Art Critic Louis Choi Chul-joo's Contemporary Art Review [2] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Art Review: Art Critic Choi Chul-..

Art Critic Louis Choi Chul-joo's Contemporary Art Review [2] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Art Review: Art Critic Choi Chul-joo's Abstract Review & Contemporary Artist Shaded Structure Treacherous Conceptual Art Abstract Design [11]  Modern abstract artist Louis Chuljoo Choi's  <최철주섬계방대도 Choi Chul-joo, Island Gyebangdaedo> 

 

Famous contemporary artist, modern painter, abstract painter, Korean painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Korean painting' traditional landscape painting abstract design 

 

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

 

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 

A shape abstracts the concept of a realistic structure and determines its shape by a reversible shade of light, but as the entire shape is obscured, the shape is summed up in monotone.

 

Louis Chul-joo Choi, 최철주섬계방대도(崔徹柱剡溪訪戴圖), 6X6cm, acrylic and composite materials on vinyl, 2021

 

 

 

<Choi Chul-joo, Island Gyebangdaedo>, which became a landscape as a meaning of an old story

 

 Choi Chul-joo's Island Gyebangdaedo is a landscape painting composed of paintings of the ancient Chinese Yuan Dynasty, and is the same as the Island Gyebangdaedo. The realistic structure is abstracted into hues by inserting reversible shades of light into the island's atmosphere.

Therefore, images are abstractions that match shapes and concepts with contrasting light that illuminates the place of the shade with shades.

Rather than an aesthetic structure that forms the value of an image in a phenomenal concept, it is a literary painting that speaks of life experiences in accordance with abstract concepts and the meaning of death. It looks like a Time landscape from the past time when I saw it as a discipline, not distinguished from images.

 

Hwang Gong-mang's Island Gyebangdaedo (剡溪訪戴圖) drawing forms linearly and determines perspective treatment as a joke of ink, but Choi Chul-joo Island Gyebangdaedo darkens the shadow of the object with reversible light with pointillism, overlapping the experience and timeliness of the impression with color points.

It refers to an island by exaggerating the small stream of water in the valley in contact with the landscape with its color tone and the structure of the shade treated with reversible light. 

 

Wang Ja-yu, who visited his friend there by boat, was excited and went there, but after God disappeared, he described mountains and water, saying, "Do I have to meet you?" (何必見戴), but it is the same as Choi Chul-joo's "Island Gyebangdaedo" and "morning glory", which represents desire.

The "morning glory" conceptual abstraction by mirroring the unrealistic desires and unrealistic objects of desire.

As an imaginary world, Choi Chul-joo's "Island Gyebangdaedo" calculates the difference between the mountain and the river's landscape facing the desires of others by the color of the river.

This was adapted to the subject of the concept of artistic desire by representing the romantic historical events with the desires of others.

Like the consultative mise-en-scène of ancient history, desire and valleys are equipped with color dots as visual materials.

From the water surface of the valley to the outline of the mountain, the surface of the mountain, which is overlapped with the maple color according to time, is composed of very short color dots.

 

Composition conveys the meaning of old stories and combines perspective and color to form an inseparable volume.

By fixing the perspective shape with color dots, the volume is formed with a color tone simply treated with color sensitivity.

This is a formative effect that embodies the meaning of an old story, but it does not reveal reality like a pictorial photograph, but expresses formative reality through literary recognition. In other words, it is a beautifully abstract painting with the meaning of the previous story as an abstract landscape 

 

By stopping repetitive temporality in abstract space, the picture is fixed in abstraction as an image of an object without an object.

This is a physical shading structure in which reversible light is added to the color tone, unlike the picture of the Hwang Gong-mang's painting, which sweeps the contour into a shading structure. The structure abstracts the concept of referring to an object in which realistic outlines and abstracts are non-realistically overlapped, such as the 'Choi Chul-joo morning glory'.

 

Louis Chul-joo Choi, 최철주섬계방대도(崔徹柱剡溪訪戴圖), 6X6cm, acrylic and composite materials on vinyl, 2021  

 

The conceptual art of "Choi Chul-joo morning glory" is an abstract idea attributed to the art theory of the concept of desire. As a result, the concept is abstracted into traces of practical formality and reversible shades of light as a non-realist with the theme of the desire of others.

This place where abstractions are illuminated forms a stream of abstract concepts where the realistic structure is omitted.

The creek is positioned by irregular dots that extend to the middle of the mountain and its shape structure reflected in the stopped waves. This forms the aesthetic needs of the literary old story where the life seen as a dot has settled, and shows linguistic sensitivity by illuminating the value of life in the stream with the imaginary mountain as a reversible color point of light. And it makes a mountainous landscape appear as a reversible light with a volume of a dot about a life hidden in a stream. This refers to the value of life as the cognitive structure of desire hidden in timeliness time. It is an abstraction of the non-real structure as a conceptual form as a structure of the same meaning.

 

"Choi Chul-joo  Island Gyebangdaedo" is a modern conceptual art that abstracts the meaning of an old story in the process of realizing the concept.

This creates a life pattern according to the symbolic landscape of the story and abstracts it in abstract shades.

The  Island Gyebangdaedo, where one meaning that does not distinguish the genre of the image has become a conceptual landscape, faces the gaze from an abstract perspective.   / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)

 

Korean painter & contemporary abstract artist Louis Choi Chul-joo