Modern Art and Cultural Design [3] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / New York Exhibition Modern Art Works <morning glory 45-03> & Choi Chul-joo's desire formula D(I.....

Modern Art and Cultural Design [3] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Contemporary Artist Contemporary Art Critic / Cultural Design Critic Louis Choi Chul-joo Contemporary Art Desire Design Review : Reading New Works of Contemporary Art - Non-realistic Abstract Design as Desire Meaning Structure; Posters and Abstract Designs that symbolize the exhibition image of a painting (3) = Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / The Desire of Chickens to Become Chickens as Infants: Modern Abstract Painters & Korean Painters Louis Choi Chul-joo 2022 New York Exhibition Modern Art Works <morning glory 45-03> & Choi Chul-joo's desire formula D(I...I')d=I(D...D')i

​

Contemporary Artist, Louis Chul-joo Choi ’s thread painting: <morning glory 45-03> / 2022 New York "morning glory" Exhibition: Louis Choi Chul-joo's exhibition featuring images of objects of desire and Picasso's separate stereoscopic structure, 20220301-20220308 Flushing Town Hall, New York.

​

Contemporary Art Design; Contemporary Art Painting Design with Specific Effect as Visual Culture as a semantic function of image structure of desire concept and phenomenon image based on the concept of event and performance image and realistic design abstraction

 

Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트)

​

Desire Conceptual Art Docent: Conceptual art through Choi Chul-joo's abstract art theory, which transferred Lacan's art theory to the concept of desire, visualizes the progress and results of imagining the concept of desire and the object of existence while facing artistic ideas.

​

The image of the sculpture in Choi Chul-joo's abstract art theory appears to be created as a separate stereoscopic at the intersection of a drawing or painting that is regularized as an elevation or other distorted gaze. This is a perceptive image that appears to be several reversible lights in a certain direction.

In the sculpture, the desire of the other lies in the light hidden in the sky, but the place where the light forms is on the fixed ground. If the sky and the earth without a shape are real in that place, the structure of desire is now an abstraction of the factual structure that existed in that place. The representative of the abstract is . This is a structure of desire created by reversible shades of light, which is not a fixed sculpture, but a realistic, non-real figure that makes the existence of a concept recognized. By distorting the pattern hidden in the same image and shadow of the sculpture and lighting it in a real color through a reversible shade of light so that the pattern can be seen, the shape of the reality can be recognized as a being. (Louis Choi Chuljoo Painting and Sculpture Image Installation Performance Concept)

 

Louis Choi Chul-joo Painting and Sculpture Image Installation Performance Conceptual Art Abstraction of Reality Painted at 2022 New York Exhibition : an abstraction poster<morning glory 45-03>

​

Shape image as a conceptual semantic structure of desire: The object of desire , which designed the image as an object, is a real conceptual art image of real morning flowers by linking the non-real conceptual art image with reversible shades of light. This means transferred from , and it is an object of desire that is painted with image as reversible light.

The shape of the object is an abstraction as a modern conceptual art work that is repeated by overlapping "Corona mutant viruses 6" as a reversible shade of light on "morning glory 2022-h", which is the design of the shape, that is, the concept of painting, symbolizing the image of "Corona mutant viruses 6" as "morning glory 45-03".

​

Louis Chul-joo Choi, morning glory 2022-h, 149X185cm, acrylic and composite materials on cloth, 2022

​

​

​

Louis Chul-joo Choi, morning glory 2022 p45, a hand-painted picture on a computer

​

​

​

​

​

Louis Choi Chul-joo, morning glory 2022-h, 20220301~20220308 Flushing Town Hall, New York.

​

​

Contemporary Art Critic & Conceptual Artist Choi Chul-joo's contemporary conceptual art is the concept of early conceptual art, the return of painting, or conceptual art created by painting work.

As a result, "morning glory 45-03" refers to the meaning value of the non-realistic realistic image "morning glory 2021-h" while criticizing phenomenal images such as current events, and is transferred to the actual non-real image "morning glory p45" as a conceptual art.

Beyond mathematical concepts and philosophical meaningful linguistic interpretations, this combines critical perspectives and life values of desire painting with satirical photographs of events. desire painting here means a conversational personality that can be perceived momentarily by staring at the desires of others rather than arbitrary philosophy. (ACN · April 20, 2022 / New York Exhibition New York Exhibition Docent 1)

​

Therefore, the shape frame of the morning glory is drawn differently from objective reality and representational conceptual art so that you can experience the distorted background of reality according to timeliness from the desire of others in rationalization, because the object is a realistic image of a real object separated from the reality transferred from the symbolic world.

 

​

Abstract Painting designer Louis Choi Chul-joo, designs the image of the painting by shaping desire's art theory as a storyboard.

​

Desire Design Methodology in Abstract Art Theory on Painting Design, Modern Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image becomes a non-real abstraction of reality.

​

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

​

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

​

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

​

Chul-joo Choi, <Corona mutant viruses 6>, a hand-painted picture on a computer

​

​

Desire Object The shadow scheme that reproduces the abstract representation image object hides the visual system, but is an abstract object that shows the unrealistic image revealed by the unconscious from the perspective of desire.

The desire of objects hidden in abstraction forms a dwarf image expressed through the other's suppressed unconscious desire to acquire artistry beyond generality and creates a desire of objects as beings, revealing the conceptual artistry of real and unrealistic abstraction by using the image of the other's desire as a semantic structure.

​

This replaces Choi Chul-joo's desire formula, which represents the meaning existing in Louis Choi Chul-joo's 2022 New York exhibition poster image, to reach a conceptual image of a divided desire to abstract another morning glory against the backdrop of pleasure and desire impulse. It shows the real image of the desire of the morning glory, which conceals the desire and inconsistency imagined by the morning glory with reversible shades in the visual system (Choi Chul-joo's desire formula D(I...I')d=I(D...D')i)

​

Louis 2022 New York exhibition 'morning glory 45-03' metaphorically expresses the meaning of life as a reality, a separate area from the realm of the symbolic world. There is no object to express, and the desire meaning of man as a cover-up overlaps with several reversible shades of light. In other words, it is not possible to distinguish which subjects are in the two phases, but these two images are identified as objects to be shown. Here, you can see an image different from the actual image, and the other person's morning glory cheers. The cheering morning glory is again overshadowed by reversible light because it is satisfied with images that are different from reality.

​

The satisfaction of others' desire for morning glory is another morning glory that equates images of other images with the same symbols as those of reality in the mirror, metaphors each other's desires with exhibition posters, and conveys meaning (signifier). As a visual culture of the semantic action of desire, the area of the painting where certain effects occur is , and the image that can see others' desires function visually in the landscape shows the actual and unrealistic expression of desire superimposed on the reversible shadow object of light to express the image of desire as an abstract image.

 

The image of the structure of desire is an idea applied to Choi Chul-joo's desire formula by recognizing what is not in reality as the desires of others.

The image is an abstract image that depicts the unconscious and language alike. The morning glory you see here is a crooked structure with flat colors. This is Choi Chul-joo's concept of desire. So this is a crooked planarity that seems to have the consistent meaning of the morning glory in art conception. The flat image of the morning glory is an abstract desire image that sees the same conceptual art as the reality reflected in the mirror, but the shape of the background reflected in the shadow of reversible light is not the same.

​

Louis Chul-joo Choi, morning glory p45-03, a hand-painted picture on a computer, 2022

​

​

<morning glory 45-03> Meaning of Abstract Desire:

The abstract meaning of art as a modern art abstract work is a cross-sectional image of another cultural space that seems to be an object of change in custom, revealing the infant existence of a chick hidden in the shade of a morning glory as a chicken.

Louis Choi Chul-joo is an abstract painting depicting morning glory in 2022 New York Exhibition as an invisible desire piece in an abstract space, concealing the desires of others in the background of the morning glory, and overlapping objects in the shadow of the background of the "morning glory"

​

Here, the object hidden in the background of the 'morning glory' is a small piece as a desire of others. In fact, it abstracts reversible real space through the movement of symbolic weights that change the shape of the sculpture.

Assuming that space is a desire image formed by reversible shades of light, reality exists as an abstract and imaginary image that reproduces reality in a similar way.

​

Louis Chul-joo Choi, morning glory p45-02, a hand-painted picture on a computer, 2022

​

​

Image Design Abstract as Conceptual Meaning Structure: Desire Conceptual Poster Abstraction as desire image

"morning glory" is an object of desire painted in the form of an imge desire, reflecting the back of an image made by metamorphosis of desire, which means the reality of morning glory.

The image of the object of desire is an abstraction of contemporary art related to the Flushing Town Hall & Yeomyeong Hall poster in 2022 exhibition, which is related to the desire concept, which is a abstract modern conceptual art that repeats the desire of the image as an exhibition image of the painting.

 

Abstraction is thinking about the meaning of the other side because the more you see the form and distinguish the difference, the more you understand the form in one direction, and when you talk about abstraction with a specific image, it becomes a symbolic structure with different colors and sizes.

But desire abstraction, which has the same meaning as a conceptual form, is an abstraction with a realistic image structure of non-realistic concepts such as posters.

Therefore, a realistic abstraction is a real image with the same color and size of an object with a different abstract meaning than an abstract painting with the same meaning of a different shape.

​

Louis Chul-joo Choi, morning glory 45-01, a hand-painted picture on a computer, 2022

​

​

The object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03), which depicts the meaning of the shape seen in the meaning space created by reversible light, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desires of others with timeliness, and the meaning of the conceptual abstract, hidden by the actual changed movement of the shape, shows the desire of the object of the abstract image that reveals the place of the unconscious desire of the other as a non-real virtual image.

​

Conceptual artist Choi Chul-joo's abstract design is a return to a painterly painting with a conceptual mystery, a conceptual art design created by a painterly work. So his contemporary conceptual art criticizes phenomenal images such as current events, but also speaks and abstracts design values with painterly character.

In art, off-the-shelf can't replace painting, it's a concept created like Marcel Duchamp and a message according to the philosophy that his sympathizer Joseph Kossut speaks of.

On the other hand, Choi Chul-joo's conceptual art abstract design, which is based on the illusion of infant imagination in Choi Chul-joo's Abstract Desire art theory, contains the meaning of the concept in desire conceptual art abstraction images, combines critical perspectives and the life value of desire paintings with field photographs of events, beyond mathematical concepts and philosophical meaningful linguistic interpretations, and combines desire conceptual art abstract design with critical perspectives.

Here, desire conceptual art abstract design refers to an abstract design that can instantly recognize the desires of others through a gaze rather than an arbitrary philosophy. (Choi Chul-joo Conceptual Art Abstract Design Interpretation)

​

Desire for Picture Design Concept Abstraction Docent: Modern Art Critic Choi Chul-joo Desire Design Methodology: Choi Chul-joo Desire Image is expressed as the desire formula <D(I...I')d=I(D...D'i)i>. By applying <D(I...I')d=I(D...D'i)i>, overlapping the shades created by reversible light, applying the desire formula by repeating verbal metaphor images, and setting a phenomenal place in another place in one space as a shade of reversible light. As a cultural space, the image of designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

​

The image of <morning glory p45-03> designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

​

​

 

The abstract area of painting, which has a desire specific effect as a meaning of in conceptual art, is an image that allows you to see the desire of others who function gazefully in the landscape.

This is a planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes.

Its existence refers to the abstract meaning of conceptual art, which defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light.

Desire conceptual art abstraction, which replaced the phenomenal place of abstraction meaning with a poster, can distinguish the place of the shape, conceiving the meaning of the desire's surface that interprets the shape. The shape is abstract in color and size similar to the meaning of the ideological structure to say a different meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, so that the image of the object and the abstract meaning are identified with the image of the object, and the subject internally forms a modified abstract meaning. This refers to the abstract meaning of the shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered by shading.

Its meaning is designed as a symbolic language that symbolizes flowers that imitate the desires of others and is abstracted as .

​

Desire's object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03) is reproduced as an abstract object by designing a shape that represents the desire of others in the abstract . In the desire's diagram of the perspective visual system, the visual system creates a shadow of reversible light concealed, and each of the desire objects as a different momentary gaze is abstracted from the other's desire perspective revealed in the unconscious.

In this way, the object abstracted as a desire conceptual art forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality, creates a desire object as a shade of formality with the desire of the other as an existence, and exists as a meaning.

​

As a semantic entity, the object of desire transforms the image of the object of desire into a structure of meaning with a distorted image from the perspective of the other's desire, revealing the image of desire as a different entity of the object, and implies formative value as an autonomous choice for the other's desire.

And a small piece of the other's desire, painterly hidden against the backdrop of a chicken's morning glory, actually shows a real abstract space that can be reversed through the thought movements of images that change shape. This means that the desire of the other exists as an abstract object, and actually the desire object is located in a realistic abstract space shaped on the back of the painting.

​

<morning glory p45> "Flame" is a meaning in which the desire of the other exists as an abstract object against the backdrop of the 2022 New York exhibition, and in fact, the object of desire is located in a realistic abstract space in which a Covid-19 image is embodied on the back of the painting.

​

​

The place of abstract space is no longer specified as abstract, but is displayed as conceptual art and abstraction. Abstraction begins in real life when an infant as a chick grasps the reality of a chicken along with the imaginary world of the image of desire reflected in the mirror. Recognizing that the image of desire as a subject is not itself, the image is transferred to abstraction by interpreting it as a symbolic world through separation from the symbolic image and reality. Abstract images and reality meet reality through division. It reveals the image of desire as a distorted image into reality, but it is an unrealistic reality, which is an encounter with reality, that is, abstraction.

​

The reality of the shape made up of the other's desire meeting with reality shows a non-realistic realistic shape that represents the meaning of the abstract landscape shape, which is obscured by the abstract desire of the other. The shape is an intersection with the actual structure chosen by the desire of the other, created in abstract shades.

This is a non-realistic realistic structure that is momentarily abstracted at the intersection where the desire of the other, designed as a reversible shade of light, appears as a gaze

​

Like Velázquez's "Las Meninas" the abstracted figure reproduces the actual position of the king and queen in the mirror with Velázquez's subjective perspective, making it unclear whether the position as a painter paints a mirrored object or a whole picture. Here, it is difficult to distinguish whether the position of the viewer should be adjusted to the entire picture or to the mirror. And the position of the king and queen in the mirror is unclear whether they are in the painting or reflected in the mirror outside the painting. In this way, it appears to be another abstraction of reality transferred from symbolism as an invisible reality by revealing the reality of another object other than the same object reflected in the mirror in the imaginary world.

By the desire of the other, one object was clearly concealed without being revealed as an object reflected in the mirror, and the reality of the person who sees the picture by looking at another object revealed in the mirror is absent. However, the person who drew the picture replaces the other.

​

At the 2022 New York Exhibition, Choi Chul-joo's expression of abstraction of desire as a conceptual system of desire in abstract art is a linguistic structure revealed by unconscious desire that disappeared from perspective, and the picture that appears as a result of this process has cultural and spatial significance. Picasso designs a place of culture like a composition that combines 3D images and collage techniques revealed in unconscious desire.

While these cultural design images recognize that multi-facetedly unrealistic images are virtualized in the planarity of painting, abstract images can be shaped by a technical method called new abstraction in modern art. This is a virtual image in which the original expresses existence and has an artistic value that emerges the concept of desire.

​

Therefore, the distorted desire image, which is culturally designed, is an image revealed through the desire thinking of others at a multi-point that appears to be a real structure.

The pictorial composition of cultural design is to transfer this image to a fixed image on the cloth. This is the object that designed the desire that emerged as a distorted desire image revealed by staring from the other's desire cultural perspective. / Writing. Choi Chul-joo, critic of contemporary art (contemporary artist & PhD of cultural design)

​

Contemporary Artist Louis Choi Chul-joo