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Art Critic Louis Choi Chul-joo's Contemporary Art Review [11] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design
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Art Critic Louis Choi Chul-joo's Contemporary Art Review [11] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Contemporary Artworks Review & Artist Artworks [1] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / Media Art Steel Photography: "In Front of the "Bamboo Forest" Photo Review / Photo Aesthetics Review: Photo Critic & Image Concept Artist Choi Chul-joo's Photo Review & Modern Photo Aesthetics Review: Media Art Still Image Photo: "Media Art Steel Photo: In front of Bamboo Forest" 20201126-20201210, Minoo Media Art Museum
Abstract design as a conceptual semantic structure Abstract photography of modern art : The contemporary artwork posted on Facebook: Abstract Photo of Painting <In front of Bamboo Forest> Louis Choi Chuljoo, Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 20201126-20201210, Minoo Media Art Museum
Photo Review and Contemporary Photo Aesthetics Review Media Art <In front of Bamboo Forest>: "Bamboo Forest" Media Art 2nd Edition (Picture of Painting), 2023
Desire Concept Realistic Abstract Work: Choi chuljoo, In front of the bamboo forest 87- The special feeling of the body and mind 3: Desire's imaginary world and metamorphic Desire Formula <D(I...I')d=I(D...D'i)i>.. By repeatedly applying <D(I...I')d=I(D...D'i)i>, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photography. These pictorial photographs are transforming into abstract photographs pursuing the fantasy beauty of composition and form, not pictorial imitation.
Accordingly, Dr. Choi Chul-joo worked as the head of the academic research office of the Minwoo Museum of Modern and Contemporary Art dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. And as the second work of "Bamboo Forest," "In front of the Bamboo Forest" is a photo of the abstract painting "In front of the Bamboo Forest" produced by abstract artist Louis Choi Chul-joo.
Louis Choi Chuljoo, <In front of the Bamboo Forest 196>: Louie's media art "bamboo forest" 2nd edition of contemporary artwork(Abstract photography), 20201126-20201210, Minoo Media Art Museum
A still image photo of <Bamboo Forest> that embodies the still image composition of media art through painting
20201126-20201210, Minoo Media Art Museum
Photographs that reveal the spatiality and timeliness of photographs as continuity of light are close to pictorial photographs. These pictorial photographs are transforming into abstract photographs that pursue the illusion of composition and form, not pictorial imitation.
Accordingly, Choi Chul-joo, a doctor of cultural design, worked as the head of the academic research office of the Minoo Media Art Museum dedicated to media art and created <Bamboo Forest>, which embodies the composition of media art based on light and painting, which are the basic characteristics of photography. In addition, as the second work of <Bamboo Forest>, the image of the abstract painting <In front of the Bamboo Forest> produced by abstract artist Louis Choi Chul-joo was embodied as a media art still image.
Still Image Photo-142: A still image of embodied in paintings
Still Image <In front of Bamboo Forest> Photo-142, A still image of <In front of Bamboo Forest> embodied in paintings : Painting <In front of the bamboo forest> overlapping the landscape image on the outside of the photo frame limited to the bamboo forest
Still Image <In front of Bamboo Forest a>
Still Image <In front of Bamboo Forest b>
Still Image <In front of Bamboo Forest c>
Still Image <In front of Bamboo Forest d>
Still Image <In front of Bamboo Forest e>
Still Image <In front of Bamboo Forest f>
Louis Chul-joo Choi, the bamboo forest d94, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a75, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest b74, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a102, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest f86, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest a112, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest c91, a hand-painted picture on a computer
Louis Chul-joo Choi, In front of bamboo forest d98, a hand-painted picture on a computer
The still image of <Bamboo Forest> embodied in paintings is a parody of existing bamboo photographs and is an inevitable formality that is conscious of the exact composition and light space calculated like Edgar Degas' photograph.
Realistically, the appearance of rain and wind encountered by chance is drawn as it is, showing the bamboo forest tailored to aesthetic time and the form of photographs that occur at that time. Unlike the media art <Bamboo>, in which bamboo forest photographs are drawn in dark blue, the picture image of the background overlapping on the front outside the limited photo frame of bamboo is <In front of Bamboo Forest>.
In media art, the meaning and effect of an image become the subject of the space with different temporality due to the time when the image does not affect the space within the surface area.
Therefore, the meaning and effect of the image that affects the space are the subjects of the space in that time.
The "bamboo forest," which paints the meaning and effect of images that affect space, is an image tailored to the perspective method copied from the photographic image. As a result, the aesthetic value of bamboo forests leaves traces with media art <In front of the Bamboo Forest>. The expression of the bamboo image reveals the relationship between the unstructured form hidden in the image as a non-existent picture and the subject of time.
The timeliness of <In front of the Bamboo Forest> is a picture of a virtual image drawn by creating a virtual space for media users and another time-based intervention, and the media art <In front of the Bamboo Forest> shows visual continuity.
This imprints the light and darkness of the bamboo overlapping the invisible bamboo forest, and objectifies the reality of the bamboo painting away from the picture.Here, the impression represents the relationship between the object of the image and the symbolic representation of the photograph, and the structuralist form of the bamboo as the object becomes an irrevocably stationary symbolic photograph. In a photo review of Kim Dae-soo's <Voice of the Bamboo>, Choi Chul-joo said that the structure of bamboo sounds is a structure that transforms sounds consisting of visual recognition and auditory photographic processes that "give life to the vertical line and intersect at an appropriate angle." However, bamboo paintings distort the meaning of bamboo photographs, which are identified differently from the similarities seen. This suggests that the picture and the picture do not existentially match.
Accordingly, an image in which a bamboo photograph of another shape and a realistic background photograph overlap should be drawn in the same manner as a media art still image photograph.
Choi Chul-joo's "In front of the Bamboo Forest" painting is metaphorical like the structure of language, so the meaning of one picture is not the same as the shape of bamboo, so it structures reality with unconscious pictures of non-existent rain and wind in another bamboo forest.
And he replaces the virtual image drawn by the subject of the bamboo forest with other media art and decorates the reality of the inner image of the bamboo forest. / Writing. Contemporary art critic Choi Chul-joo (Media Artist & Doctor of Cultural Design)
