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Art Critic Louis Choi Chul-joo's Contemporary Art Review [1] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Review of Korean News Cartoon [1]..

Art Critic Louis Choi Chuljoo

by Art Review 2023. 10. 29. 13:57

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Art Critic Louis Choi Chul-joo's Contemporary Art Review [1] Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Review of Korean News Cartoon [1] Trump's tariff on Chinese-made Apple is apple-shaped. (2018.9.10.) / Reporter Choi Chul-joo’s Cartoon Review

 

Choi Chul-joo, <Trump's tariff on Chinese-made Apple is apple-shaped>, a hand-painted picture on a computer

 

Review of Korean News Cartoon [1] Trump's tariff on Chinese-made Apple is apple-shaped. (2019.9.10.) Reporter Choi Chul-joo’s Cartoon Review 

Trump's tariff on Chinese-made Apple is apple-shaped.

Le tarif de Trump, fabriqué en Chine, est en forme de pomme. 

 

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image.

 

Choi Chul-joo, <Trump's tariff on Chinese-made Apple is apple-shaped 3>, a hand-painted picture on a computer

 

 

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p15-7-Trump's tariff on Chinese-made Apple is apple-shaped : Desire's imaginary world and metamorphic Desire Formula <D(I...I')d=I(D...D'i)i>.. By repeatedly applying <D(I...I')d=I(D...D'i)i>, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Trump's tariff on Chinese-made Apple is apple-shaped> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

 Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p15-1, a hand-painted picture on a computer 

 

 

 

Busan News Week Cartoon Review1 <1-1> To suffer under the restraint of one's words and actions(2018.9.10.)

<To suffer under the restraint of one's words and actions 自繩自縛- Trump's Chinese-made Apple tariffs look like an apple.     

 

As a visual cognitive system, symbols are the meaning of language.

The symbols you see have the symbolism of meaning.

A new cut of cartoon image becomes a visual language as a semantics when meaningful. 

The image of Apple's cymbal in “Trump's Chinese-made Apple tariffs look like an apple.” is the shape of an apple and the reality of Apple's symbol are not the same.

This is a pictogram that forms a cognitive correlation and conveys meaning as a pictorial language.

Symbols are therefore images of universal meaning. In other words, the image spoken by the symbol becomes correlated, creating a linguistic area.

However, the linguistic domain consists of a non-visual followed by a "Wernicke's area" in which visual recognition is made in semantic language. The emergence of meaning through symbols here constitutes a semantic element when visual symbols are identified with semantic words. Thus, symbols represent visual meanings by having a symbolism. The process of recognizing the tastes is a self-examination.

    

Cartoon <Side of the Full Apologise to Trump>: Choi Chul-joo      

In “Trump's Chinese-made Apple tariffs look like an apple.” Apple refers to the company, and the apple is in full shape. Therefore, it means that Trump will raise tariffs on products made by China-made Apple Inc. This is a symbol: Apple Inc.'s sense of symbolic recognition of symbolism for symbolism determines Trump's tariff increases by itself as "self-consciousness of self-reflection" in an incomplete form different from a full-size apple.          

Cartoon: <The double meaning of red apples is the taxation of Chinese Apple products>: Choi Chul-joo     

In the form of self-reflection, reality is the image of Apple's symbolism, another symbol separated from the shape of an apple. where arbitrary images set the impossible condition of self-consciousness to avoid being equated with false apple-shaped symbols as the condition of progress of consciousness. 

And Trump and Xi Jinping, who are subject to tariffs and looking at responses as subjects of the linguistic sphere, show symbolic gravity by expressing comic feelings about their opposition to the tariffs imposed. 

The character symbolizes the image of character and role as an expression of emotion. When a character tells a serial story to a other, it becomes a cartoon with a theme. 

Some cartoonists metaphorically express its dual meaning by drawing a dual-meaning character symbolizing social or political metaphors.

Comic double meaning has the meaning of a cut cartoon, which includes the symbolic image and symbol of the symbolic meaning. A cartoon is created with a cartoon character's desire as a theme over and over again, and the others interprets the cartoon by combining and integrating the double semantic themes of cut cartoon from the virtual images of the cartoon with a reflective self-consciousness.

Therefore, Xi Jinping suffers from what Trump himself said as a treacherous "Trump's Chinese-made Apple tariffs look like an apple." meaning that Trump's Chinese-made Apple tariffs are shaped like apples. That is, Trump's act means the rampant abuse of power that levies tariffs on others.This is a symbol because the progression of the ritual, which recognizes Apple Inc.'s apple symbol as an apple, creates a self-reflection of treacherous <To suffer under the restraint of one's words and actions 自繩自縛> in the conscious. However, the meaning of the form of symbols in self-consciousness is a metaphor seen in the cartoon, and it does not go beyond the category of imitative cartoons. It enters the structure of meaning, a system of perception, accepting the meaning of symbolism. In other words, the structure of the visible meaning is transmuted into symbols of the symbolic meaning. 

As the structure of symbolic meaning is ostensibly identical to the image of the symbol, the subject of consciousness forms the symbol of the modified meaning. Symbols formed here are symbols specific to the shape deficiency that appear to reflective self-consciousness, and have dual meaning of symbolic symbols and visuals in establishing cognitive relationships with others.

It is a cartoon effect that is found in the perception of the other with the insufficient image of forming a meaning as a symbolic symbol. It is the semantic structure of the cartoon, which defines the meaning of the symbolized symbol as a ritual.

Thus, the cartoon as a symbolic symbol sticks to the meaning of the imaginary symbol as a symbol. In other words, the meaning as a symbolic constraint in cartoons is defined as the symbolism that has been embodied by the cartoon's desire.               

 

Art Critic Louis Choi Chul-joo

 

 

 

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