a formative value as an autonomous choice of the other's desire.

And, painterly, a small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the meaning movement of the image that actually changes the shape. This is where the other's desire is abstracted into a space where the object can be actually reversible in the meaning of the existence of an abstract object.

 

The desire of the other emerges by repeating the formula that reveals the meaning of the shape covered by the actual changed instantaneous movement of the shape as the concept of desire.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

 

The meaning of the shape obscured by the actual changed instantaneous movement of the shape results in linguistic abstraction. In other words, the realistic form of the other's desire in a momentary event is linguistic abstraction of the same meaning. Verbal abstraction is a conceptual art with a cultural background of morning glory and bamboo. Abstraction creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in momentary events.

 

Louis Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021

 

In everyday life, "morning glory-2021-l", it rejects the two-dimensional floor plan and divides the fantastic plane into two planes, creating a shadow of reversible temporal perception by being seen as a fabric structure so that others' desires can be recognized as reversible shadows. It is difficult to reveal an object called a structure of beauty hidden in a hidden structure that exists as a shadow attribute in a picture that converts it into a system that approaches perception and paints symbolic representations as meaningless beings.

 

The perceived symbolic representation is a linguistic composition that lacks a formative aesthetic structure that looks well like cloth. In other words, the perceived symbolic expression is a linguistic composition that lacks a formative aesthetic structure in which the image is clearly visible on the surface of the cloth.

It is a virtual image that is recognized as a representation as a plane image but hides reality. An image is an aesthetic structure hidden from the perspective of reality and belongs to a semantic structure as a virtual image belonging to the structure of desire.

 

<morning glory-2021-l> is a background shading by manipulating the background of the morning glory with reversible light on the surface of the cloth made of intersecting threads. And the light reflected through a small hole in the fabric is an abstract image that overlaps with reversible light in an unrealistic picture to extend the plane of the object. The meaning of the image is that the reality of the existing universality encountered by the morning glory, which represents the other's desire, overlaps with the reversible light to decorate the entire space with the meaning of color.

The morning glory has no light setting, while the background is painted in the style of a Quattrosento painting.

 

This is the process of transitioning from the imaginary world to the symbolic world, where the non-existent as reality and the image, that is, the image reflected in the mirror in the imaginary world, coexist. It reproduces the reality of morning glory as a coexisting image, but the background image identifies it with morning glory, but the metaphorical meaning of reality does not match the shadow color and assimilated image. Its meaning is metaphorical like the language structure, so it is not the same as the shape of the morning glory. Therefore, the meaning structure of the shadow created by reversible light with different images from morning glory in terms of what reality is is an object as another reality from a non-real shadow. This is not an image as a subject, but an object of reality as a being with the desires of others.

 

Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~

20220310 Yeomyeong Hall, New York.

 

Louis Choi Chul-joo, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021 / Desire' painting exhibition showing the shade of object ɑ with reversible light, 20211223-2021125 Gwangan Gallery.

 

As a concept of desire, images that are deviated are consistent with the visualization of photographic images with collages. This is because it is an image created by the desire of others in the theoretical system of desire images with irrelevant gaze areas, whether flat or three-dimensional. In <morning glory-2021-l-back>, among the three morning glory as an object, the morning glory below the center is a distorted image, and the image of desire is an image of gaze.

Here, morning glory refers to the existence stopped by a momentary gaze in the continuity of reversible time.

 

The image in <morning glory-2021-l-back> shows the existence of reversible timeliness by flattening the morning glory according to the perspective visual system margin and reversible timeliness of the object, not actual.

However, although the existence of morning glory is reproduced, the morning glory is confirmed by the background image of desire, but it does not match the actual desire. It is the semantic structure of shadows created by reversible light that differs in image from morning glory in terms of what existence is. It is an object as a being with a reversible temporality different from a non-real shadow.

Therefore, the object is not an image as a subject, but as a being as a desire of others.

 

The morning glory below the center connects reversible light to form the process of time to indicate the direction by determining the position of existence and the space in which it exists. The morning glory formed at one light source point of view does not have any sense of quantity. Here, the morning glory is a partially fragmented image like a collage. In this way, each partial image exists in space as the fragmented shape is exposed at the same time.

A flat, morning glory is the form of a subject generated by the observer's gaze. This shows a flatness converted to a desire image by extracting beings connected in one color with reversible light through morning glory that have eliminated the sense of quantity and contrasting the morning glory as external images with several reversible lights in the background.

Desireful gaze cannot be selected as a visible image that reproduces real and non-real objects depending on the viewpoint of view, and a photographic image that expresses a real image is identified as an image as non-real. Therefore, the existence of the object is a dwarf image similar to Desire's object.

Therefore, the desire' gaze that sees the shade created by reversible light reproduces real and non-real objects according to the viewpoint of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of an object that reverses the desires of others by looking at the concept as a real image.

 

And as we examine the cartoon images of events and performances, we see the existence of an object of desire as a concept that is understood as an unrealistic image, a real image that is conceptually similar to the object of desire. / Writing. Contemporary art critic Choi Chul-joo (abstract painter and Ph.D. in cultural design)

 

Contemporary Artist Louis Choi Chul-joo

 

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Contemporary Artworks Review 28

Art Critique & Contemporary Art Review 28

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [28] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Modern Art and Culture Design [11] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Culture Column: Art critic, contemporary concept installation artist, abstract artist, current affairs critic, cultural critic, cultural columnist Choi Chul-joo's art and culture design criticism / (1) Young voters want to watch Black Pink's The Show on YouTube rather than campaigning

 

 

 

Choi Chul-joo, morning glory p48-3, a hand-painted picture on a computer

 

Culture Column: Culture critic Choi Chul-joo Contemporary Art Culture Column: Young voters want to watch Black Pink's "The Show" rather than campaign broadcast on YouTube

 

[1] Culture Column: Young voters want to watch Black Pink's "The Show" rather than campaign broadcast on YouTube

 

 

- Choi Chul-joo's Culture Column: Choi Chul-joo's Cultural Column is a cultural review of contemporary art with a visual medium centered on contemporary art is a visual medium. This realistically abstracts desire as a medium for events and performance images by transferring painting with a conceptual structure to the concept of desire.

- The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

 

Chul-joo Choi, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas· The Maids 7>, a hand-painted picture on a computer/ 최철주 문화디자인박사의 시사만평 (Dr. Chul-joo Choi’s an editorial cartoon) Chul-joo Choi’s an editorial cartoon©blog.naver.com cartoon©blog.naver. com/c7manwha All rights reserved

 

[1] Young voters want to watch Black Pink's "The Show" rather than campaign broadcast on YouTube

 

Choi Chul-joo Culture Column [1] "Young voters would rather watch Black Pink's The Show than do election broadcasts on YouTube. The Culture Column interprets Velazquez's "maids" as a double image.

Diego Rodríguez de Silva y Velázquez painted The Handmaids<Las Meninas> of 1656 with an ideological and stereotyped image of the 17th century Baroque absolute monarchy.

Visualize characters from gaze point of view to screen composition, reducing time to exclude symbolism from space and highlighting the realistic presence of objects as objects.

In other words, it's identified so that you can look at the king and the queen from a different perspective on the screen.

 

In Choi Chul-joo's cartoon review No. 12, the space is identified from a different perspective as candidates for the mayor of Seoul in 2021 on behalf of the king and queen. It shows contemporary phenomena and human presence in the same way as the maids in <Las Meninas>. In addition, it emphasizes its presence as a real subject that young voters stare at by gazing at its position in the space with candidates for Seoul mayor who replaced the king and queen,

In <Las Meninas>, the object reflected in the mirror is an illusion, but in Sisa Manpyeong No. 12, the object of fantasy in the mirror shows actual candidates for Seoul mayor.

 

This illusion is that the subject of the object reflected in the mirror is the object of illusion, and the subject is cut by the linguistic meaning (signifiant).

Reality as an illusion forms an image reflected into a circular structure through an optical illusion object of a mirror and black pink in which candidates are inserted in the mirror's non-real objects, where the semantic action takes on a meaningful symbol by accepting the virtual image as a new subject of linguistic meaning (signifiant).

 

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas· The Maids 6-1>, a hand-painted picture on a computer

 

In this way, the linguistic meaning (signifiant) is a reality in which the space reflected in the mirror in the cartoon is cut to accept the new subject as an image of a picture frame, showing the upper bodies of candidates that cannot be seen at the time of viewing the entire scene of the cartoon in another physical space revealed in the scene of <Las Meninas>.

In order to insert the reality seen as such a gaze, the artist's brush is put in to stare at the material reflected in the mirror.

Like <Las Meninas>, cartoon review No. 12 is a real representation of the time and space of Black Pink and candidates in the contemporary space that Velazquez saw through the mirror.

 

The image reflected in the mirror is an invisible space and is a shape in the time that Velázquez saw in <Las Meninas>. Just as his gaze and the other's gaze are identified and shown again in the mirror as king, queen, and princess, it shows the reproducibility and gaze that symbolically reveals the situation of Black Pink and candidates.

In <Las Meninas>, Velázquez looked at himself as an object reflected in a mirror and drew it. Another mirror in the painting shows King Felipe IV (Philip IV) and his wife, Maria Anna. This mirror reflects Velazquez, the king and queen outside the painting, but only the king and queen are reflected in the mirror in the painting. What the maids existing in between are invisible is an image that cannot be interpreted with a perspective visual system.

 

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas· The Maids 9>, a hand-painted picture on a computer

 

The images of candidates and the faces of the two maids are drawn on images that do not exist in <Las Meninas> to represent the fantastic image that Velázquez revealed as the unconscious desire of the other.

This is because it is an image that is not revealed in <Las Meninas> and is shown as a non-realistic image in the perspective visual system. It reveals the reality of Velázquez by contrasting Princess Margarita, who is the subject as the other, and the king and queen, who are the subject as an absence. And the figure reflected in the mirror is not a figure of the king and queen as an invisible 'appreciation' that deviates from the entire point of view, but a metaphorical image as an inner entity looking at Princess Margarita.

 

Therefore, the rest of the characters are virtual images as non-realists. Revealing the neutral image seen by this gaze is the real situation of the conceptual image, which means eliminating the area of space and the form of a mannerist society that "The Show" and the Seoul mayoral candidate election have. In other words, "Young voters try to watch Black Pink's The Show rather than election broadcasts on YouTube."

 

In <Las Meninas>, Velázquez appears as an object as a painter and reproduces images of reality and non-realism in the same space. But Picasso interprets Cubist images that cannot be represented in the same plane. This was trying to find a connection to Velázquez's hypothetical visionary image, but Picasso combines multiple images from the same screen gaze.

Therefore, in <Las Meninas>, the place revealed by Lacan's gaze is the position of a man standing at the door that appears at the point where it disappears from the entire virtual image, so the man is the object that Velázquez revealed from the perspective of the other's desire, that is, from the perspective of reality. Velázquez reveals himself as a painter in <Las Meninas> and the subject cannot be a cognitive subject, but Picasso, who reproduces real and non-real images in the same space, superimposes non-real images that do not look like mirror images on one screen.

Object, the conceptual image of desire to reveal reality is an aesthetic result of a distorted image. / Writing. Choi Chul-joo, cultural columnist (cultural critic and Ph.D. in cultural design)

 

Choi Chul-joo, cultural columnist

 

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Contemporary Artworks Review 29

Art Critique & Contemporary Art Review 29

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [29] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Art Sketch Abstract Painting [31] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's newsmanwha Korean Pop Star [10] The Most Normal Love. (2019-9-7) / Reporter Choi Chul-joo’s Cartoon Review

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Choi Chul-joo, The Most Normal Love, a hand-painted picture on a computer

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Kim Rae-won and Gong Hyo-jin's lead film 'The Most Normal Love' is set to be released in early October

. Le film principal de Kim Rae-won et Gong Hyo-jin 'The Normalest Love' devrait sortir début octobre.

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 89-The Most Normal Love, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest 89-The Most Normal Love : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p105-8-The Most Normal Love: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 89, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest e89, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p105, a hand-painted picture on a computer

 

Louis Choi chuljoo, The Most Normal Love 3 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's newsmanwha Korean Pop Star [10] The Most Normal Love. / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formula: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).▶The Most Normal Love._ L'amour le plus normal

 

 

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Contemporary Artworks Review 30

Art Critique & Contemporary Art Review 30

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [30] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Art Sketch Abstract Painting: Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Manwha Review [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) / Reporter Choi Chul-joo’s Cartoon Review

 

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Chul-joo Choi, END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer, 2020

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) /Reporter Choi Chul-joo’s Cartoon Review

. END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE

. Finir le combustible fossile. SAUVEZ NOTRE PLANETE ET NOTRE AVENIR

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 73-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 62-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: In front of the bamboo forest g62-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p9-9-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p107-5- Motor Group's design director> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

 

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 62, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g62, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p9-1, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite materials on cloth, 2021

 

As a treacherous conceptual artist, abstract painter Louis Choi Chul-joo produces a design concept based on a conceptual abstraction of modern painting and abstractly designs it in the form of a desire conceptual semantic structure. In other words, it is an abstract real painting that designs the painting by symbolizing the abstract real image of the painting. (Conceptual Art Theory on Abstraction by Choi Chul-joo)

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite materials on cloth, 2021 / New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Modern abstract artist Louis Chul-joo Choi's "morning glory", 20220301~20220308 Flushing Town Hall, New York.

 

The abstraction shows a realistic form of non-realism that represents the meaning of the abstract landscape form, in which the reality of the shadow form of reversible light made up of encounters with reality, is hidden by the abstract desire of the other. The shape is the intersection of the actual structure chosen by the desire of the other created by the abstract shade.

This is <morning glory 2022-h> with a realistic structure that is momentarily abstracted at the intersection where the desire of the other designed in the shade of reversible light and the actual shape of the whole is seen as a gaze.

 

The abstract shape is cut to accommodate a new subject staring at the abstract shape. In this way, the subject of the cut shape is fixed in a shape representing reality. Another space in the physical space exposed in the shadow of the picture with reversible light, like the space reflected in a mirror, is the reality of viewing the entire scene of the picture through a gaze of an abstract shape that cannot be seen from the gaze.

 

Louis Choi chuljoo, END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE-6 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's A line News of Manwha Review [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶END FOSSIL FUEL._ mettre fin à l'utilisation des combustibles fossiles.

■ Choi Chul-joo's Concept of Desire Formula: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).