Art Critic Louis Choi Chul-joo's Contemporary Art Review [3] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = "Disappeared pond" Exhibition by ..

Art Critic Louis Choi Chul-joo's Contemporary Art Review [3] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Abstract contemporary art that designed modern art abstract painting [15] Abstract Artist Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: "Disappeared pond" Exhibition by Abstract artist Louis Chul-joo Choi",  20201126-20201210, Minoo media art museum

 

 

 

 

 

Design Criticism: Design Critic Louis Chul-joo Choi's Media Art Abstract Design Review - "Minoo media art museum's  "Disappeared pond by Contemporary artist Louis Chul-joo Choi", 20201126-20201210, Minoo media art museum

 

 

Media-art:  Louis Chul-joo Choi, "Disappeared pond", Still image (a hand-painted picture on a computer), 20201126-20201210, Minoo Media Art Museum

 

 

 

 

Interactive Media Art Design, Louis "Disappeared pond"

 

 

The fish in the pond, not the target, eliminates the texture of the fish and designs the fish embodied in white, separated from the actual lotus flower by the boundary of light.

And abstracts a disappeared pond in black that separates the shaded space of white fish revealed by light.

 

Visualization, which means the features of interactive features, is a language that visualizes the symbol of the medium.

The pictorial image characterized by the structure interacting with the meaning of the language is the language of symbols designed with simplified media images.

It is the language of the other person from the shape that determines the symbolic symbol. And it refers to interactive images of shapes through the language of the other.

 

An interactive image that determines a symbolic symbol is recognized by representing the shape of the other person's desire perspective. Therefore, abstract images that appear to be symbols of unconscious expression are formed by the design of the interaction environment.

Terefore, in interactive media, the visual design of the target depends on the environment independent of the target image. This is the symbol of symbolic visual media design combined with the functions of the object.

Its dual function is the emergence of design through the pictorial imitation of the media and the symbolic meaning of influencing each other to the media and viewers.

When the image of the imitated medium becomes a painting, the visual image is distorted, but the image is a designed symbol symbolizing the original image.

The symbol is the design image revealed by the media through other images symbolized by the actual image.

 

As such, the painting as a media has the artistic meaning of technology, which refers to information as a concrete and symbolic image.

This is a digital media painting design that embellishes a cultural environment that extends the concept of art separated from the reproduction of digital technology and photographic images in the 1990s. 

In other words, painting design is an art that shows the technology of digital media, an essential image as the meaning of language dictated by design.

But the interactive media art of the Minoo Media Art Museum's Digital Pond has returned the role of media art to an image of a known painting without designing a symbolic image.

 

Painting imitations are symbolized by the repetition of very unstable images forming linguistic meanings. This is an imitative painting effect found in abstract proposition. It creates a metaphorical shape defined by the combination of symbols and the combination of meanings that replace them.

The main motifs moving from the "digital pond" to the symbolized lobster and human fish are Joan Miro‘s "glamorous smile of the wings"(the smile of the flamboyant wings, 1953).

And Paul Klee's "Castle and Sun, 1928" on the bottom of the pond is the main motif of the background.

 

Louis Chul-joo Choi, Media-art "Disappeared pond", Still image (a hand-painted picture on a computer: pond-51), 2020

 

 

The image of the pond was described as a symbolic image and a virtual image interacting with the touchscreen.

Collage, which combines the image of Damien Hurst's "Beautiful, amore, gasp, eyes going into the top of the head and flutter painting"(1997) and Gustav Klimt's "Kiss" (1908), with the symbolic image of jellyfish and turtle shapes, forms a surreal pond.

On the other hand, the media art "Disappeared pond" is a digital art of painting designed in monochromatic and contours of objects, separating images of photographs in media art into conditions of light.

It is a reproduction of the digital pond of the Minoo Media Art Museum, which combines the concept of impressionist paintings and popular culture, which is reproduced by collage photographs.

As an alternative image of a real pond, a fish made of media as a moving fish becomes the main body, and the design image of a real fish is decorated in the form of a virtual performance involving timely two-way participants consisting of optical media art.

 

 

The form of performance as an object symbolically digitizes the real pond in the media, but the interactive composition emerges from the real design.

In fact, since digital ponds are given a hypothetical meaning, fish there always exist in ponds, even if they are imitative images of images.

The imaginary pond effect is that the image of the pond separated from the lotus flower is expressed differently from the symbolic meaning of the fish

 

A simplified imitative image of form as a fish defines a linguistic meaning, such as a symbolic mark.

Another symbol is the image of the process of repeating the association with lotus flowers as a verbal meaning of fish and meeting the meaning associated with the design of fish symbols in ponds.

It is a symbolic meaning of interpreting a "Disappeared pond" designed as a simplification process. 

Here, the lotus design of impressionist images visualizes the characteristics of "disappeared pond" as symbolic images, but the impressionist painting style emphasizes the primary color of light except black, which defines the form.

 

The symbolic symbol hides the imitative nature of the painting, which is structured by the symbol around some form of reality that cannot be a fish by the intervention of light.

Miro's fish, like Cezanne, decomposes colors by simplifying shapes into geometrical structures and multidimensionalizing the direction of light like Picasso.

And while creating imaginative symbols transcending reality and designing images with the process of separating the boundaries of light into white and black, the fish in the "disappeared pond" form a white color that distinguishes light and the pond designs lotus flowers by imitating impressionist paintings.

As an impressive painting, a lotus flower becomes a symbolic image of a pond, and a fish separated from the reality replace the pond as an imitative symbol image.

And pictorial imitation are symbolized as a design process by creating aesthetic effects by highlighting simplified features through the design of visual symbols.

 

 

"Disappeared pond", shows the linguistic meaning of being real. Here the design of the essential elements of fish and ponds is abstracted into black ponds that contrast with the fish of white, which contrasts with the brightness of the light of realistic lotus flowers.

And by metaphor of fragmented meaning, the visual design image of the fish as a symbol is the white fish as a mark. The abstract design, which replaced the black pond intertwined with the fish in different meanings, expresses the meaning of the disappeared pond.

Therefore, the expression of symbols in pictorial imitation determines the meaning of symbols. To decide here is to abstract the design that determines the expression and meaning of the symbol.

 

Miro's "smile of brilliant wings" is an abstract of pure colors, such as red and blue, combined in carved symbols. The symbols are symbolized when they have linguistic meanings in abstract images. So beyond the boundaries of impressionist paintings, Miro's fish are abstracted into a pond. 

In other words, symbols representing meaning are symbolized by abstract figures that reveal the meaning of the feature.

With this symbolic image that goes beyond the actual range of the fish in the painting, the Miro's fish is reminiscent of a pond.

 

 

Abstract design is the sum of the linguistic meaning, i.e., symbols as imitative actual images, where the choice lines of images and designs intersect to form the concept of abstract meaning. The symbol designed like this is a nonverbal pictorial iconic image.

The design value of the image is the effect of the media that enables communication.

However, when its meaning is abstract design, the symbol image designed follows the abstract meaning of the whole symbol image as a communication unit unrelated to the linguistic meaning. 

 

Therefore, the symbolic design, which is abstracted into a black pond, abstracts the disappeared pond in the sense of the sum of the symbol image not the symbolic image of the pond associated with the white fish.

So these symbols, designed through the imitation of paintings, are abstract summing up the meanings of nonverbal images.

The design, which abstracts the image of the picture before it is realized through imitation of the painting, is the "disappeared pond."

It reveals a symbolic image through the language structure of the pond and actualizes the abstract image that disappeared from the black pond, which is not meaningful through the specific symbolic image of the missing pond.

 

The design of unrealistic symbols focuses on the meaning of the object to the symbol, and the meaning is communicated when it functions as the shape of the media.

Abstract design is the visual appearance of fragmented meaning as a symbol in the media.

This dictates the meaning of symbolic action that characterizes a design that repeatedly combines pieces of distorted images in the process of pictorial imitations. 

The meaning is a symbolic language symbolizing the imitated image. Here the image is a piece of symbolic meaning in an unrealistic space. /Writing. Louis Chul-joo Choi, head of the Academic and Arts Research Division at the Museum of Minoo media art museum (Contemporary art critic & media art painter)

 

 Art Critic Louis Choi Chul-joo