Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Cho..

Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Art Review-Reading the New Works: Choi Chul-joo Art Review: Work posted on Facebook: Louis Choi Chuljoo, a morning glory outside the window 2023-1

  

Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic and composite materials on cloth, 2023

 

 

 

"morning glory window" repeats the concept of desire to cover the shadow image of others' desires and collects images of desire in which external light overlaps with timeliness.

In "morning glory window", a person dancing against the backdrop of morning glory overlaps like a small pillar to cover and hide the shade.

It gives reversible time sensitivity to shades, becoming the desire of others, and has the effect of setting phenomenal positions so that images of light do not overlap.

Louis Choi Chul-joo's "morning glory window" absorbs temporal light and removes symbolic representation on the image surface.

In this way, it creates an image of desire and is obscured by reversible light, leading to the concept of desire in the shadow.

 

 

 

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

 

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

 

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.  

 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

 

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

 

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

 

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. / Writing. Art critic Choi Chul-joo (Ph.D. in cultural design)

 

Contemporary Artist Louis Choi Chul-joo

 

 

 

Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work