Contemporary art work review examples [6/ 36~40] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example

Contemporary art work review examples [6/ 36~40] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary art review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [6] Modern Painter Artworks Art Review : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review/ 배반적 개념미술로 한 추상미술 아티스트 루이 최철주의 <나팔꽃>을 라캉 미술이론을 적용한 미술평론

미술평론 뉴스-신작읽기/Art Review News- Reading New Works: 현대미술 회화 디자인: 개념적 의미 구조로서 추상화한 팝아트로 디자인된 현대미술 작품 14 - 현대 이미지 설치 미술가 & 추상화가 & 팝 아티스트 루이 최철주 나팔꽃 2022 뉴욕 전시/ Modern abstract artist Chuljoo Choi's <Morning glory p30-2> Exhibition in New York

현대 미술평론: 유명한 화가, 한국 화가, 현대 화가, 현대미술가 & 한국 현대 미술평론가 최철주 현대미술 작품 팝아트 신작읽기 The artwork posted on Facebook: 미디어 아티스트, 팝아티스트, 현대미술가, 개념미술가, 현대미술 작가 & 한국 화가 루이 최철주 뉴욕 전시 라캉적 미술평론/ Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / Art trend & review: Media artist and contemporary artist Choi Chul-joo's New York exhibition

 

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction.

 

루이 최철주의 배반적 개념미술 추상화 ■ 구상 형태를 선과 색에 맞추는 개념미술에 배반적이다. ■ 최철주의 추상화 디자인 프로세스/ 추상화 <나팔꽃>에서 라캉의 미술 이론을 그 추상화에 연쇄하여서 기표 이미지를 기의 이미지로 전환하고자 라캉의 미술 이론을 형식화한다. 이것은 라캉의 상상계와 환유공식을 반복 적용하여서 타자의 욕망을 회화에 발현하는 의미를 가지며,

여기서 생성된 이미지는 피사체의 입면으로 정시되는 도면을 제외한 형태로 왜곡된 시선으로의 교차점에서 전체 피사체가 일정한 방향의 빛으로 보이는 하나의 형상이다. 그 형상에 라캉 미술이론을 적용한 결과로서 타자의 욕망을 조형미에 접근한다. 이것은 타자의 욕망이 하늘에 감춰진 빛에 있지만 피사체의 자리가 땅위에 있다. 따라서 형상이 없는 하늘과 땅이 실재라면 사실적 욕망의 구조는 지잔 시간에 존재했던 사건의 현장을 그린 존재적 추상이다. 그 추상의 대리자로서 가역적 빛의 음영으로 생성된 <나팔꽃>은 욕망의 구조로서 정해진 형태가 개념의 존재를 인식하게 만드는 사실적 비실재의 이미지로서 미적 가치를 얻는다.

 

■ 최철주 <나팔꽃 윈도우>는 주제의 대상이 아니고 타자의 욕망 공간적 배경이다. 가역적 빛의 셀재를 맞추고 그 빛의 실재를 감추는 흰색을 통해서 비실재의 구름을 만들고 실재의 음영을 가린다. 그 음영에 틀로서 윈도우는 음영에 숨긴 무늬를 볼 수 있도록 그림자를 통해서 실재의 색조를 조명하고 그 실재의 형상을 존재로서 인식하게 한다.

존재로서 형상을 보는 것은 하늘처럼 일관된 삶의 공간을 보는 것과 동일하다. 그 삶의 공간을 대리하는 만평과 연결하지만 비평하고 판단하지 않고, 사건의 사진으로 실재를 재현하여서 상징하는 대상의 실재를 배반적 개념미술로 구조화하여서 그 개념을 추상한다.

(배반적 개념미술 추상화 최철주미술이론 ACN ・ 2022. 12. 24. 17:11)

 

사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)

따라서 배반적 개념미술로 한 사실적 추상화는 일상의 사건에서 사실적 구조를 왜곡하는 빛의 음영으로 형상을 빛의 음영으로 그 형성을 확정하여서 사실적 개념을 추상화한다.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

 

Conceptual art poster related to the 2022 New York <morning glory p30-2> Exhibition:

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p30-2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p56-1, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p30-2: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p30-2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, morning glory p30-4, a hand-painted picture on a computer, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory p30-4, a hand-painted picture on a computer, 2025> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Louis Chul-joo Choi, morning glory p30-4, a hand-painted picture on a computer, 2025

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

 

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

 

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

 

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

 

Louis, morning glory p30-2, a hand-painted picture on a computer, 2022

 

배반적 개념미술 추상화 루이 최철주 <나팔꽃> 미술 평론

라캉적 주체를 드러내는 것은 결여된 주체로서 오브제ɑ를 드러냄이다. 이것은 추상화 <나팔꽃>에서 타자의 욕망을 주체로 한 형상에서 재구성된 결여를 대리하는 피사체 다. 그 피사체에 음페된 결여를 상징하는 주체의 이미지를 드러내는 프레임을 구성하고 유아가 비존재에서 벗어나 주체로서 실재를 선택하려고 그 프레임 속에 가역적 빛의 음영으로 오브제ɑ를 생성한 것이 <나팔꽃 윈도우> 다.

이것은 사실적인 실재로 귀결한 욕망의 물리적 구조다. 그 구조는 입체적 형태에서 여러 개의 왜상적 단면을 갖고서 개념미술로 한 회화적 이미지를 하나의 개념에서의 오브제로서 의미 구조의 다면적 이미지로 추상한다. ( ACN ・ 2023. 6. 22. 23:13 <나팔꽃 윈도우> 주체 이미지: 최철주추상개념미술이론)

 

<morning glory p30-2>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.

뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 화가 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대미술 팝아트 추상화다.

이미지를 재구성한 형태로서 <morning glory p30-2>의 이미지와 색은 시간의 거리를 주어서 표식하지 않고 가역된 빛의 음영의 상상적 조형 구조로 형상하여서 함으로서 숨겨져 있는 형상의 미적 가치를 보인다. 그 형상의 구조를 가역적 빛의 음영으로서의 조형을 형상적 구조에 개념만평으로 존재한 조형을 재구성한 그림이다. 이것은 회화적 비실재성과는 다른 존재성과 실재성의 이중적 개념이다. 이러한 기표 이미지는 루이 최철주 개념만평으로 한 실재적 이미지들의 조합에 의하여 <나팔꽃> 추상화로 형성된 라캉적 이미지와 실재로서의 오브제ɑ가 전체적 이미지에서 동일관계를 형성한다.

그것은 응시로써 드러난 오브제ɑ는 실재로서의 조형물로서 팝아트를 만든 것이지만 시각적 형상의 이미지는 가상적인 비실재이다. 즉 전시공간에서 라캉적 <나팔꽃> 디자인으로 설치된 개념만평 이미지가 평면적으로 시각화되는 추상화를 말한다. 그 추상화는 개념만평의 퍼스펙티브 이미지를 사진이미지로 이해하고 그 이미지에 <나팔꽃> 추상을 팝아트로 재현시킨 것과 같은 추상이기 때문이다.

따라서 사진적 이미지를 개념만평의 미술성으로 한 형상적 미학을 추구하는 퍼스펙티브 구조에 페인트한 추상화 다. 그 추상화는 라캉의 미술이론에 등장하는 유아를 병아리로 전이하여서 풍습에 의해 만들어진 대상의 실제 형상을 배경으로 그려진 현대미술 팝아트 이미지다.

그 이미지의 의미를 드러내는 것을 라캉은 말한다 “기표화 연쇄 속에서 환유(métonymie)와 은유(métaphore)라는 두 가지 기표들의 결합방식을 따른다. 환유는 기표를 다른 기표가 대체하여 발생한다.

(E IL= Jacques Marie Émile Lacan, "L'instance de lalettre dans l'inconscient oh laraison depuis Freud", in, Ecrits, Seuil, 1966., 507)

환유된 추상은 상상계처럼 기표의 형태가 갖는 절대적인 의미를 보이는 은유로서 개념만평으로 한 모방적 회화의 범주를 넘지 못하고 사실적 이미지로 <나팔꽃>으로 추상한다.

이것은 개념만평의 사실적 이미지로서 기표가 갖고 있는 이미지를 <나팔꽃> 의미의 형태다. 그 기표의 차이성을 동일한 의미로 추상하여서 의미를 실재화한 상상적 추상화는 실재에서 벗어난 새로운 개념미술의 도입을 통해 실재에서 분리된 또 다른 실재로서 현대미술 팝아트 이미지로 추상한다.

 

 

비사실적 실제의 형상을 가역적 빛으로 생성된 배경의 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 포스터 30-2)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 배경의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간 <나팔꽃>을 의미화한다. 여기서 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 <나팔꽃>을 배경으로 한 가상적인 비실제의 현대미술 팝아트 이미지로서 타자의 무의식적 욕망의 자리를 추상적 이미지로 실재화한 오브제ɑ 다. 이것은 그 이미지의 의미를 드러내는 것을 라캉의 환유공식으로 한 “기표화 연쇄 속에서 환유와 은유라는 두 가지 기표들의 결합방식을 따른다. 환유는 기표를 다른 기표가 대체하여 발생한다.(E IL, 507)"

보이지 않는 실재로서의 추상은 보이는 은유의 형태적 기표가 상징적 의미로 한 추상화로 실체적 형상 이미지의 기의가 타자의 욕망으로 실체화된 형상적 의미를 말한다. 그 의미는 팝아트로서 개념만평의 사실적 구조를 이루고, 왜상적 배경으로 한 추상화 <나팔꽃>에 가역적 빛의 음영으로 추상적 의미를 구상화한다.

보이지 않는 실재로서의 추상이미지를 개념만평으로 한 <나팔꽃 p30-2>는 개념적 의미 구조로서의 개념만평을 추상화하여서 팝아트로 디자인된 현대미술 작품이다.

루이 최철주 2022 뉴욕 전시 포스터 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다. 그 이미지는 나팔꽃 추상화라는 일관된 의미로 보이게 있는 왜상적 평면성을 가진다. 나팔꽃 추상화는 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적인 개념만평 형상을 개념적 의미 구조로 한 추상이지만 그 형상이 다른 동일한 의미로서의 <나팔꽃>으로 추상화된 유사한 색깔과 크기가 다른 사실적 팝아트 형상의 존재로서 실재한다.

 

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

 

Choi Chul-joo, <"NUNA" 3-1>, a hand-painted picture on a computer

 

 

Chul-joo Choi, morning glory p30, a hand-painted picture on a computer

 

라캉의 욕망 그래프에서 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 욕망이 등장하게 한다.

이것은 라캉 환유의 공식 f(S...S')S=˜ S (-)s 에 따라서 기표<NUNA 3-1> 와 다른 기표를 연결해주는 의미작용의 효과로서 의미가 합동한다.

그것은 라캉 은유의 공식 f(S/S') S =˜ S (+) s 에 따라서 하나의 기표<NUNA 3-1> 와 기표<나팔꽃 p30> 가 다른 기표로 대치되면서 원래의 기표로서 <나팔꽃 p30>이 기의가 된다 즉 개념만평으로 한 기표<Chungha's performance 4> 가 다른 기표로 치환한다는 의미를 가진다.

그 의미는 타자의 욕망<morning glory p30-2> 을 모방한 <나팔꽃> 의미를 상징하는 기호적 언어로 추상된 추상화 <나팔꽃>으로서 팝아트로 디자인된다.

 

그 추상화 의미의 형상적 자리를 전시 포스터로 개념만평을 대신한 라캉적 개념미술 추상화다 개념만평으로 한 형상의 자리를 <나팔꽃>과 구별하여서 그 형상을 해석하는 타자의 이면(裏面)적 의미를 구상한다.

그 형상은 실재를 가역할 수 있는 추상적 공간을 가역벅 빛으로 음영하여서 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미 다. (ACN ・ 2022. 12. 10. 18:04 개념만평으로 한 루이 최철주 <나팔꽃> 추상화 개념)

추상 공간의 자리를 더 이상 포스터로 명시하지않고 라캉의 “해석의 네 방위(É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)”에 적용한다면 상상계로서 이미지ⓐ ('utre)와 말(moi) a의 선과 상징계로서 해석A (utre)와 그림(Es) S의 선을 교차하는 대각선 위치에 둠으로써 회화 작품을 '해석의 네 방위(The quadruple)'로 해석한다.

여기서 라캉적 개념미술 추상화는 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 상상계 이미지ⓐ와 동일시하게 상상계에서부터 시작된다. 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로서 해석A (utre)된 추상화로 전이한다. 그 추상화 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재와의 어긋난 만남 즉 추상화 다. (ACN. 2022.10.14 '라캉 해석의 네 방위'에 대한 최철주 해석)

 

2022 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품 팝아트 : 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <morning glory p30-2>

 

비실재로서 개념만평<NUNA 3-1>의 욕망적 형상이 실재와의 어긋난 만남은 응시로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경<나팔꽃> 형상의 의미를 대리하는 비실재의 사실적 팝아트 이미지<morning glory p30-2> 를 보인다.

그 형상은 억압된 무의식에서 응시로써 실재를 만나기 위해 주체의 불충분함에서 오브제ɑ를 드러내려고 기대하는 것이다.

즉 주체를 구성하고자 오브제ɑ를 드러냄은 욕망과 타자와의 환영을 주체에 결합하는 것이 응시가 주체로서의 회화에서 빛이 들어나는 점은 응시점이다. 이것을 개념만평 이미지로 매개하여서 회화를 추상한다.

그 추상은 상상계처럼 기표의 형태가 갖는 절대적인 의미를 보이는 은유로써 모방적 회화의 범주를 넘지 못하고 사실적 이미지로서 추상화를 대리한다.

그 추상화에서 라캉적 디자인은 오브제에 대한 시점을 타자의 응시적 시점에서 본 욕망적 관점에서의 시점이다. 이렇게 타자의 욕망에서 응시적 시점으로 드러난 이미지<morning glory P30-2> 는 사실적 비실재의 이미지이다. 여기서 그 환유는 기표와 기표의 연결구조에서 연쇄화 후 결핍이 드러나게 되고 그 결핍 즉 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 은유된 욕망(오브제ɑ) 이 등장하게 한다.

그리고 은유적 대상을 기표로 한 개념만평이 다른 기표로서 <나팔꽃>로 대체된 또 다른 기표가 은유의 대리자 기표로서 추상화와 결합하여서 드러난 현대미술 팝아트 이미지로서 개념적 의미 구조로 한 <나팔꽃> 실재를 추상한다.

실재를 추상적으로 재현하는 추상화는 실재에서 벗어난 새로운 개념의 도입을 통해 실재에서 분리된 또 다른 실재의 의미를 팝아트로서 이미지화 한다.

그 추상화에서 원근법적 시각체계에서 인지할 수 있는 형상인데 반해 실재의 의미는 왜상적 배경<나팔꽃>으로 대조를 이룬다. 여기서 개념만평으로 한 원근법적 이미지는 사실적 구조를 이루고, <나팔꽃> 추상화로서 왜상적 배경은 가역적 빛의 음영으로 이룬 형상으로서 의미를 현대미술 작품 팝아트로서 구상화한다.

따라서 의미를 구상화하는 팝아트로서의 왜상적 이미지는 타자의 욕망을 형상화하는 원인이자 <나팔꽃> 오브제로서의 실재다.

회화적 오브제로서 실재를 드러냄은 사회상의 이면적 이미지를 팝아트적 의미로 한 비표상적 실재의 이미지를 동일한 그림속에 공존한다. 그 그림에서 사회상을 드러난 팝아트 형상과 실재의 이원적 표상(repre-sentation)에 공존한다. 여기서 매너리즘적 사회상을 재현하는 기의적 표상이 실재다.

기의적 이미지의 실재는 의미의 수준으로 회화적 향유의 수준을 말한다. 사회상의 이면적 이미지를 은폐하는 팝아트 이미지로 보인다.

응시적으로 기능하는 기의적 이미지의 실재는 팝아트 이미지와 일관되고 의미 있는 것으로 경험할 수 있도록 추상적 틀을 제공하는 의미작용의 특정효과가 발생하여서 팝아트 이미지의 선 존재한 공간을 구성하는 추상화 가 <나팔꽃>이다.

팝아트 이미지와 추상화로서 두 개의 상에서 주체가 어느 것인지를 구분되지 않는다. 그러나 이 두 개의 상을 보이는 기의적 오브제로 동일시한다.

여기서 실재의 상과 다른 기의적 이미지의 상에서 실재의 표상을 보고 유아가 환호성을 지른다. 환호성을 지르는 유아는 실재와 다른 팝아트 상에 만족해하기 때문이다. 유아가 만족하는 것은 거울에 비친 실재의 상인 기표(signifier)와 다른 이미지로서 팝아트 이미지로 추상화한 상을 동일한 기표로 동일화하여서 보이는 은유로써의 추상화된 팝아트의 의미를 전한다.

 

Modern abstract painter Louis Choi Chul-joo

 

 

----------------------------------------------------------

Contemporary Artworks Review 36

Art Critique & Contemporary Art Review 36

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [36] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Abstract contemporary art that designed modern art abstract painting [20] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [38] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review: Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [18] Contemporary Artwork Critic Louis Choi's art criticism: Art Criticism Pop Art Abstraction: Korean Abstract Painting <Morning Glory 2022-d-bling bling> Cartoonist Painting Design Criticism & Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now

 

 

New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.

 

New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.

 

As an abstraction of the concept of pop art, "morning glory" refers to the reality of morning glory as a concept of desire, and is an image object of desire reflected on the back by drawing an image made in a practical form. Therefore, it is an unrealistic abstraction of the concept of desire with realistic formative traces and reversible shades of light on the subject of the desire of others.

In addition, abstract painter Louis Choi Chul-joo "morning glory" produces design concepts based on the conceptual abstraction of contemporary art and designs them in the form of a semantic structure of desire. In other words, it is a contemporary art conceptual art abstraction that realistically symbolizes the abstract image of painting.

 

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

 

As a conceptual semantic structure, the shape image is an object of desire <morning glory 2022-d-bling bling> that designs the image as an object of the subject. The object is a real conceptual art image of morning glory 2020 p26-01 as a real desire object by repeating the drawing of the non-real conceptual art image <morning glory 2020 p26-01> in a reversible shade of light on the canvas. This means the morning glory 2022-d-bling bling transferred from Kim Yon-ja's bling bling 3 and is an object of desire drawn from the realistic image of non-real life as reversible light with an image of a structure that is out of shape.

 

The object's shape is an abstraction that represents the place of reality as a modern conceptual art work that repeats drawing by overlapping the shades of reversible light with the "morning glory" as a design concept of a modern art abstraction work, which has been converted into a desired semantic structure.

 

Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer

 

In the shape of the subject in which the conceptual word (moi) as a symbolic image is drawn, the subject of the other realizes abstraction by indicating the place where the shape is revealed. And in that abstraction, the image of a conceptual word in a place represents the place, that is, reality.

 

 

The shape that instantly reveals the subject of the other in the shape of the subject in which the conceptual word (moi) as an image of the imagination world is drawn provides the cause of the shape that clarifies the position of the image and conceptualizes the desire of one other in the shade of reversible light.

 

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

 

Modern conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is a return to painting as a concept of early conceptual art.

Painting here is a realistic conceptual art that displays a place of reality with a poster that creates abstract paintings representing a place of reality.

Therefore, "morning glory 2022-d bling bling" criticizes his contemporary conceptual art as a phenomenal image like cartoon review, but it refers to the semantic value of the non-realistic image "morning glory 2020 p26-01" as a painter. It then transfers the non-realistic image of Kim Yon-ja's bling bling 3 to the non-realistic abstraction of "morning glory".

This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines critical perspective with the life value of desire images with a full review of the scene photos of events and performances. Here, the desire image refers to the painterly nature that can instantly perceive the desire of the other rather than the arbitrary philosophy. (ACN · April 20, 2022 / The desire of the other as an infant <morning glory> New York Exhibition New York Exhibition docent 1).

 

Therefore, in rational painting, the background desire of the morning glory shape is different from the objective reality and the representational conceptual art of objects so that the distorted flat background according to temporality can be experienced with the desire of others. This is because the object exists in the place of reality separated from reality transferred from the symbolic world.

 

Louis Choi Chul-joo, morning glory p77-10-bling bling, a hand-painted picture on a computer, 20220308~20220310 Yeomyeong Hall, New York.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p77-7-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Louis Choi Chul-joo, Poster: morning glory p77-7, a hand-painted picture on a computer

 

As a poster for the 2022 New York exhibition <morning glory p77-7>, the visual system is concealed with a shadow image that reproduces an abstract representation image object, but it is an abstract object that shows the non-real shape revealed in the reversible light shade of a desire point of view revealed in the unconscious as a momentary gaze.

The object hidden in abstraction forms a dwarf image expressed through the desire to acquire artistry out of generality as a desire design and creates an object that creates the other's desire as a being, revealing the conceptual artistry of non-realistic abstraction with the momentary desire image of the other's desire as a semantic structure.

The abstract meaning of conceptual art as a modern art poster abstraction work <morning glory p77-7> is the object of change in customs, and the painting of morning glory as an abstraction is another cross-sectional image of a cultural space that appears to be an object, revealing a infant's existence in which a chick hidden in the shade of morning glory is mistaken for a chicken.

 

This is an object drawn as a small piece that is not visible in abstract space (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction), hiding the desire of others in the background of the morning glory, and in reality, objects are overlapped in the shade of the background of "Napal Flower".

Here, the object hidden in the background of "Napal Flower" is a small piece as the desire of the other. Abstracts the real space that is reversible through the thought movement of the image that the shape of the sculpture actually changes.

Assuming that the space is a non-complete reproducible image formed in the shadow of reversible light, reality exists in space as an abstract and virtual image that actually reproduces reality.

 

Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer

 

Abstract image design is a conceptual semantic structure, which is an object of desire to design an image as an object. An object refers to the reality of a morning glory by designing a distorted flat image as an object of desire drawn on a cloth and reflecting it on the back.

The shape of the object is an abstract work of contemporary art related to Louis Choi Chul-joo's 2022 New York "morning glory" exhibition (Flushing Town Hall & Yeomyeong Hall), and images related to 100 posters produced with design concepts were designed.

 

The exhibition poster image of the painting was symbolized as a semantic structure of desire, drawn repeatedly, and abstracted as a realistic conceptual art. Abstraction abstracts the meaning of desire because the more the difference in shape is distinguished, the more the shape is understood in one direction. It is a realistic abstraction with similar colors and sizes as a symbolic structure when the shape refers to the same meaning. In other words, an abstraction in which a realistic form with the same semantic structure as a realistic form is a conceptual semantic structure.

 

Louis Choi Chul-joo, morning glory p77-10, a hand-painted picture on a computer

 

The realistic abstract object (Louis Choi Chul-joo 2022 New York Exhibition Abstraction morning glory), which depicts the meaning of the shape seen in the meaning space created by reversible light in the shape of non-real reality, means an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction that is hidden by the actual changed movement of the shape, the image in the mirror, shows an abstract image object in a virtual space that reveals the place of the unconscious desire of others as a virtual non-real image.

 

Conceptual artist Choi Chul-joo's abstract design, which abstracts the structure of desire, is a return to painting as a concept of early conceptual art. In other words, it is a realistic conceptual art design created by painting. Therefore, his contemporary conceptual art criticizes the phenomenal image of events and performances, like Sisa Manpyong, but speaks and abstracts design values as a realistic structure of desire with painterliness.

This is a realistic conceptual art that is treacherous to conceptual art that cannot replace painting, and it rejects the philosophical message of Joseph Kosuth, a concept born like Marcel Duchamp.

 

On the other hand, Choi Chul-joo's conceptual art abstraction design, which is based on the concept of the imaginary world, contains a message in the desire conceptual art abstraction image with current events. It combines the life value of critical perspective and desire painting with a full review of the scene photos of events and performances. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretation and combines life values through critical perspective and desire conceptual art abstraction design with a picture of the scene of the event.

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

 

"morning glory p77-4-3" & "morning glory 2022-d-bling bling"

 

By repeatedly sketching the design "morning glory 100-2" and applying Choi Chul-joo's desire formula "D(I...D...D'i)i" to the conceptual image of desire, the desire image "morning glory p77-4-3" reveals the meaning of abstract desire "morning glory 2022-d-bling bling" by realizing realistic formability in the shade of reversible light at that moment.

 

In addition, by repeating the verbal metaphor image and re-applying Choi Chul-joo's desire formula, it appears to have a phenomenal position in another place in one space in the shade of reversible light. Louis Choi Chul-joo 2022 The morning glory poster image, designed as an abstract conceptual art with desire in the New York exhibition, actualizes the desire image object and transfers it to abstraction.

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

 

The abstract area of painting, which has a specific effect that reveals the image of desire as a meaning of "morning glory-bling bling" in conceptual art, is an image that can momentarily see the desire of others functioning gazefully in a landscape as a background of desire.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction in the same meaning as a conceptual semantic structure, but abstraction in the same meaning with different shapes is a real non-realistic being with different colors and sizes.

The existence defines an abstract space as a real reversible shape and refers to the abstraction meaning of conceptual art in which the shape is hidden by a movement that has actually been changed in the shade of reversible light.

 

A realistic desire that replaces the phenomenal place of abstraction meaning with a poster. Conceptual art abstraction can distinguish the place of the shape and conceives a different meaning to interpret the shape. The shape is abstracted as a realistic image of color and size similar to the meaning made as a conceptual structure to speak another meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can be actually reversible and refers to the meaning of the designed desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory", abstracted as a symbolic language that symbolizes flowers that imitate the desires of others.

 

By designing a figure that represents the desire of the other in the abstract "morning glory", it reproduces it as an abstract object as an object of desire image (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction). In the diagram of the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view revealed in the unconscious mind by creating a shadowed place with reversible light in which the visual system is concealed.

 

In this way, an object abstracted as a conceptual art of desire image forms a distorted flat image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry out of generality, creates an object in the shadow of formability with the desire of others as beings, and exists as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the image of the object into a structure of meaning from the other's desire point of view.

And painterly, a small piece as the other's desire hidden in the background of morning glory and chicken shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is placed in an abstract space where the other's desire can be actually reversed as the meaning of the existence of an abstract object.

 

The desire of the other person shows a realistic form of non-realism that represents the meaning of the abstract landscape form that is hidden by the abstract desire of the other person. The shape is the intersection of the actual structure selected by the desire of the other created in abstract shades. This is an instantaneously abstracted shape at the intersection where the actual shape of the whole as a non-realistic realistic structure and the desire of the other designed in the shade of reversible light appear as a gaze.

In <Kim Yon-ja's bling bling 2>, the 'bling bling' of the perspective visual system is structured against the background of 'Napal Flower', and the subject in 'morning glory' disappears in the shade of reversible light that is distinct from reality.

The abstracted shape of the morning glory 2022-d-bling bling appears to be an object as another abstraction of reality transferred from symbolism as a reality that is not revealed by revealing the reality of another object other than the same object in the mirror.

 

The abstract object is not clearly revealed as an object reflected in the mirror as an object due to the desire of the other, but is concealed in a reversible shade of light, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who paints the picture replaces the other.

 

Contemporary Art Critic Louis Choi Chul-joo

 

 

----------------------------------------------------------

Contemporary Artworks Review 37

Art Critique & Contemporary Art Review 37

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [37] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Contemporary Art Sketch Abstract Painting [15] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art - News manwha K-Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image

Abstract Review: Contemporary Art Lacan Concept Abstract Works = Modern abstract artist Louis Choi Chuljoo's <Morning glory window 2023-2>

 

Louis Choi chuljoo's "morning glory woman" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.

 

Modern abstract artist Louis Chuljoo Choi's an abstract poster <Morning glory window 2023-2>

 

Louis Chuljoo Choi, abstract poster <a morning glory p36-6>, In New York (Flushing Town Hall).

 

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic acrylic and composite materials on cloth

 

Louis Choi Chul-joo Abstract Painting morning glory Window Concept:

This is a reversible light outside the window that reveals the instantaneous shape in which one image moves away from another image in the object ɑ's deficient subject shape and passes through the other's subject, causing the structure of one shade to conceptualize the other's desire that alienates the subject's shape.

(ACN · 23. 9. 17:41 Desire image Interpretation of the concept of Choi Chul-joo's "morning glory window" according to the "Lacan's Four Direction of Interpretation")

 

It is an image reflected in the mirror from the missing subject shape as the morning glory abstraction spreads to the back of the object shaded with reversible light, and is shadowed by a thread painting drawn on a cloth where the "Choi Chul-joo morning glory window 2023-2 morning glory outside the window" mirrors the image of the morning glory abstraction in the other's desire space and reveals the momentary image passing through the other's subject outside the window.

<Choi chuljoo morning glory window 2023-2> is a modern abstraction in which the object of a desire-colored chicken drawn in the form of a closing cloth reflected on the back by hand, which means the reality of morning glory, is transformed into a shade with reversible light as a semantic structure of modern art painting.

 

In New York (Flushing Town Hall & Yeomyeong Hall), Louis Choi Chul-joo <morning glory> produced 100 abstract paintings in the form of posters and objects as abstract works of contemporary art related to the first and second solo exhibition "Choi Chul-joo morning glory" symbolizes this as a desire semantic structure as a painting design of shape, that is, an exhibition image of abstraction.

 

The object "Choi Chul-joo morning glory", which depicts the meaning of the shape seen in the semantic space created by a shadow structure with reversible light, represents the meaning of modern abstraction, that is, desire object, that is, hidden by the actual changed movement of the shape by structuring the image of the other's desire hidden in time in the shadow of reversible light.

The artistry that emerged from the object of desire here reveals the conceptual desire object as another being of the object by transforming the image of the object into a painting structure of meaning with a distorted flat image from the point of view of the desire of the other, and shows the meaning of the concept of artistic desire as creativity and autonomy of the desire of the other.

 

And a small piece as the other's desire hidden in the background of a painterly anthropomorphic chicken represents a real abstract space that is reversible through an image-based movement of desire that actually changes its shape. This refers to the concept of an abstract object, which forms an abstract space that can actually be reversible, and refers to the concept as an abstract form in an abstract landscape in which the reality of the shape is abstracted in the shade of reversible light.

 

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X178cm, 151X179~177cm, acrylic and composite materials on cloth

 

Painting docent as desire conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Docent on Lacan art theory)

 

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 1, a hand-painted picture on a computer

 

Shape image as a conceptual semantic structure: The object of desire designed as an object <morning glory window 2023-2> is a real conceptual art image of a real morning glory by linking it with a dark blue on the canvas of a non-real conceptual art image. This means the Choi chuljoo morning glory window 2023-2 transferred from the Choi chuloo morning glory window, and is a desire object manually drawn as an anamorphosis image with a reversible light.

The shape of the object of desire is an abstraction as a modern conceptual art work in which the desire of the other is superimposed in a reversible shade of light in "Choi chuljoo morning glory window 2023-2", which is the design concept of a contemporary art abstraction work, and this is symbolized and imaged.

 

 

In New York (Yeomyeong Hall Gym), abstract painter and image installation artist Louis Choi Chul-joo produced a poster with a design concept as an abstract work of contemporary art related to the individual exhibition of "morning glory", and installed a desire image with a fabric structure of a modern abstraction symbolizing an exhibition poster image of a painting as a desire meaning structure.

Another exhibition venue is Yeomyeong Hall Gym, which has a basketball stand in New York. On the spot, he exhibited "morning glory" and image installation art with several chairs as a realistic reality against the background of walls, entrances and basketball stands.

is a desire object drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted realistic plane image that means the reality of a morning glory.

 

The object of desire abstracts the image of desire as a realistic concept through sketches approaching abstraction in modern art.

 

Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [15] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art - News manwha K-Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting.

 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 4, a hand-painted picture on a computer

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Red Velvet Irene & Seulgi Reveals Teaser Image

. Red Velvet Irene & Seulgi dévoile l'image de Teaser

 

LouisChoi Chul-joo, Red Velvet Irene & Seulgi 2, a hand-painted picture on a computer

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest-Red Velvet1, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: Choi chuljoo, In front of the bamboo forest-Red Velvet2: desire's imaginary world and Choi Chul-joo's desire formula <d(i...i')d=i(d...d'i)i>... By repeatedly applying D(I...I')d=I(D...D'i)i, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears</d(i...i')d=i(d...d'i)i> / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p36-2-Red Velvet: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 7, a hand-painted picture on a computer [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature]

■ Cartoon review Korea News Cartoon Review - News manwha K Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image ACN ・ 2020. 6. 30./ Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Teaser _ Teaser

 

Abstraction, which uses images of desire as a realistic concept through sketches and abstractions approaching cartoon criticism, is formed in the shadow of reversible light as an object.

 

An object (Louis Choi Chul-joo, morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.

The object, which depicts the meaning of the desire shape seen in the meaning space created by reversible light (morning glory outside the window), refers to an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized, and then setting the shape with an exhibition poster and concealing it by the actual changed movement on the spot.

 

Louis, Choi chuljoo, morning glory outside the window p36-15, a hand-painted picture on a computer, 2023

 

Revealing the desire subject reveals the image of desire as a missing subject as a realistic object. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desire of the other as the subject. "morning glory window" constitutes a frame that reveals an image of a subject symbolizing a shady lack of the subject and creates a desire image object in the frame in a reversible shade of light to choose reality as a subject away from non-existence.

 

This is the real structure of desire that image in reality. The structure has several distorted planar cross-sections in a three-dimensional form, and abstracts a pictorial image as a conceptual art as a multi-faceted image of a semantic structure as an object in one concept. (ACN · June 22, 2023 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Concept Art Theory)

 

Repeatedly, "morning glory outside the window 2023-2" intersects an object of desire drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted plane image that means the reality of a morning glory.

 

As the shape of the cloth becomes a reality, "Choi Chul-joo morning glory" as a modern abstraction is a return to painting as a concept of early conceptual art. In other words, it is a contemporary conceptual art in which a shadow structure with reversible light that reveals the instantaneous shape passing through "morning glory" as a subject creates an abstraction of the concept of the desire of others as a realistic work. This is a conceptual art belonging to Choi Chul-joo's desire abstract art theory, which is different from art that shows a process with real art, and is a structure of desire that results in reality.

The structure has several distorted plane cross-sections in a three-dimensional form, and abstracts a pictorial image with conceptual art as an object in one concept into a multi-faceted image of a semantic structure, showing several three-dimensional cross-sections at the intersection of the crooked point of view without marking the object as an elevation

 

The abstract area of painting in which the desire specific effect occurs as a meaning of "morning glory outside the window 2023-2" as a conceptual art is an image that can momentarily see the desire of others who function visually in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is a realistic form and abstracts the realistic form of non-realism with the same structure of meaning as a conceptual semantic structure. And because abstract images drawn as realistic desire images with the same meaning are abstractions of existing concepts drawn as realistic desire images with similar colors and sizes.

 

The existence defines an abstract space as a real reversible realistic shape and refers to the meaning of abstraction as an exhibition poster in which the shape is hidden by actual changed movements in the shade of reversible light.

It distinguishes the place of abstraction of the abstraction of the desire conceptual art instead of the phenomenal place of the abstract meaning as an exhibition poster.

By conceiving the meaning of the face that interprets the shape, the shape abstracts the concept with a color and size similar to the meaning of a realistic structure to say another meaning. And in the imaginary world, the abstract meaning of conceptual art identifies with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and the inner subject realistically forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the designed desire meaning of an abstract shape in which the realistic shape changed by the actual changed movement of the shape is covered in shades.

 

In the abstract "Choi Chul-joo morning glory", a shape representing the desire of the other is designed and reproduced as an abstract object as an object of desire (a morning glory outside the window 2023-2). In the perspective and scheme, several objects as different instantaneous gaze are abstracted from the other's desire point of view revealed in the unconscious mind by creating a shaded place with a reversible light in which the perspective visual system of perspective is concealed.

This abstract object exists as an exhibition poster meaning that forms a distorted flat image expressed through a desire revealed in the other's suppressed unconsciousness to acquire artistry out of generality and uses the other's desire as a existence. As that semantic being, the object reveals the object as another being and contains the formative value of the autonomous choice of the desire of the other.

And it creates a real abstract space that is reversible through thought movements that make up an image that transforms the desire of the other hidden in the background painterly. This is a place where the other's desire is abstracted into a realistic structure in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

 

The virtuality of abstract exhibition posters is structured as a conceptual review, similar to a gaze image that virtually reproduces a distorted plane image that cannot be expressed on the same plane or as representing a real place with cubism in connection with that image.

The composition of the other's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of the viewer is absent by seeing another object exposed in the mirror as reversible light.

 

However, the person who paints the picture replaces the other. It is a place revealed by staring at the image of desire. It transitions to the location of the subject that appeared at the vanishing point in the entire virtual image, that is, the abstract space. It is the reality as a desire object, that is, a being, that the subject of the subject position is revealed through gaze from the other's desire point of view.

The structural physics of reality has several cross-sections in a three-dimensional form, and in conceptual painting, one cross-section and two sides are used as objects in one concept to capture the multifaceted desire conceptuality of a morphological structure.

 

 

■ In "Choi Chul-joo's morning glory window", Choi Cheol-joo's theory of desire abstract art is repeated in abstraction to formalize the art theory of desire to convert images into meaning. This has the meaning of expressing the desire of others in painting by repeatedly applying the imagination system and the desire formula, and as a result of applying the desire art theory to painting, it gains the value of approaching the desire of others to the beauty of form.

■ "Choi Chul-joo's morning glory" is not the desire of the theme, but the spatial background of the other's desires. It is the same as a space of life that is consistent like the sky. It connects with Cartoon Review and Pop Art, which represent the space of life, but does not criticize and judge, but reproduces reality as news with photos of events. And the effect of conceptualizing the reality of the symbol object as the desire of others abstracts the realistic concept by structuring it in the shade of reversible light.

 

Louis Choi chuljoo's "morning glory woman" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.

 

Conceptual artist Choi Chul-joo's Desireful Concept Abstraction Design is a return to painting as a realistic concept. In other words, it is a conceptual art design that is created as a painting work. Therefore, his contemporary conceptual art abstraction criticizes phenomenal images like current affairs commentary, but it refers to design value with painting.

In art, ready-made ready-made products cannot replace painterliness, and they refer to concepts created like Marcel Duchamp Duchamp, and messages according to philosophy that his sympathizer Joseph Kosuth Joseph Kosus said.

 

On the other hand, Choi Chul-joo's conceptual art abstrac design, which is based on the concept of the desire of the infant imagination in desire art theory, contains a message in the realistic conceptual art abstraction image with current events. It sums up the life value of critical cartoon and abstract painting with a picture of the scene of the event. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines life values through critical perspective and desire conceptual art abstraction design with a full review of the scene photo of the event.

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

 

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic and composite materials on cloth

 

Desireful modern abstraction, which replaces phenomenal positions with posters, can distinguish the positions of the figures and envisions the meaning behind interpreting the figures. The shape is abstract in color and size similar to the meaning of a conceptual structure to say another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified as the same subject, and the subject internally forms a modified abstract meaning.

This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory outside the window", abstracted in symbolic language that symbolizes flowers that imitate the desires of others.

 

In the abstraction <Choi Chul-joo morning glory>, a figure representing the desire of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition Poster morning glory p36-6). In the perspective diagram, the object is abstracted as a different momentary gaze from the other's desire point of view revealed in the unconscious mind by creating a shaded place with reversible light in which the visual system is concealed.

 

Desire objects abstracted as conceptual art are transferred to "morning glory (outside the) window", forming a distorted flat image expressed through desire revealed in the oppressed unconsciousness of others to acquire artistry outside of generality as a design, creating objects in the shadow of formability with the desire of others as beings, and abstraction with a semantic existence structure.

The artistry that emerged from the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a distorted flat image from the other's desire point of view.

 

And the small sculpture as the other's desire hidden in the background of the morning glory painterly shows a real abstract space that is reversible through the thought movement of the desire image that actually changes the shape. This is positioned as an abstract space where the other's desire can be actually reversed in the meaning of the existence of an abstract object.

On the spot, it goes beyond the dimension of the non-realistic visual image of painting as a multifaceted object that matches the Picasso image. Therefore, the desire as a field of gaze, regardless of whether it is flat or solid, is abstracted into an image created by the desire of others in the art theory system.

 

This is an image transferred from a real subject to a new image and concept. Since its image is virtual, it is perceived as different from the real image through comparison with the real image. At this time, it makes us realize that the virtual image is an subject as reality, that is, an object as reality seen as a desire gaze separated from the subject of "morning glory window". /Writing. Art critic Choi Chul-joo (contemporary abstract painter & Doctor of Cultural Design)

 

contemporary abstract painter Louis Choi Chuljoo

 

 

----------------------------------------------------------

Contemporary Artworks Review 38

Art Critique & Contemporary Art Review 38

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [38] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [36] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review : Cartoon Criticism: Korean contemporary cartoonist & contemporary cartoonist and historical artist Choi Chul-joo's Cartoon Design Review – Contemporary Art Cartoon Exhibition Reviews: Manwha critic Choi Chul-joo's Manwha Design Criticism

Korean Contemporary Cartoon Designer Choi Chul-joo's News Manwha Exhibition = News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review Choi Chul-joo. K-Pop Star 20191129-20191205, Hansae Museum, Busan.

 

A realistic abstraction of the concept of desire based on Cartoon Manpyeong, which uses photographs of Choi Chul-joo's events as webtoon news cartoon design works

 

Korean Contemporary Cartoon Designer & contemporary cartoonist and historical artist Choi Chul-joo's "News Manwha Exhibition": News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review K-Pop Star

Choi Kwan-woo's cartoon review "a line News of Manwha Review" is a Korean contemporary news manwha with a single cut of cartoon

According to a line of news in the manwha review, it is not an actual news image but a cartoon to show the consciousness of news.

This is because of a line of cartoon review that comics reveal meaning within the realm of news. In other words, the effect of attracting attention to news cartoons is one sentence that reviews the standards of news images.

Euclidean geometry of visual space concept caused the meaning of a new time in Albert Einstein's theory of relativity to perceive the visible space of visual image

In modern times, it is news cartoon art that consists of a phenomenon of formative geometry that reconstructs space into cartoons. This is a contemporary cartoonist and historical painting that shows the same phenomena of events and life as the historical painting until modern times.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Choi Chul-joo(崔徹柱), a contemporary cartoonist and historical artist(現代漫畫美術歷史畫家), speaks of meaning as a line of comic reviews.

 

Nevertheless, it sheds light on the news through realistic cartoons as an invisible comment.

Therefore, news comics eliminate the illusory space of the figures shown in the news through non-perspective space descriptions to describe the meaning of events without reproducing reality. It's a contemporary cartoon, like Picasso, that expresses the object in time. and reconstructs the pictures of events with a stationary time and draws realistic cartoons with metaphors of a line of review language's concept.

The meaning of a manwha review in a single line of news is a comic image structure in which the meaning of a single line of news is drawn in a single image, resulting in the retroactive meaning of the news, and the metaphorical meaning behind the sentence of a cartoon review is disclosed.

This cartoon is a Korean cartoon, or manwha, with a image of cartoon reviews and a line news of reviews, discussing the authenticity of the incident tailored to the news and portraying its image as a cartoon.

In this way, it's "A line News of Choi Chul-joo’s Manwha Review" and "NewsBusan Manwha Review" to draw the news of the incident in a single cut cartoon and describe the cartoon in a single line reviews. "Manwha Review Choi Chul-joo.Kang Gyeong-ho K-Pop Star" describe the Korean News of incident in a single sketch cartoon

This is the same as cartoon critic Choi Chul-joo's "A line News of Choi Chul-joo’s Manwha Review", as he did of cartoon reviews "Ko Woo-young's Suhoji.“

In other words, there is a retroactive semantic effect in a line of cartoon review, with the simultaneous appearance of language and linguistic expression, and thus an image cartoon meaning the whole cartoon review.

As a contemporary Korean cartoon designer, Choi Chul-joo reconstructs the incident photo of the news as a process of drawing cartoons, drawing a sketch cartoon of the news with the concept of the background of the incident and a line of cartoon reviews. It is a cartoon of several scenes arranged like storyboards with news processes and results in one result of the news like a storyboard.

Therefore, Choi Chul-joo's cartoon review "A line News of Choi Chul-joo’s Manwha Review" is a combination of a realistic cartoon sketch of a photo and a cartoon review in line with the events carried out by the news.

Reconfigure the background picture of an event to match what an event calls a new meaning of cartoon reviews and draw attention to a cartoonized distinct cartoon sketch.

And he draw like a scene in an episode with a realistic cartoon sketch so that the thema of the event and the scene of the incident will be presided over.

Internet newspaper (www.newsbusan.com) NewsBusan, epitomizing the news cartoon make the cut, since September 10 in 2018 and comic sketches and line up in the news.

It is Cartoon reviews Choi Chul-joo and KangG yeong-ho's K-Pop star that made the news of Korean celebrities' incidents into a cut in an episode of a cartoon reviews.

"Choi Chul-joo's Manpyong K-pop STAR" section is newly established in NewsBusan (July 31,19) to introduce cut cartoons and cartoon reviews featuring K-pop stars covering new talents and stars.

 

In addition, Choi Chul-joo's Cartoon Critic 'A line News is a cut cartoon reviews with events and eye-catching news in the world of the global village.

 

 

Cartoonist as a conceptual artist Choi Chul-joo, 'Jeongcho and Inwangsan Tiger,' Marker on Paper, 2010

 

"A line News of Choi Chul-joo’s Manwha Review" is the same as a sentence in the speech bubble of the cartoon (Jeongcho and Inwangsan Tiger), which was drawn along with Korean first-generation cartoonists Cho Kwan-je, Jo hang-ri, Shin Moon-soo, Kim Ma-jung, Yoon Seong-yoon, Lee Jung-moon, Kang Chang-wook, and Seo seo-young at "The Tiger Year" held in 2010.

Choi Chul-joo's cartoon reviews started with a line news of manwha review that was displayed in a speech bubble(There's a tiger who doesn't even know about Inwangsan!) at "The Tiger Year" held in 2010.

In the exhibition, a line of cartoon reviews (There's a tiger who doesn't even know about Inwangsan!) was displayed in a speech bubble, which is the beginning of the current Choi Kwan-woo cartoon review news drawn by modern historical artist Choi Chul-joo.

It is a cut cartoon with a sentence of cartoon reviews conceived by the tiger proverb at the time, and Jeong-cho, a beautiful woman, and a tiger looking at woman from behind.

This is a modern art work that is shaped as a pop art of modern art, and is a pop art that introduces a new concept that reproduces conceptual art in cartoons.

This a line(sentence) of cartoon reviews depicts a combination of developments and consequences, as the proverb says in a cut cartoon, which reconstructs the truth of the incident, the picture of the incident and the daily story.

It actually provides an image of the contemporary ritualistic phenomenon and the K-Pop entertainment industry's news incident structure through sketch cartoon.

It also provides a glimpse of events and news in the global community and everyday life and death.

 

 

 

For example, at the February 2002 summit between President Bush and President Kim Dae Jung, there was a big difference in views on North Korea. I was going to publish the one-cut and four-cut comic "Dongsangimong" in the newspaper, but I couldn't

Since then, Choi Chul-joo(Choi Kwanwoo), a reporter specializing in news Busan culture, has started drawing "News Busan Manpyeong(satirical cartoon)" in News Busan since 2018 (September 10).

 

One cut news manwha is a cut cartoon that combines process and results of event with a single sentence of cartoon reviews that match the event in the visual by sketching the character of the incident as a sketch of photo.

One cut cartoon shows its meaning and one sentence of the cartoon review takes its meaning by enjoying the cartoon image. The meaning here is equated with the image of the cartoon and becomes a significant space for the viewer to see its meaning.

The space embodies the nature of the news cartoon reviews by allowing emotion to look like the main character of the event and the actual event scene.

Choi Chul-joo's Cartoon News is a cartoon that presents news. The comic strip depicts the vibrations of events as a single cut cartoon with the beat of the news repeated over and over again.

Thus, the cartoon equates any outward image of the event scene to a level of meaning in the structured cartoon centered on the actuality of the news.

The news in a chain of space-levels vibrate like the everyday life of the global village.

Go to the review of cartoons and review them to match the events, making the news of the cartoon review and adapting the images of the news to the event like cartoons. / Writing. conceptual artists.Louis Chul-joo Choi (historical artist & cartoonist)

 

Contemporary Art Critic Louis Choi Chul-joo

 

 

----------------------------------------------------------

Contemporary Artworks Review 39

Art Critique & Contemporary Art Review 39

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [39] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [12] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : To weave pink cloth in waves in a dark place as if it were your last life./ Korean Pop Star [25] BLACK PINK, 'AS IF IT'S YOUR LAST' (2020-06-16) / Reporter Choi Chul-joo’s Cartoon Review

 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Louis Choi Chul-joo, BLACK PINK, 'AS IF IT'S YOUR LAST', a hand-painted picture on a computer

 

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. BLACKPINK’s MV For ‘AS IF IT’S YOUR LAST’ Surpasses 800M Views (2020.06.12.)

[the source: https://yg-life.com]

. Le MV de BLACKPINK pour "AS IF IT'S YOUR LAST'' Surpassages 800M de vues (2020.06.12.)

■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 87-AS IF IT'S YOUR LAST, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d87-AS IF IT'S YOUR LAST: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p107-2-87-AS IF IT'S YOUR LAST: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 87, a hand-painted picture on a computer

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p107, a hand-painted picture on a computer

 

Louis Choi chuljoo, AS IF IT'S YOUR LAST 2 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of Korean Pop Star [25] BLACK PINK, 'AS IF IT'S YOUR LAST' (2020-06-16) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Surpasses. _ Surpassages

 

 

----------------------------------------------------------

Contemporary Artworks Review 40

Art Critique & Contemporary Art Review 40

 

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [40] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique:

Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Painting & Media Art Video Exhibition <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>: 20201126-20201210, Minoo Media Art Museum/ Extended exhibition period 2020.12.11- 2021.1.29

 

Contemporary artist Louis Chul-joo Choi's <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>, 20201126-20210129, Minoo Media Art Museum

 

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Contemporary artist Louis Chul-joo Choi's <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>, 20201126-20210129, Minoo Media Art Museum

 

 

Exhibition-related painting performance: Painting '<“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>' Demonstration, Minoo Media Art Museum

 

Painting Performance: A painting performance related to media art exhibition and exhibition from November 26, 2020 to November 27, 2020 (picture 'Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo' demonstration), and a painting work produced by head of the academic research department of research at the Minoo Media Art Museum

 

The meaning of the <"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do"=“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Chul-joo Choi>, painted by Chul-joo Choi, is metaphorical, such as the structure of language, so it is not the same as the shape of <"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do"=“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>.

As a reality that owns instantaneous time, it is an unexistent painting that overlaps wind with other forms and images.

And he replaces the virtual image drawn by the lack of self-created location of the true form of the <“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Choi Chul-joo> with other modern painting and decorates the actuality of the inner image of the <“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Choi Chul-joo>

 

 

Louis Chul-joo Choi, Media-art "Song·Ha·Sun·In·Chui·Saeng·Do by Chul-joo Choi", Still image, 2020

 

Media art "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is a cartoon image of a cartoonist Louis Choi Chul-joo, who reconstructed Shin Yun-bok's folk painting after seeing Kim Hong-do's “Song·Ha·Sun·In·Chui·Saeng·Do”

Therefore, another proposition of Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is "Song·Ha·Sun·In·Chui·Saeng·Do".

This is a general reflection of the scene where men and women secretly go out to meet to express their love on windy days. Here, the cartoon image expresses affection, but the cartoon images are not involved in the symbolic image.

Thus, the boat play and bath scenes were reconstructed into cartoons that express the affection between men and women in the same way as the original painting by Shin Yun-bok, which depicts the daily lives of women in the Joseon Dynasty.

Considering the fact that Shin Yun-bok's paintings, which satirizes daily life, is similar to that of a cartoon, the cartoon composition of "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" was partially drawn and matched with a close-up scene like the one-cut series of "Roy Lichtenstein.“

Thus, as a cartoon media art of popular art, "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is seen as a series of cartoon cuts aimed at satirizing the status quo of Joseon Dynasty society with cartoon images.

In line with the scene of boat play and bathing by the river as a cartoon image, the sound is the Vivaldi's "summer" of the four seasons, giving a glimpse of the positive contemporary image.

As such, cartoon media art is carried out in a popular art way rather than in a media that reveals social problems.

 

 

 

In the middle of the summer, boat play, gisaeng, men who peeked at women bathing by the river, and boats were drawn in several cartoons to move boats playing in the river. The surrounding figures harmoniously reconstructed the relaxed light and shadow of the gisaeng, men, and landscape.

 

"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is shown in the media space as a media with cartoon images of the realistic representation of social mannerism, such as Manet's "The Luncheon on the Grass".

It balances the real customs with media art reproduced in animated images. Although the appearance of a woman in the Joseon Dynasty, where Shin Yun-bok bathes, shows sociality, but "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" which were reborn as unrealistic cartoons, focus on the pictorial cartoon characteristics of painting style.

The Manwha painting style of the Joseon Dynasty, which emphasizes media art by moving the cartoon image, was seen as a cartoon so as not to deviate from the relationship between the real landscape and the characters.

And to express the characteristics of media art, Sin Yun-bok's paintings were reconstructed to create a series of cartoon images based on the play culture of the Joseon.

Writing. Louis Choi Chul-joo, former head of the academic research department of research at the Minoo Media Art Museum (Contemporary Artist & Doctor of Cultural Design)

 

Contemporary Art Critic Louis Choi Chul-joo

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Contemporary art work review examples [6/ 36~40] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire.